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ANDRÉ, Yves-Marie || FORMEY.
Essai sur le Beau Avec un Discours Préliminaire et des Réflexions sur le Goût par M. Formey.
Amsterdam, J.H.Schneider, 1767.
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75 €
Yves-Marie André (1674-1765) was a Jesuit priest, philosopher and in charge of a chair of mathematics in Caen.
ARNOUX, Alexandre || FRELAUT, Jean.
Le Promeneur accompagné.
Paris, Textes et Prétextes, 1948.
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120 €
First edition of illustrations.
11 full-page black lithographs and 11 color text engraving. Jean Frélaut (1879-1954) is a painter illustrator member of the group of Independent Painters-engravers, founded by Jean Émile Laboureur and Raoul Dufy.
One of the 200 copies on Lana paper, ours n°163.
BASTIA, Georges.
Le Zoo des Vedettes.
Monaco, Éditions Héracléïa, [ca. 1946].
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350 €
First edition printed at 450 numbered copies (n° 435), with 30 original lithographs by Georges BASTIA (1904-1980), representing animal caricatures of the stars of the show of the time such as Michel Simon, Fernandel, Marguerite Moreno, Cécile Sorel, Jean-Louis Barrault, Fernand Ledoux, Maurice Chevalier, Raimu, Mistinguett, Edith Piaf, etc.
Presentation copy to to Marc Gilbert Sauvageon, French playwright, screenwriter and director.
BASTIA, Georges.
Le Zoo des Vedettes.
s.l., s.n., [v. 1950].
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2000 €
First edition printed at 400 numbered copies (n° 35), with 68 caricatures by Georges BASTIA (1904-1980), on 61 plates, , representing the stars of the show of the time such as Sacha Guitry, Jean Gabin, Gérard Philippe, Madeleine Renaud, Jean-Louis Barrault, Brigitte Bardot, Jean Marais, Simone Signoret, Yves Montand, Yvonne Printemps, Bourvil, Michel Simon, etc.
Although bearing the same title and including the same preface as the work published by Éditions Héracléïa v. 1946, this work is completly different.
The rarity of this edition comes from the fact that the quality of the plates which compose it is such that they are often sold separately and sometimes by mistake as original works.
Indeed, each lithograph has een enhanced with gouache by the artist, which gives a kind of uniqueness to each copy.
BAZIN, Germain || GERICAULT, Théodore.
Théodore Géricault : Etude critique, documents et Catalogue Raisonné.
Paris, Wildenstein Institute & La Bibliothèque des Arts, 1987-1997.
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350 €
The reference catalogue raisonné of Théodore Géricault 's work.
Due to the important weight of this set (arround 20 kg) , no shipping out France or with important shipping extra cost.
[BEAUMONT, L. de] || ROBIDA, Albert.
Le cas du vidame, par l'Académicien d'estampes.
Paris, A la librairie illustrée, [ca. 1889].
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550 €
Copy on Japan paper.
Presentation copy to Monsieur Achille by Albert Robida, with a fine drawing by the artist (Profile of a woman wearing a nice hat).
Robida (1848-1926) illustrates here, with his characteristic style full of life, the funny story of a mismatched wedding, which begins with a disastrous wedding night.
BENOIT, Pierre.
Axelle.
Paris, Editions Mornay, 1932.
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150 €
Edition illustrated by Lucien Boucher.
One of the 50 copies on Japan paper, ours n°23.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
BERAUD, Henri.
Le Vitriol de lune.
Paris, Editions Mornay, 1931.
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150 €
Edition illustrated by Guy Arnoux.
One of the 60 copies on Japan paper, ours n°12.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
BERGERET, Gaston || HENRIOT.
Les Evénements de Pontax.
Paris, Librairie Conquet-Carteret, 1899.
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450 €
First edition.
Illustrations, “handwriting and watercolors” by Henri Maigrot aka Henriot.
One of the 175 copies on marsh vellum, ours n°155.
BERTALL.
Cahier des charges des chemins de fer. Pamphlet illustré.
Paris, J. Hetzel, 1847.
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50 €
Second edition.
Frontispiece and numerous drawings in the text by Bertall.
BEUCLER, André || DIGNIMONT, André.
Un Nouvel Amour.
Paris, Au sans pareil, 1927.
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30 €
First edition. 718 copies
One of the 600 on "Vélin Montgolfier" paper.
BIRAN, Michèle de || TOUCHAGES, Louis.
Seuls à deux.
Paris, Editions du Mouflon, 1947.
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200 €
12 illustrations after Louis Touchagues colored by Nervet.
One of the 33 copies on Chiffon d'Auvergne, accompanied by the suite of twelve engravings printed in black on Chiffon d'Auvergne and two original initial drawings (instead of an one announced drawing). Our copy n°31.
BOCCACE.
Les Dix Journées de Jean Boccace.
Paris, Librairie des bibliophiles Joaust, 1873.
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450 €
Beautiful edition by Jouaust of the work of Boccace.
Paul Lacroix signs the introduction and Flameng who gives eleven very beautiful etchings.
BONINGTON, Richard Parkes || (GOBIN, DUBUISSON, CURTIS,...).
Lot de 11 ouvrages relatifs à Bonington provenant de la bibliothèque de documentation de Maurice Gobin.
1. Curtis. Catalogue de l'oeuvre lithographié et gravé de R.P. Bonington. 1939
2. Dubuisson. Richard Parkes Bonington: His Life and Work . 1924.
3. Dubuisson. Bonington. 1927
4. Gobin. Exposition De Peintures Aquarelles & Dessins Par R. P. Bonington. 1936
5. Gobin. Bonington 1802-1828 Collection Des Maitres. 1950
6. Sambon. Exposition d'oeuvres inédites de Ricchars Parkes Bonington (1802-1828) et de Sir David Wilke (1785-1841). 1932
7. L'amateur d'estampes. juillet 1931. p.98 à 107, notes sur Bonington
8. Musée Jacquemart-André. Bonington - Un Romantique anglais à Paris. 1966
9. Noon. Richard parkes bonington - du plaisir de peindre - musee du petit palais, paris, [5 mars-17 mai] 1992
10. Spencer. R P Bonington, 1802-1828. 1965
11. Lepoittevin. Bonington : les débuts du romantisme en Angleterre et en Normandie. 1966.
s.l., s.n., 1924-1992.
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250 €
Eleven books and exhibition catalogs relating to the work of Richard Parkes Bonington (RPB).
This collection comes from the documentation library of the art dealer Maurice Gobin (later his son Francis).
Maurice Gobin dedicated an exhibition to RPB in 1936 (see 4) and a popular work (see 5).
The books may contain some annotations from Maurice and Francis Gobin, giving their opinion on a particular work attributed to RPB or their provenance.
Maurice Gobin added in the Dubuisson's book (4.) some photographs of RPB's works and we also find a drawing (portrait of Dubuisson) probably made by Maurice Gobin.
BRINK, Louise.
Women Characters in Richard Wagner - A Study in "The Ring of the Nibelung".
New York, Nervous and Mental Disease Publishing Company, 1924.
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30 €
First edition.
Presentation copy.
BUCAILLE, Max.
Le Scaphandrier des Rêves.
Paris, GLM, 1950.
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200 €
First edition.
Twelve collages by Max Bucaille with a preface by J. Laude
One of 465 copies on vellum paper (No. 228).
BULLART, Isaac.
Académie Des Sciences et des Arts.
Bruxelles, Fr. Poppens, 1682.
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950 €
First edition..
Decorated with more than 200 portraits engraved in the text.
Remarkable work for which Bullart worked for 30 years and which was published by his son. We will find, alongside humanists, navigators, scientists and inventors, printers, all the artists classified by school, Leonardo da Vinci, Magellan, Copernicus, Columbus, A. Paré, Gutenberg, etc.
BUYSSE, Cyriel || CASSIERS, Henri.
Contes des Pays-Bas.
Paris, H. Piazza, 1910.
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400 €
First edition.
Very beautiful illustrations by Henri Cassiers (1858-1944), belgian painter.
Presentation copy.
CARCO, Francis || ASSELIN, Maurice.
Rien qu'une femme.
Paris, G.Crès et Cie, 1923.
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450 €
1228 copies, this one of the 36 on "japon impérial" paper.
CARCO, Francis || DARAGNES, Jean Gabriel.
Les Jours & les Nuits.
Paris, Textes et Prétextes, 1946.
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100 €
First edition of illustrations.
21 color lithographs by Daragnès including 10 full-page.
One of the 200 copies on Lana paper, ours n°184.
CARCO, Francis || DIGNIMONT, André.
Dignimont.
Monte Carlo, André Sauret, 1946.
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250 €
First edition.
Monograph devoted by Francis Carco to the work of his friend André Dignimont.
One of the 385 numbered copies on Vélin de Rives, ours n° 331 containing in frontispiece a lithograph signed and numbered by the artist and theset of the 41 reproductions drawing from the work of Dignimont.
CARTON, Jean || MONTHERLANT, Henry de.
Encore un instant de bonheur.
Paris, Société du Livre d'Art, 1955.
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500 €
Limited edition (150 copies).
Our one the only 20 with the additionnal two suite of the engravings.
With an original drawing from Jean Carton.
CAUËT, Christiane et Louis-Frédéric.
Rodin.
Photographies de Louis-Frédéric,
Poèmes de Christiane Cauët.
Paris, Collection "Argiles", [1952].
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100 €
Edition limited to 109 copies.
Copy 27.
With 11 pictures from Louis-Frédéric.
CHAMPION, E.-A.
Suggestions d'intérieurs modernes.
Paris, Ch. Massin et Cie, [v. 1925].
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1500 €
First edition.
Georges Champion (1889–1940) was a French decorator and furniture designer. He was born in Chaumont. He was professionally active in Paris. Champion’s designs were known for their sleek lines and modern aesthetic. The Art Deco movement, which was well-liked in the early 20th century, had a significant influence on him. His furniture pieces often featured geometric shapes and bold colours, which made them stand out from more traditional designs. In addition to his work as a furniture designer, Champion was also a skilled decorator. He worked on numerous high-profile projects throughout his career, including the interior design of several Parisian hotels and restaurants.
CHARLET, Nicolas-Toussaint.
Lettre autographe signée adressé à Regnier.
Viroflay, s.n., 23 juillet 1844.
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150 €
Handwritten autograph letter from Nicolas-Toussaint Charlet (1792-1845) French painter and lithographer to Mr. Regnier Maison de Tableaux at 20 Boulevard des Italians.
Written in July 1844, Charlet says she is weakened but on the road to recovery. There he concluded an agreement on honor with Regnier, a gallery owner, for the distribution of his paintings and drawings but did not want to commit himself to a contract.
This letter does not appear in the correspondence published by La Combe.
COCTEAU, Jean || LHOTE, André.
Escales.
Paris, Éditions de la Sirène, 1920.
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3000 €
440 copies.
This (n° xviii) one of the 25 on Hollande paper, with an additionnal text 'Musée Secret' containing 5 erotical drawing in black from Lhote that is not in the normal paper.
COLERIDGE, Samuel Taylor || DARAGNES, Jean-Gabriel.
La Chanson du Vieux marin.
Paris, Société des francs-bibliophiles, 1951.
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250 €
First edition of the illustrations.
Jean Gabriel Daragnès (1886-1950) is undoubtedly one of the most famous illustrator of the middle of the XXth century, he signs here one of his last creations with sixteen original compositions. He died during the publication and did not have time to engrave them himself
One of the 160 copies on pur fil by Vidalon, ours n°155.
COLERIDGE, Samuel Taylor || LHOTE, André.
Le dit de l'ancien marinier en sept parties.
Paris, Emile-Paul frères, 1920.
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180 €
766 copies, this one number xv, one of the 27 on "papier bis du Mittineague-mill" with a suite of the illustrations.
CONSTANTIN-WEYER, Maurice || FALKE, Pierre.
Clairière.
Paris, Editions Mornay, 1929.
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250 €
Edition illustrated by George Barbier.
One of the 35 copies on Japan paper, ours n°10.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
CURWOOD, James Oliver.
Nomades du Nord.
Paris, Editions Mornay, 1932.
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180 €
Edition illustrated by Henri Deluermoz.
One of the 57 copies on Japan paper, ours n°20.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
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