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Results (61 - 90) of
137
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PIZE, Louis || ROBERT, Maurice.
Le Rhône de Lyon à Pont-Saint-Esprit.
Grenoble, Arthaud, 1929.
More Details >
200 €
First edition.
64 engravings under tissue paper by Maurice Robert (1909-1992) Swiss painter, draftsman and watercolourist. Early work of the artist who shows here a great mastery of drawing. He will later turn to much more abstract paintings and sculptures.
One of 375 copies on large shaped Rives vellum, ours n° 92.
DORGELES, Roland.
Le Réveil des morts.
Paris, Editions Mornay, 1924.
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250 €
Edition illustrated by Carlègle.
Le Réveil des morts takes place in the immediate post-war years 14-18 on the Chemin des Dames. The refugees return to their flattened country, completely destitute, and begin to live again in this territory disfigured by the war, where the dead rub shoulders with the living. Story of a disaster, of the establishment of war damages, it is the period of reconstruction and mourning.
One of 30 copies on Japon, ours n°14.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
MAC ORLAN, Pierre.
Le Quai des brumes.
Paris, Éditions Arc-en-Ciel, 1948.
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500 €
One of 170 copies on vellum paper(ours n ° 94).
This edition is illustrated in color in the text by Dignimont.
Quai des brumes was freely adapted for cinema by Marcel Carné with Jean Gabin and Michelle Morgan.
ARNOUX, Alexandre || FRELAUT, Jean.
Le Promeneur accompagné.
Paris, Textes et Prétextes, 1948.
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120 €
First edition of illustrations.
11 full-page black lithographs and 11 color text engraving. Jean Frélaut (1879-1954) is a painter illustrator member of the group of Independent Painters-engravers, founded by Jean Émile Laboureur and Raoul Dufy.
One of the 200 copies on Lana paper, ours n°163.
DUNAN, Renée.
Le Prix Lacombyne.
Paris, Editions Mornay, 1924.
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200 €
Edition illustrated by Maurice Achener.
One of the 25 copies on Japan paper, ours n°9.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
MARDRUS, Dr. Joseph Charles || BOURDELLE, Antoine.
Le Marié Magique.
Paris, Société des Bibliophiles Franco-Suisses, 1930.
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600 €
Limited edition, only 125 copies.
COPY NUMBER 1.
DOSTOIEVSKI, Fedor || GRAU SALA, Emilio.
Le Joueur.
Paris, Fernand Hazan, 1947.
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250 €
Emilio Grau Sala (1911-1975) is a remarkable colorist (oil and water paints, pastels) and illustrator, he was a member of Maurice Boitel's group.
Copy n ° 6 of the 125 printed on Vélin Johannot with the continuation of the illustrations.
MIRBEAU, Octave.
Le Jardin des Supplices.
Paris, Editions Mornay, 1923.
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200 €
Edition illustrated by Paul de Pidoll.
One of the 60 copies on Japan paper, ours n°36.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
COLERIDGE, Samuel Taylor || LHOTE, André.
Le dit de l'ancien marinier en sept parties.
Paris, Emile-Paul frères, 1920.
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180 €
766 copies, this one number xv, one of the 27 on "papier bis du Mittineague-mill" with a suite of the illustrations.
FRANCE, Anatole.
Le Crime de Sylvestre Bonnard.
Paris, Editions Mornay, 1923.
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200 €
Edition illustrated by Fernand Siméon.
One of the 61 copies on Japan paper, ours n°48
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
[BEAUMONT, L. de] || ROBIDA, Albert.
Le cas du vidame, par l'Académicien d'estampes.
Paris, A la librairie illustrée, [ca. 1889].
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550 €
Copy on Japan paper.
Presentation copy to Monsieur Achille by Albert Robida, with a fine drawing by the artist (Profile of a woman wearing a nice hat).
Robida (1848-1926) illustrates here, with his characteristic style full of life, the funny story of a mismatched wedding, which begins with a disastrous wedding night.
VOLLARD, Ambroise.
La Vie et l'Oeuvre de Pierre-Auguste Renoir.
Paris, Ambroise Vollard, 1919.
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Sold
First edition printed at of 1000 copies.
Complete copy with the original engravings ("Femme nue"), from Pierre-Auguste Renoir.
We add :
- ROGER-MAX, Claude. Renoir. 1933. Presentation copy to Maurice Gobin.
TOUDOUZE, Gustave.
La Vengeance des Peaux-de-Bique.
Paris, Hachette et Cie, 1896.
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400 €
First edition.
100 luxury copies have been published on China paper.
Our copy is one of the first 50 copies (n°28), with all the engravings expected (n°28).
The illustrations of this book were realized by Julien Le Blant (1851-1936), who was a French painter specialized on the War in the Vendée, in France, at the end of the eighteenth century.
Fine copy.
ROSTAND, Edmond || MUCHA, Alfons.
La Samaritaine. Evangile en trois tableaux en vers.
Paris, Charpentier et Fasquelle, 1897.
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300 €
First edition.
Piece designed at the request of Sarah Bernhardt, the author's friend. The cover features an illustration by Alfons Mucha.
DUHAMEL, Georges || COLIN, Paul-Émile.
La Pierre d'Horeb.
Paris, Manuel Brucker, 1927.
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150 €
First illustrated edition.
Edition limited to 416 copies.
Copy 362, one of the 300 on vélin d'Arches.
With woodcut illustrations from Paul-Émile Colin.
Presentation copy.
NICERON, Jean-François.
La Perspective curieuse ou magie artificielle des effets merveilleux de : L’optique par la vision directe, la catoptrique, par la réflexion des miroirs plats, cylindriques & coniques, la dioptrique, par la réfraction des crystaux.
Paris, Pierre Billaine, 1638.
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2500 €
First edition.
This work is a treatise on optical illusions and anamorphic perspectives, written by Nicéron, a monk of the order of Minims and mathematician of the 17th century. In it, he explores the principles of geometry applied to perspective, in particular the deformations of images that are only correctly revealed from a certain angle or through a mirror.
La Perspective Curieuse is a major work in the history of visual perception and art, influencing both artists and scientists of its time.
The discussion in the fourth part is particularly famous for being the first reference to the law of refraction developed by Descartes that same year.
A title-frontispiece engraved by Daret.
ZOLA, Emile.
La Faute de l'Abbé Mouret.
Paris, Editions Mornay, 1922.
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300 €
Edition illustrated by Maurice Achener.
One of the 50 copies on Japan paper, ours n°41
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
[Michel BERTRAND] SAINT MARC, Antoine.
La Dame de Plaisance.
s.l., Marcel Castel, 1968.
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250 €
First edition. Only 56 copies printed.
Very nice edition for the Club des Cinquante illustrated by 6 original watercolors signed by the painter Michel Bertrand (1935-2009).
Michel Bertrand will turn two years later to contemporary art in which he will experience some success. Catherine Millet will classify him among the major artists of the Montpellier region alongside Gérard Garouste and Vincent Bouliès. Six of his works are part of the collections of the Center Georges Pompidou.
COLERIDGE, Samuel Taylor || DARAGNES, Jean-Gabriel.
La Chanson du Vieux marin.
Paris, Société des francs-bibliophiles, 1951.
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250 €
First edition of the illustrations.
Jean Gabriel Daragnès (1886-1950) is undoubtedly one of the most famous illustrator of the middle of the XXth century, he signs here one of his last creations with sixteen original compositions. He died during the publication and did not have time to engrave them himself
One of the 160 copies on pur fil by Vidalon, ours n°155.
DURANDY, Dominique.
La Ceinture de Vénus, collines et paysages de mon pays.
Macon, Brocherioux, 1923.
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250 €
First edition.
Book dedicated to the country of Nice by Dominique Durandy (1868-1920).
The book is prefaced by Camille Mauclair and the watercolors plates are by Lessieux.
Copy on Lafuma paper n°499.
GALTIER-BOISSIERE, Jean || DIGNIMONT, André.
La bonne vie.
Paris, Henri Jonquières et Cie, 1928.
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350 €
575 copies, this one on "Vélin de Montgolfier" paper.
GUÉRIN, Marcel.
L'oeuvre gravé de Gauguin.
Paris, H.Floury, 1927.
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250 €
First edition limited to 600 copies. Copy n.156.
DE LA FAILLE, Jacob-Baart || VAN GOGH, Vincent.
L'oeuvre de Vincent van Gogh. Catalogue raisonné.
Paris, G.Van Oest, 1928.
More Details >
1000 €
First edition.
The catalog raisonné of paintings and drawings of Van Gogh . Complete.
With :
- Lettres de vincent van gogh à Emile bernard publiées par ambroise vollard. 1911. Disbound. Spine damaged. To be repaired
- Francis Gobain (i.e. Gobin). Vincent Van Gogh. 1947.
ROBAUT, Alfred. COROT, Camille.
L'oeuvre de Corot.
Catalogue raisonné et illustré précédé de l'histoire de Corot et de ses oeuvres par Étienne Moreau-Nélaton.
Paris, H. Floury, 1905.
More Details >
8000 €
First edition printed at of only 400 copies.
One of the only five copies on old Japanese paper, the first large paper.
The reference catalogue raisonné of Jean-Baptiste Camille Corot's work preceded by an extensive biography of the artist's life and artwork by Etienne Moreau-Nelaton.
With descriptions and black-and-white reproductions of more than 3,000 of the artist's paintings, drawings, and engravings.
The fifth and final volume is devoted to the tables.
Our copy is bound with :
- in volume 1, two original photographs of Corot, the original Corot burial certificate, and finally two specimens for subscription to the book, dated 1904 (8 pages), one on vellum paper, the other on Japanese paper.
- in volume 4, p. 329, a photograph of Corot (Coll. Nadar, reproduced in 1910), three autograph letters signed by Corot with two stamped envelopes, and three sketches, attributed according to a pencil note to Robaut after Corot for the first and to Corot for the other two (without warranty for these attributions).
One of the letters is addressed to the parents of his student Emmanuel Damoye, in which Corot expresses concern that he has been drafted (in 1870).
A unique collection to which we are including, in paperback, the first supplement (ex. 18 of 600 copies) published 40 copies later in 1948.
FRANCE, Anatole || JOU, Louis.
L'Ile des pingouins. Illustrations de Louis Jou.
Paris, Editions Lapina, 1926.
More Details >
1500 €
Copy 68, one of the 25 on 'Japon impérial' paper with additionnal etchings (two state of the etchings, a state with the copper barred and a complete suite of the woodcuts, all on japon paper.
GOERG, Edouard || POE, Edgar.
L'Ange du Bizarre, suivi d'autres contes. Eaux-fortes originales d'Edouard Goerg.
Et un ensemble de dessins et de documents de ou relatifs Goerg.
Paris, Marcel Sautier, 1947.
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1200 €
Limited edition of 275 copies (No. 192) illustrated with 28 original etchings by Edouard Goerg (1893-1969), expressionist painter, printmaker, and illustrator.
Presentation copy from Edouard Goerg and his wife Elana to Francis Gobin: "à Francis Gobin et son épouse charmante avec nos voeux les meilleurs pour 1959 et l'expression de nos sentiments de fidèle amitié."
We add :
- 6 preparatory drawings intended to illustrate "Le Manteau de Parade" by Francis Lafavery, with an introduction by Jeau Cassou. [1954] with 2 original lithographs by Goerg). The 6 preparatory pencil drawings are indeed three versions of these two illustrations. We also enclose this book (other provenance). Spine broken.
- GEORGE, Waldemar. Goerg. 1965. Presentation copy from Goerg and Waldemar George to Francis Gobin.
- An original lithograph signed in pencil by Ed. Goerg and printed in an edition of 15 (our number 8)
- In an envelope addressed to Francis Gobin: a greeting card from Edouard and Elena Goerg with an original drawing.
- Wedding announcement of Goerg's daughter, Clause-Lise, with Christian Germak. 1961. Illustrated by Goerg. Printed in 190 copies according to the 1989 exhibition catalog, no. 106 (see end)
- A business card from Christian Germak
- Copy of a letter from Héléna Goerg to Francis and Thérèse Gobin in which she requests their assistance in the conflict with her daughter-in-law concerning Edouard Goerg's estate, with a copy of the latter's will and Francis Gobin's response
- Catalog of the "Edouard Goerg" exhibition from November 7 to 25, 1989, in Paris.
MIRBEAU, Octave.
L'Abbé Jules.
Paris, Editions Mornay, 1925.
More Details >
250 €
Edition illustrated by Fernand Siméon.
One of the 72 copies on Japan paper, ours n°5.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
DUHAMEL, Georges.
Journal de Salavin.
Paris, Albert Guillot, 1949.
More Details >
175 €
With 37 original compositions from Andres Segovia.
Copy printed for the author, Georges Duhamel, and inscribed by the author.
GOLL, Claire || CHAGALL, Marc.
Journal d'un cheval.
Paris, Editions Manuel Bruker, 1952.
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1200 €
First edition of illustrations.
Cover illustrated in color and 6 engravings by Marc Chagall.
The horse has always been at the center of Chagall's dreamlike work, it is an animal that is almost always present in the paintings of the Russian master. It is therefore natural that Manuel Bruker asked the painter to illustrate this short story by Claire Goll.
Chagall and Goll will become friends and Chagall will draw the tomb of Yvan and Claire Goll after the death of the latter in 1977.
One of the 105 copies on Vélin de Rives, ours n°138.
GAUTIER, Théophile.
Jean et Jeannette.
Paris, A. Ferroud, 1894.
More Details >
250 €
Illustrated edition of 24 compositions by Lalauze.
"Tired of her formal and rococo suitors, the Marquise de Champrosé, a young widow, decides to accompany her servant and confidant, Justine, to the ball at the Moulin-Rouge. For his part, the Viscount de Candale, also tired , one of her dancers from the Opera, accompanies Master Bonnard to this same ball. Under the name of Jeannette, dressed as a grisette, the marquise is invited to dance by the viscount posing as M. Jean, arriving from his province. ."
One of the 250 copies on Arches, ours n°438.
Good copy in signed binding.
.
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