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Results (121 - 137) of
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MERIMEE, Prosper || TRAYNIER, Jean.
Colomba.
Paris, La Tradition, 1942.
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400 €
First edition of the illustrations.
One of the 24 copies with double set of plates and 1 copper matrix, ours n°13.
CONSTANTIN-WEYER, Maurice || FALKE, Pierre.
Clairière.
Paris, Editions Mornay, 1929.
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250 €
Edition illustrated by George Barbier.
One of the 35 copies on Japan paper, ours n°10.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
LA COMBE, Joseph-Félix.
Charlet Sa Vie, Ses Lettres suivi d'une Description Raisonnee de Son oeuvre Lithographique.
Paris, Paulin et le Chevalier, 1856.
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60 €
First edition.
Reference bibliography on the life and work of Nicolas-Toussaint Charlet (1792-1845) French painter and lithographer.
RAMUZ, Charles Ferdinand || BROSSHARD, R.Th.
Chant des Pays du Rhône.
Paris, Les Bibliophiles Régionaux, 1929.
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230 €
Edition limited to 226 copies.
With 33 lithography from Gaston Proust drawned by R.Th Bosshard.
GASQUET, Joachim.
Cézanne.
Paris, Les Editions Bernheim-Jeune, 1921.
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300 €
First edition printed at of 250 copies.
PETITJEAN, Charles || WICKERT, Charles.
Catalogue de l'oeuvre gravé de Robert Nanteuil.
Paris, Loys Delteil et Maurice Le Garres, 1925.
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220 €
First edition.
Copy with a few handwritten annotations by Maurice Gobin and several loose sheets of his notes.
ROBAUT, Alfred || DUTILLEUX, Constant.
Carnet de dessins.
s.l., s.n., [v.1840-1900].
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4500 €
Drawing album bellonging to Alfred Robaut, with his blind-stamped monogram on the upper cover.
A draftsman and lithographer, Robaut is best known as the author of the first catalog of works by Eugène Delacroix and Jean-Baptiste Camille Corot, painters for whom he greatly admired.
He learned to paint from his father, Felix Robaut, who taught embroidery design at the Douai Academy. In 1853, he married the eldest daughter of the painter Constant Dutilleux, through whom he came into contact with Delacroix and Corot.
This album contains numerous drawings by Alfred Robault's close friends and artists from the North (Alfred Robaut, Felix Robaut, and some of his students, as well as Constant Dutilleux).
We thus find about twenty drawings by Constant Dutillleux (3 are signed, the others attributed in the margin) by his father, 10 are attributed to Félix Robaut, 18 to Alfred Robaut, others to northern artists or former students of Felix Robaut. (2 drawings signed HP attributed to Henry Pluchard, 1 sketch by Henri Regnault with the stamp of the sale of his studio, 1 signed by De La Rochenoire, 1 signed by Célestin Lepollart, 2 drawings attributed to Caullet, 1 attributed to Abel de Pujol, 1 signed by Ambroise Détrez, 3 attributed to Pierre Billet, ...).
DICKENS, Charles || DORE, Gustave.
Cantiques de Noël.
Paris, Editions Textes Prétextes, 1946.
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100 €
Very beautiful illustration of this classic of ancient literature by Gustave Doré
Copy n°1 printed on pure Auvergne rag by hand, accompanied by a suite in black of illustrations on pure vellum and an original watercolor, first paper printed in 21 copies.
PISSARRO, Ludovic Rodo || VENTURI, Lionello.
Camille Pissarro, son art, ses oeuvres.
Paris, Paul Rosenberg, 1939.
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250 €
First edition of the first Catalogue raisonné of the Camille Pissarro works.
Copy n.874 of 1000.
We add the n°IV 11 of April 1936 of the "revue de l'art" devoted to Pissaro.
BERTALL.
Cahier des charges des chemins de fer. Pamphlet illustré.
Paris, J. Hetzel, 1847.
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50 €
Second edition.
Frontispiece and numerous drawings in the text by Bertall.
TERRASSE, Charles || [BONNARD, Pierre].
Bonnard.
Paris, H. Floury, 1927.
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Sold
First edition, regular issue of this important study on the painter Pierre Bonnard.
BENOIT, Pierre.
Axelle.
Paris, Editions Mornay, 1932.
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150 €
Edition illustrated by Lucien Boucher.
One of the 50 copies on Japan paper, ours n°23.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
PARKER, K.T. || MATHEY, Jacques.
Antoine Watteau. Catalogue complet de son oeuvre dessiné.
Paris, F. de Nobele, 1957-1959.
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300 €
First edition of this reference work comprising a catalogue raisonné of 934 drawings from Watteau. of the Camille Pissarro works.
Copy n.874 of 1000.
We add the n°LXX of July 1936 of the "la revue de l'art" devoted to Watteau. Disbound.
MAURRAS, Charles || JOSSO, Camille-Paul.
Anthinéa, d'Athènes à Florence.
Paris, Aux dépens de l'artiste (presses Daragnès), 1955.
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250 €
First edition of illustrations.
Book printed on Daragnès presses in 200 copies decorated with 29 chisel engravings by Camille Paul Josso (1902-1986) orientalist painter, two of which are double-paged.
Unnumbered copy printed for the playwright Marc-Gilbert Sauvajon.
Accompanied by the presentation folder of the edition with a sample of the text and engravings.
LASSUS, Jean-Baptiste-Antoine || DARCEL, Alfred.
Album de Villard de Honnecourt.
Paris, Imprimerie impériale, 1858.
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750 €
Beautiful facsimile reproduction of the famous manuscript of Villard de Honnecourt, a 13th-century architect.
This manuscript, preserved at the Bibliothèque nationale de France, is a valuable source on the construction techniques and know-how of medieval builders. It contains sketches and notes that reveal the empirical and artistic approach to Gothic architecture. Jean-Baptiste-Antoine Lassus, architect and fervent defender of the revival of medieval art in the 19th century, annotated this publication, which was then finalized by Alfred Darcel after his death.
The work is part of the movement of rediscovery and promotion of Gothic heritage, led in particular by Viollet-le-Duc and his contemporaries.
BULLART, Isaac.
Académie Des Sciences et des Arts.
Bruxelles, Fr. Poppens, 1682.
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950 €
First edition..
Decorated with more than 200 portraits engraved in the text.
Remarkable work for which Bullart worked for 30 years and which was published by his son. We will find, alongside humanists, navigators, scientists and inventors, printers, all the artists classified by school, Leonardo da Vinci, Magellan, Copernicus, Columbus, A. Paré, Gutenberg, etc.
[NICOLAS] || IRIBE, Paul.
- Blanc et rouge
- Rose et noir
- Bleu, blanc, rouge.
Paris, Etablissements Nicolas, 1930-1932.
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Sold
First edition.
Brochures published at the initiative of the Nicolas company for the promotion of wine.
The illustration was left to Paul Iribe, one of the leading figures of the Art Deco movement.
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