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Photo NICERON, Jean-François. 

NICERON, Jean-François. 

La Perspective curieuse ou magie artificielle des effets merveilleux de : L’optique par la vision directe, la catoptrique, par la réflexion des miroirs plats, cylindriques & coniques, la dioptrique, par la réfraction des crystaux. 

Paris, Pierre Billaine, 1638.
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2500 €

First edition.
This work is a treatise on optical illusions and anamorphic perspectives, written by Nicéron, a monk of the order of Minims and mathematician of the 17th century. In it, he explores the principles of geometry applied to perspective, in particular the deformations of images that are only correctly revealed from a certain angle or through a mirror.
La Perspective Curieuse is a major work in the history of visual perception and art, influencing both artists and scientists of its time.
The discussion in the fourth part is particularly famous for being the first reference to the law of refraction developed by Descartes that same year.
A title-frontispiece engraved by Daret.

Photo LASSUS, Jean-Baptiste-Antoine || DARCEL, Alfred. 

LASSUS, Jean-Baptiste-Antoine || DARCEL, Alfred. 

Album de Villard de Honnecourt. 

Paris, Imprimerie impériale, 1858.
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750 €

Beautiful facsimile reproduction of the famous manuscript of Villard de Honnecourt, a 13th-century architect.
This manuscript, preserved at the Bibliothèque nationale de France, is a valuable source on the construction techniques and know-how of medieval builders. It contains sketches and notes that reveal the empirical and artistic approach to Gothic architecture. Jean-Baptiste-Antoine Lassus, architect and fervent defender of the revival of medieval art in the 19th century, annotated this publication, which was then finalized by Alfred Darcel after his death.
The work is part of the movement of rediscovery and promotion of Gothic heritage, led in particular by Viollet-le-Duc and his contemporaries.

Photo JAUBERT, Pierre (Abbé). 

JAUBERT, Pierre (Abbé). 

Dissertation sur un Temple octogone et plusieurs bas-reliefs trouvez à Cestas. 

Bordeaux, Jean Baptiste Lacorne, 1743.
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600 €

First edition.
Description of a temple, probably early Christian, in Cestas by the local scholar Abbot Jaubert.
The latter identifies it as a temple dedicated to the cult of Cybele. This temple was attached to the old church of Cestas, which has now disappeared. The engravings by Abbot Jaubert representing the plan of the building and the bas-reliefs are therefore the only archaeological traces that remain to us.

Photo SEGUY, Eugène-Alain. 

SEGUY, Eugène-Alain. 

Suggestions pour étoffes et tapis. 60 motifs en couleur. 

Paris, Ch. Massin et Cie, [v. 1925].
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1500 €

First edition.
With 60 illustrations in pochoir colouring on 20 plates.
Rare pattern book.
After completing his studies at the École des Arts décoratifs, Séguy published a series of decorative plates with stylised floral and animal motifs for textile, goldsmith and ceramic works, combining elements of both Art Nouveau and Art Deco. The intensely coloured illustrations illustrate Séguy's interest in the scientific study of nature as a source of inspiration for artistic creation. The pochoir technique, popular in France at the beginning of the 20th century, offered the ideal means of reproducing the strong and bright colours.

Photo RAGUENET, Antonin. 

RAGUENET, Antonin. 

Les principaux palais de l'exposition universelle de Paris. 

Paris, Eugène Bigot, 1900.
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300 €

First edition.
Complete copy of the 96 architectural plates.

Photo CHAMPION, E.-A. 

CHAMPION, E.-A. 

Suggestions d'intérieurs modernes. 

Paris, Ch. Massin et Cie, [v. 1925].
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1500 €

First edition.
Georges Champion (1889–1940) was a French decorator and furniture designer. He was born in Chaumont. He was professionally active in Paris. Champion’s designs were known for their sleek lines and modern aesthetic. The Art Deco movement, which was well-liked in the early 20th century, had a significant influence on him. His furniture pieces often featured geometric shapes and bold colours, which made them stand out from more traditional designs. In addition to his work as a furniture designer, Champion was also a skilled decorator. He worked on numerous high-profile projects throughout his career, including the interior design of several Parisian hotels and restaurants.

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TilesList
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