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Photo GUITRY, Sacha. 

GUITRY, Sacha. 

Elles et Toi. 

Monte-Carlo, Raoul Solar, 1946.
More Details >
450 €

First edition.
One of the 300 first copies, signed by the author.
Presentation copy to Marc Gilbert Sauvageon, French playwright, screenwriter and director.

Photo GUÉRIN, Marcel. 

GUÉRIN, Marcel. 

Dix-neuf portraits de Degas par lui-même Précédés de deux portraits de Degas Enfant. 

Paris, Marcel Guérin, 1931.
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500 €

First edition limited to 125 copies. Copy n.56 signed by Guérin.
Contrary to what the title suggests, there are in our copy 20 portraits of Degas by himself preceded by two portraits of Degas as a child.

Photo GUÉRIN, Marcel. 

GUÉRIN, Marcel. 

L'oeuvre gravé de Gauguin. 

Paris, H.Floury, 1927.
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250 €

First edition limited to 600 copies. Copy n.156.

Photo GRIGORIEFF, Boris. 

GRIGORIEFF, Boris. 

Visages de Russie. 

Paris, Paul Ollendorf, 1923.
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700 €

First edition.
Edition limited to 500 copies, ours unnumbered.
Boris Grigorieff is a Russian avant-garde painter specializing in portraits. He will create in 1929 a fresco for the society of nations "Faces of the world".

Photo GRETRY, André-Ernest. 

GRETRY, André-Ernest. 

Mémoires ou essai sur la musique. 

Paris, Prault, 1789.
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150 €

First edition.
The Memoirs of Gretry constitute a document of particular importance for the musical and literary history of the 18th century. There are indeed many details concerning not only the life of Gretry, his feelings, his musical works, but also music in general, comedy, painting, travel .... and various writers and composers.

Photo GRASSET, Eugène || GILLOT, Charles. 

GRASSET, Eugène || GILLOT, Charles. 

Histoire des quatre fils Aymon - très nobles et très vaillans chevaliers. Illustrée de compositions en couleurs par Eugène Grasset. Gravure et impression par Charles Gillot. Introduction et Notes par Charles Marcilly. 

Paris, H. Launette, 1883.
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2000 €

The story of the four Aymon sons is a legendary tale, which was originally a gesture song from the French Carolingian era. The four heroes, sons of Duke Aymon, are introduced to the emperor Charlemagne and will live many adventures accompanied by an enchanter and a magical horse.
Their adventures are finely illustrated by Eugène Grasset (1845-1917), one of the representatives of Art Nouveau. It combines, with delicacy and simplicity, iconography inspired by the Middle Ages and the Knighthood with Art Nouveau style (with stylized forms and characteristic ornamental motifs such as flowers).

Photo GRAPPE, Georges || [DEGAS]. 

GRAPPE, Georges || [DEGAS]. 

Degas. 

Paris, Librairie artistique internationale, [1909].
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200 €

First edition.
Deluxe edition limited to 200 copies (no. 26), signed by the author.

Photo GOYA Y LUCIENTES, Francisco. 

GOYA Y LUCIENTES, Francisco. 

Lot de 7 ouvrages relatifs à Goya, dont Nouveaux Caprices de Goya. Suite de trente-huit dessins inédits. 1907. 

s.l., s.n., s.d.>
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120 €

Seven books related to Goya.

1. LAFOND, Paul. Nouveau Caprices de Goya. Suite de trente-huit dessins inedits. 1907. 4to , (4)-12-(6) pages and 38 plates. Contemporary printed hardcovers, upper joint split at the extremities. Copy N. 534 (on 600)
2. BOIX, Félix. La primera edicion de Los Caprichos. 1929. Covers soiled.
3. MALRAUX, André. Dessins de Goya au Musée du Prado. 1947.
4. Sanchez Cantón. Maitres d' Autrefois. GOYA. 1930. Fold mark on the upper cover.
5. The london mercury. August 1935. with a plate of the drawing "Mala Noche" of Goya.
6. La Revue des Arts. 1954. Extrait n°1 : Goya
7. GASSIER, Pierre. Vie et oeuvre de Francisco Goya. L'oeuvre complet illustré: peintures, dessins, gravures. 1970

Due to the weight of this set (arround 9 kg) , no shipping out France or with shipping extra cost (please ask confirmation).

Photo GOLL, Claire || CHAGALL, Marc. 

GOLL, Claire || CHAGALL, Marc. 

Journal d'un cheval. 

Paris, Editions Manuel Bruker, 1952.
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1200 €

First edition of illustrations.
Cover illustrated in color and 6 engravings by Marc Chagall.
The horse has always been at the center of Chagall's dreamlike work, it is an animal that is almost always present in the paintings of the Russian master. It is therefore natural that Manuel Bruker asked the painter to illustrate this short story by Claire Goll.
Chagall and Goll will become friends and Chagall will draw the tomb of Yvan and Claire Goll after the death of the latter in 1977.
One of the 105 copies on Vélin de Rives, ours n°138.

Photo GOETHE, Johann Wolfgang von || COLLOT, André. 

GOETHE, Johann Wolfgang von || COLLOT, André. 

Faust - Le Second Faust. Illustré par A. Collot. 

Paris, La tradition, [1937-1938].
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800 €

On of the 34 copies on Japon Impérial paper, with an additionnal suite and an original drawing. Our copy contain an second additional drawing.

Translation by Gérard de Nerval, with illustrations by André Collot.

André Collot (1897-1976) was a French illustrator, engraver and painter known for his many illustrations of erotic books. However, by working on the illustration of Goethe's "Faust", he revealed a darker part of his work and succeeded in transcribing all the tragedy of the work of the famous German writer.

Photo GOERG, Edouard || POE, Edgar. 

GOERG, Edouard || POE, Edgar. 

L'Ange du Bizarre, suivi d'autres contes. Eaux-fortes originales d'Edouard Goerg.
Et un ensemble de dessins et de documents de ou relatifs Goerg. 

Paris, Marcel Sautier, 1947.
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1200 €

Limited edition of 275 copies (No. 192) illustrated with 28 original etchings by Edouard Goerg (1893-1969), expressionist painter, printmaker, and illustrator.

Presentation copy from Edouard Goerg and his wife Elana to Francis Gobin: "à Francis Gobin et son épouse charmante avec nos voeux les meilleurs pour 1959 et l'expression de nos sentiments de fidèle amitié."

We add :
- 6 preparatory drawings intended to illustrate "Le Manteau de Parade" by Francis Lafavery, with an introduction by Jeau Cassou. [1954] with 2 original lithographs by Goerg). The 6 preparatory pencil drawings are indeed three versions of these two illustrations. We also enclose this book (other provenance). Spine broken.
- GEORGE, Waldemar. Goerg. 1965. Presentation copy from Goerg and Waldemar George to Francis Gobin.
- An original lithograph signed in pencil by Ed. Goerg and printed in an edition of 15 (our number 8)
- In an envelope addressed to Francis Gobin: a greeting card from Edouard and Elena Goerg with an original drawing.
- Wedding announcement of Goerg's daughter, Clause-Lise, with Christian Germak. 1961. Illustrated by Goerg. Printed in 190 copies according to the 1989 exhibition catalog, no. 106 (see end)
- A business card from Christian Germak
- Copy of a letter from Héléna Goerg to Francis and Thérèse Gobin in which she requests their assistance in the conflict with her daughter-in-law concerning Edouard Goerg's estate, with a copy of the latter's will and Francis Gobin's response
- Catalog of the "Edouard Goerg" exhibition from November 7 to 25, 1989, in Paris.

Photo GERICAULT, Théodore || (GOBIN, EITNER, BERGER, BUHLER, ...). 

GERICAULT, Théodore || (GOBIN, EITNER, BERGER, BUHLER, ...). 

Lot de 28 ouvrages relatifs à Géricault provenant de la bibliothèque de documentation de Maurice Gobin. 

s.l., s.n., s.d.>
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1200 €

Twenty-eight books and exhibition catalogs relating to the work of Théodore Géricault.

This collection comes from the documentation library of the art dealer Maurice Gobin (later his son Francis).
Maurice Gobin was also a collector of Delacroix's works and from time to time we see works by Delacroix from his collection on the market.
In 1935 he organized an important "Exposition de Dessins Aquarelles & Gouaches, par Géricault" (see n.2).

1. GOBIN, Maurice. Géricault : 1791-1824 dans la collection d'un amateur. 1958.
Catalog of 59 watercolors and drawings by Géricault from Maurice Gobin's personal collection.
Maurice Gobin copy's, who added a corrective note to his entry for issue no. 48.
2. GOBIN, Maurice. Exposition du 5 au 21 décembre 1935 de Dessins Aquarelles & Gouaches, par Géricault 1791-1824.
Two copies of the catalog for this exhibition - Maurice Gobin, copiously annotated these copies. They contain details, corrections, mention of pieces not in the catalog, ...
Very interesting. Attached are two typescript sheets "signed by Maurice Gobin's expertise" of the works loaned for this exhibition with the names of the lenders and the value of the works.
3. La belle France - n°11. 1936. with a 2-page article reporting on Maurice Gobin's Géricault exhibition. Poor condition.
4. [GOBIN, Maurice], Collection de Monsieur M.G... Vente du Jeudi 9 juin 1960. Hotel Drouot Salle N°8.
Catalogue of the sale of works from the Maurice Gobin collection. It includes several works from his Géricault collection (see no. 1). A copy by Maurice Gobin with all the auction prices noted and sometimes the names of the buyers.
5. Exposition Géricault 24 avril – 16 mai 1924 à l'Hôtel Jean Carpentier. Covers in poor condition and loose. With the rare supplement sheet (additional works from nos. 338-359).
6. Marie Sterner Galleries. First exhibition of Gericault Painting – Drawings. November 16 to December 5, 1936.
Copy of Maurice Gobin filled with the list (with prices) of the works belonging to him and for sale at this exhibition and the copy of the letter sent by Maurice Gobin to Mary Sterner on March 20, 1937 in which he is surprised not to have had any news and asks which of these works have been sold.
7. BERGER, Klaus. Gericault Drawings and Watercolors. 1946. Presentation copy to Maurice Gobin.
A copiously annotated copy by Maurice Gobin, providing clarification on certain works, calling into question the attribution to Géricault, particularly one of them. Indeed, Berger claims that it was exhibited in 1935 by Gobin (see no. 2), but Gobin asserts (supported by a photo filled with notes) that it is not the same work.
This copy is peppered with correspondence between Gobin and Berger. A first letter from Berger (1945) in which he thanks Gobin for sending two Géricault works (we have found which ones) and the others (about ten pages) after the publication of the book, with vigorous exchanges about Berger's attribution of certain works to Géricault.
8. BERGER, Klaus. Gericault und Sein Werk. 1952.
This German edition reproduces 95 of Géricault's works, compared to 52 in the first edition (see no. 7). A few annotations by Maurice Gobin and 1 attached leaflet where he specifies, according to him, the drawings which seem to him "beautiful, very beautiful, true", "good or quite good, plausible or questionable" and the last ones "mediocre or bad, impossible or false".
9. EITNER, Lorenz. Deux Oeuvres inconnues de Géricault au Musée d'art Moderne. Offprint from bulletin des musées royaux des Beaux Arts. Juin 1953.
Presentation copy to Maurice Gobin. Copy filled with the draft of a thank you letter from Gobin to Eitner in which he expressed his keen interest in the article, offered to show him some drawings and to exchange or even publish together on Géricault.
10. The Burlington Magazine. Special issue devoted to Théodore Géricault. 1954. With 2 pappers from Eitner.
11. EITNER, Lorenz. Two rediscorevers landscapes by Gericault. Offprint from The Art Bulletin juin 1954 . Presentation copy to Maurice Gobin (few annotations)
12. EITNER, Lorenz. The open window and the storm-tossed boat : An essay in the iconography of Romanticism. Offprint from The Art Bulletin Décembre 1955. Presentation copy to Maurice Gobin
13. EITNER, Lorenz. The Sale of Gericault's Studio in 1824. Offprint from la gazette des Beaux Arts. Février 1959. Presentation copy to Maurice Gobin
14. EITNER, Lorenz. Gericault's «Dying Paris » and the meaning of his Romantic Classicism. Offprint from the Master Drawing. 1963.
Presentation copy to Maurice Gobin (died in 1962).
15. EITNER, Lorenz. Gericault An Album of Drawings in the Art Institute of Chicago. 1960. Presentation copy to Maurice Gobin . Few annotations.
16. EITNER, Lorenz. Gericault. Fine Arts Museums of San Francisco, 1989.
17. EITNER, Lorenz. Géricault. Sa vie, son oeuvre . 1991.
18. BÜHLER, Hans. Gericault: 1791-1824. Gemalde, Aquarelle, Zeichnungen. 1956. Printed in a thousand copies, ours is one of 50 numbered (no. 15) by hand with a dedication from Hans Bühler to Maurice Gobin "to whom Géricault owes everything". Filled with the draft of Maurice Gobin's thank you letter. "What a delight! Here are gathered so many beautiful works that I had already admired at your place, forming the most beautiful and most important collection in the world...".
19. BÜHLER, Hans. Theodore Gericault: The Hans E Buhler Collection of Pictures, Drawings and Lithographs - Christie's London - November 15. Catalog of the sale of this fabulous collection. With prices.
20. LEBEL, Robert. Géricault, ses ambitions monumentales et l'inspiration Italienne. 1960. Few annotations.
21. Géricault dans les collections privées françaises. Exposition 6 Novembre ~ 7 Decembre 1964.
22. GRUNCHEC, Philippe. Géricault. Dessins et Aquarelles de Chevaux. 1982. Presentation copy to Francis Gobin.
23. GRUNCHEC, Philippe. Tout L'oeuvre Peint De Gericault. 1978. Presentation copy to Francis Gobin.
With a card from the author to Francis Gobin, expressing his regret that "your superb drawings cannot appear in the book I am preparing. Once again, I can assure you of the utmost discretion."
24. SCHNEIDER. Un rêve de pierre. Le Radeau de la Méduse. Géricault. 1991
25. Géricault: Galeries nationales du Grand Palais, 10 octobre 1991-6 janvier 1992.
26. CLEMENT, Charles. Gericault: Etude Biographique et Critique avec le Catalogue Raisonne de l'Oevre du Maitre . 1879
Contemporary quarter morocco. Foxings, one ink stains, few annotations. We add a second copy of the work, the second edition of 1867. Contemporary printed wrappers. Poor condition
27. Géricault raconté par lui même et ses amis. Pierrre Cailler éditeur. 1947
28. REGAMEY. Gericault. 1926. Poor condition.

Due to the important weight of this set (arround 20 kg) , no shipping out France or with important shipping extra cost.

Photo GEISER, Bernhard. 

GEISER, Bernhard. 

Picasso. Peintre-Graveur. Catalogue illustré de l'oeuvre gravé et lithographié 1899-1931. 

Berne, Chez l'auteur, 1933.
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150 €

First edition.
We add :
- Jacques Seligmann & Co. 20 Years in the evolution of Picasso 1903-1923. Loan Exhibition November 1 – November 20 1937. New York.
- Cirici-Pellicer. Picasso Avant Picasso . 1950.

Photo GAUTIER, Théophile. 

GAUTIER, Théophile. 

Une Nuit de Cléopatre. 

Paris, A. Ferroud, 1894.
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250 €

Illustrated edition of 21 compositions by Paul Avril.
"Crossing the Nile on her royal cange to go to her summer palace, Cleopatra "is horribly bored." Meïamoun, in love with the queen, is caught spying on her in her bath. Having the whim of To be merciful, Cleopatra grants him an orgiastic night. When morning arrives, the men enter the room. Meïamoun then drinks the poisoned glass and dies."

One of the 250 copies on Arches, ours n°354.

Good copy in signed binding.
​.

Photo GAUTIER, Théophile. 

GAUTIER, Théophile. 

Le Roi Candaule. 

Paris, A. Ferroud, 1893.
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200 €

Illustrated edition of 21 compositions by Paul Avril.

"King Candaule has become drunk with the beauty of his wife Nyssia. He conceives the strange project of sharing his admiration as an aesthete by proposing to the young and handsome Gyges, the head of the palace guards, to come and secretly see his wife in her simple nudity. Horrified by this sacrilegious request, Gyges refuses at first but can only obey his king. Hidden in the bridal chamber, Gyges discovers the incredible beauty of Nyssia and immediately falls in love with her."

One of the 250 copies on Arches, ours n°338.

Good copy in signed binding.
​.

Photo GAUTIER, Théophile. 

GAUTIER, Théophile. 

Jean et Jeannette. 

Paris, A. Ferroud, 1894.
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250 €

Illustrated edition of 24 compositions by Lalauze.
"Tired of her formal and rococo suitors, the Marquise de Champrosé, a young widow, decides to accompany her servant and confidant, Justine, to the ball at the Moulin-Rouge. For his part, the Viscount de Candale, also tired , one of her dancers from the Opera, accompanies Master Bonnard to this same ball. Under the name of Jeannette, dressed as a grisette, the marquise is invited to dance by the viscount posing as M. Jean, arriving from his province. ."

One of the 250 copies on Arches, ours n°438.

Good copy in signed binding.
​.

Photo GASZTOLD, Carmen Bernos de. 

GASZTOLD, Carmen Bernos de. 

Eparses. 

Paris, Chez l'illustrateur, 1946.
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250 €

First edition.
One of 180 numbered exemplar on Rives, our n°LX
First collection of poems published by Carmen Bernos de Gasztold (1919-1995), illustrated by her brother Pierre de Gasztold.
Nice drawing signed with dedication by Pierre de Gasztold.

Photo GASQUET, Joachim. 

GASQUET, Joachim. 

Cézanne. 

Paris, Les Editions Bernheim-Jeune, 1921.
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300 €

First edition printed at of 250 copies.

Photo GALTIER-BOISSIERE, Jean || DIGNIMONT, André. 

GALTIER-BOISSIERE, Jean || DIGNIMONT, André. 

La bonne vie. 

Paris, Henri Jonquières et Cie, 1928.
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350 €

575 copies, this one on "Vélin de Montgolfier" paper.

Photo FRANCE, Anatole || JOU, Louis. 

FRANCE, Anatole || JOU, Louis. 

L'Ile des pingouins. Illustrations de Louis Jou. 

Paris, Editions Lapina, 1926.
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1500 €

Copy 68, one of the 25 on 'Japon impérial' paper with additionnal etchings (two state of the etchings, a state with the copper barred and a complete suite of the woodcuts, all on japon paper.

Photo FRANCE, Anatole. 

FRANCE, Anatole. 

Les Opinions de Monsieur Jérome Coignard. 

Paris, Editions Mornay, 1924.
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200 €

Edition illustrated by Sylvain Sauvage.

One of the 67 copies on Japan paper, ours n°31

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo FRANCE, Anatole. 

FRANCE, Anatole. 

Le Crime de Sylvestre Bonnard. 

Paris, Editions Mornay, 1923.
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200 €

Edition illustrated by Fernand Siméon.

One of the 61 copies on Japan paper, ours n°48

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo FRANCE, Anatole. 

FRANCE, Anatole. 

Sur La Pierre blanche. 

Paris, La Connaissance, 1924.
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250 €

Philosophical and anticipatory work of Anatole France.
"The work deals as a whole with the evolution of mankind, and outlines the possibility of a creation of the United States of the world." (wikipedia)
Very nice edition decorated with engravings by Jean Kefalinos (full page, banners, frames ...).

Copy on Vélin de Rives nominative for M. Du Part with the series of illustrations on Vellum.

Photo FOUJITA || LOTI, Pierre. 

FOUJITA || LOTI, Pierre. 

Madame Chrysanthème. 

Paris, Editions excelsior, 1926.
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1200 €

60 original color illustrations by Foujita.

1 of 25 copies on Arches out of market (initialled H.C).

Photo FORT, Paul || JOETS, Jules. 

FORT, Paul || JOETS, Jules. 

Plages & Ports Flamands. 

Paris, Aux deux amis, [1942].
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450 €

First edition of the illustrations.
Six poems by Paul Fort illustrated by lithographs by Jules Joëts.
One of 40 copies signed by the artist, ours n° 36
Each of the lithographs are signed and numbered by Jules Joëts (1884-1954) painter and lithographer from St Omer.

Photo FLAUBERT, Gustave. 

FLAUBERT, Gustave. 

Madame Bovary. 

Paris, Editions Mornay, 1930.
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350 €

Edition illustrated by Christian Jacques Boullaire.

One of the 60 copies on Japan paper, ours n°62.

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo [ÉLOGES et PORTRAITS (Collection Bruker)]. 

[ÉLOGES et PORTRAITS (Collection Bruker)]. 

Ensemble de 46 ouvrages illustrés par Dufy, Marquet, Bofa, Utrillo, Hasegawa. 

Monte-Carlo, André Sauret, 1948.
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10000 €

Manuel Bruker, was born in 1891 in Radaut, Romania. He was three years old when his family arrived in France and settled in Paris around 1894.

After studying medicine and receiving his doctorate in 1917, he became an ear, nose and throat specialist.

Dr. Manuel Bruker was, in the words of Pierre Mac Orlan, a "book lover" with a real passion for art.

In 1926, at the age of thirty-five, he created his own publishing house on the advice of his friend Dr. Lucien-Graux, "the prince of bibliophiles".

Between 1931 and 1963, Bruker devoted himself to what was to be the most original and personal part of his work as a publisher: the creation of Praise and Portraits of Artists. He chose among his contemporaries those whose work he particularly esteemed; collaborating with them, he commissioned prints to illustrate the texts, which were written by writers or art critics often close to the artist. During these three decades Manuel Bruker publishes forty-six Praises and Portraits.
These works, which testify to the publisher's aspirations in the field of illustrated books - Manuel Bruker considered this field to be "a production in which France has been able to take the lead" - have rarely been brought together. They have been the subject of three exhibitions, the first at the municipal library of Toulouse in 1958, more recently at the Meguro Museum of Tokyo in the fall of 2003, and then at the Museum of Fine Arts of Bordeaux in 2005, from whom we borrow this introduction.

A very rare and complete collection of the 34 "Praises" and 12 "Portraits" published by Manuel Bruker.

If most of these works are easy to find, some are rare, such as the portrait of Hasegawa

Most of them are printed at 200 copies, some at 150 or 250 copies.

The "Eloges" :
Eloge de Raoul Dufy par Fernand Fleuret. Paris, 1932.
Eloge de J.-E Laboureur par le Dr Lucien-Graux. Paris, 1938.
Eloge de H. de Waroquier par A.- H Martinie. Paris, 1945.
Eloge de Pierre Bonnard par Léon Werth. Paris, 1946.
Eloge de Bernard Naudin par Claude Roger-Marx. Paris, 1947.
Eloge de Albert Marquet par Léon Werth. Paris, 1948.
Eloge de Gus Bofa par Pierre Mac Orlan. Paris, 1949.
Eloge de Jean Frélaut par Jacques de Laprade. Paris, 1950.
Eloge de Lucien Mainssieux par Manuel Bruker. Paris, 1950.
Eloge de Marcel Vertès par Georges Huisman. Paris, 1951.
Eloge de Louise Hervieu par Claude Roger-Marx. Paris, 1953.
Eloge de Henri Manguin par Charles Terrasse. Paris, 1954.
Eloge de Jacques Villon par Jacques Lassaigne. Paris, 1955.
Eloge de Maurice Brianchon par Claude Roger-Marx. Paris, 1955.
Eloge de Yves Brayer par Jean Bouret. Paris, 1955.
Eloge de Maurice Utrillo par Renée Willy. Paris, 1956.
Eloge de J.-G. Daragnès par Pierre Mac Orlan. Paris, 1956.
Eloge de Charles Camoin par Charles Vildrac. Paris, 1956.
Eloge de Van Dongen par Paul Guth. Paris, 1957.
Eloge de François Desnoyer par Jean Bouret. Paris, 1958.
Eloge de Clavé par Pierre Osenat. Paris, 1958.
Eloge de Gromaire par Guy Dornand. Paris, 1958.
Eloge de Cavaillès par Jean Cassou. 1958.
Eloge de Derain par Marc Sandoz. 1958.
Eloge de Roland Oudot par Claude Roger-Marx. Paris, 1958.
Eloge de Maurice Asselin par Marc Sandoz. Paris,1959.
Eloge de André Lhote par Guy Dornand. Paris,1960.
Eloge de Louis Neillot par Jean Bouret. Paris, 1962.
Eloge de Jean Lurçat par Robert Mallet. Paris, 1962.
Eloge de Robert Humblot par Claude Roger-Marx. Paris, 1962.
Eloge de Georges Oudot par Guy Dornand. Paris, 1962.
Eloge de Emile Bernard par Louis Hautecoeur. Paris, 1962.
Eloge de Michel Rodde par Gérard Mourgue. Paris, 1963.
Eloge de Dunoyer de Segonzac par Maurice Loncle. Paris, 1963


The "Portraits" :
Portrait de J.-L. Soulas par Jacques de Laprade. Paris, 1950.
Portrait d’A. Jacquemin par Louis Cheronnet. 1951.
Portrait d’Albert Decaris par lui-même. Paris, 1953.
Portrait de D. Galanis par André Beucler. Paris, 1954.
Portrait de Robert Lotiron par Claude Roger-Marx. Paris, 1955.
Portrait d’Abram Krol par Maurice Toesca. Paris, 1957.
Portrait de Jacob Balgley par Claude Roger-Marx. 1959.
Portrait de Monique Jörgensen par elle-même. Paris, 1959.
Portrait de Germaine de Coster par Raymond Cogniat. Paris, 1960.
Portrait de Ilya Bechkov par Bogomil Raino. 1960.
Portrait de Kiyoshi Hasegawa par Robert Rey. Paris, 1963.
Portrait de Hélène Marre par Jean-Luc Michaud. Paris, 1963.

Photo DURET, Théodore || (Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin). 

DURET, Théodore || (Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin). 

Histoire des peintres impressionnistes: Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin. 

Paris, H.Floury, 1906.
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First edition of this important publication on the history of Impressionism.
A complete copy with the 5 original etchings.
- Camille Pissaro : "Les faneuses"
- Sisley : "Bords du Loing"
- Renoir : 2 original etchings. "Femme nue assise" and "Femme nue couchée"
- Cézanne : "Portrait de Guillaumin"
- Guillaumin : "Vue prise de Saardam".

Photo DÜRER, Albrecht. 

DÜRER, Albrecht. 

Lot de 6 ouvrages relatifs à Albert Dürer provenant de la bibliothèque de documentation de Maurice Gobin. 

s.l., s.n., s.d.>
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300 €

Six books related to Albert Dürer .

This collection comes from the documentation library of the art dealer Maurice Gobin.



1. BARLOW, Sir Thomas D. A catalogue of Woodcuts & Engravings by Albert Dürer. 1926. With an autogrph signed letter from Barlow to Maurice Gobin, giving him this catalogue
2. MEDER Joseph. Dürer-Katalog. Ein Handbuch über Albrecht Dürers stiche, radierungen, holzschnitte, deren zustände, ausgaben und wasserzeichen. Mit 190 abbildungen und 52 tafeln. 1932.
3. ROCH, Carl. Zeichnungen altdeutscher Meister zur zeit Dürers . 1922.
4. DODGSON. The masters of engraving and etching: Albrecht Dürer. 1926.
5. Dürer - L'Oeuvre du Maitre. 1908.
6. DÜRER, Albrecht. Kleine Holzschnitt Passion. New edtion (v. 1920) by Amsler & Ruthardt.

Photo DURANDY, Dominique. 

DURANDY, Dominique. 

La Ceinture de Vénus, collines et paysages de mon pays. 

Macon, Brocherioux, 1923.
More Details >
250 €

First edition.
Book dedicated to the country of Nice by Dominique Durandy (1868-1920).
The book is prefaced by Camille Mauclair and the watercolors plates are by Lessieux.

Copy on Lafuma paper n°499.

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