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Art & Artist's Books

Results (31 - 60) of 142
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Photo COLERIDGE, Samuel Taylor || LHOTE, André. 

COLERIDGE, Samuel Taylor || LHOTE, André. 

Le dit de l'ancien marinier en sept parties. 

Paris, Emile-Paul frères, 1920.
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180 €

766 copies, this one number xv, one of the 27 on "papier bis du Mittineague-mill" with a suite of the illustrations.

Photo CONSTANTIN-WEYER, Maurice || FALKE, Pierre. 

CONSTANTIN-WEYER, Maurice || FALKE, Pierre. 

Clairière. 

Paris, Editions Mornay, 1929.
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250 €

Edition illustrated by George Barbier.
One of the 35 copies on Japan paper, ours n°10.

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo CURWOOD, James Oliver. 

CURWOOD, James Oliver. 

Nomades du Nord. 

Paris, Editions Mornay, 1932.
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180 €

Edition illustrated by Henri Deluermoz.

One of the 57 copies on Japan paper, ours n°20.

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo CUYP, Aelbert. 

CUYP, Aelbert. 

VI Stüks koitjer Geetst door A. Cuyp. 

s.l, s.n, [v. 1660].
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1000 €

Complete series of 6 engravings by Aelbert Cuyp (1620-1691) Dutch painter, preceded by a title vignette.
Dimensions of the etchings: 67x75 mm
Dimensions of the paper: 170x135 mm

This complete set is rarely found with its margins preserved.

Photo DACIER, Emile || SAINT-AUBIN, Gabriel de. 

DACIER, Emile || SAINT-AUBIN, Gabriel de. 

Gabriel de Saint-Aubin, peintre, dessinateur et graveur (1724-1780). 

Paris, Van Oest, 1929-1931.
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120 €

First edition.
Volume 1 : L'Homme Et L'Oeuvre
Volume 2 : Catalogue Raisonné.

Photo DARAGNES, Jean Gabriel || FARGUE, Léon Paul || COLETTE. 

DARAGNES, Jean Gabriel || FARGUE, Léon Paul || COLETTE. 

Rencontres. 

Paris, Presses de Madame Daragnès, 1954.
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600 €

First edition illustrated with a double-page black and white drawing on the title page and 28 color woodcuts in the text and with an original gouache hand-signed by Daragnès (258x220 mm).

Book in the form of a tribute published by his friends after the death of Jean Gabriel Daragnès. Woodwinds from the artist accompanied by texts by Colette, Fargue, Segonzac...


One of the 130 copies printed on Vélin blanc with an original painting, ours n°41.

Photo DARAGNES, Jean Gabriel || FARGUE, Léon Paul || COLETTE. 

DARAGNES, Jean Gabriel || FARGUE, Léon Paul || COLETTE. 

Rencontres. 

Paris, Presses de Madame Daragnès, 1954.
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600 €

First edition.
Book in the form of a tribute published by his friends after the death of Jean Gabriel Daragnès. Woodwinds from the artist accompanied by texts by Colette, Fargue, Segonzac...
Original gouache hand-signed by Daragnès (250x215 mm).

One of the 130 copies printed on Vélin blanc with an original painting, ours n°21.

Photo DAUMIER, Honoré || (GOBIN, DELTEIL, MAISON, ...). 

DAUMIER, Honoré || (GOBIN, DELTEIL, MAISON, ...). 

Lot de 28 ouvrages relatifs à Daumier provenant de la bibliothèque de documentation de Maurice Gobin. 

s.l., s.n., s.d.>
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1500 €

Twenty-eight books and exhibition catalogs relating to the work of Honoré Daumier.

This collection comes from the documentation library of the art dealer Maurice Gobin (later his son Francis).
Maurice Gobin wrote a book with a catalogue raisonné of the Daumier's Sculpture (see 5).

1. DELTEIL, Loys. Oeuvre lithographié de Honoré Daumier. 1925- Paris. Complete run of 11 volumes of the lithographs of Daumier. Published in the series 'Le peintre-graveur illustré"+ volume 20 up to 29 bis (Tables).
Quarter clothes, original printed wrappers bound in.
Copy printed for Maurice Gobin, as a member of the patronage committee formed specifically by Loys Delteil for this publication on Daumier.
Copy filled with two letters from Loys Delteil to Maurice Gobin. The first thanking him for joining the patronage committee and the second requesting information on the prices achieved at auctions in Germany for Daumier's lithographs.
Also filled with four leaves from the manuscript of the book. Some annotations by Gobin and two photos of unpublished Daumier lithographs that Maurice Gobin transferred or donated to the BNF, based on his annotations.

2. MAISON, Karl Eric. Honoré Daumier: Catalogue Raisonné of Paintings, Watercolours & Drawings. 1968. Paris.
Set of two books in original slipcase
3. MAISON, Karl Eric. Daumier studies. 1954. Offprint from "The Burlington Magazine - january, march and Aprill 1954". Presentation copy.
4. CHAMPFLEURY. Catalogue de l'oeuvre lithographié et gravé de H. Daumier : avec une eau-forte inédite. 1878. (4)-52 pages and 1 etching. Poor copy, disbound without the upper cover. Only 100 copies printed. This one for A.Bareaux
5. GOBIN, Maurice. Daumier Sculpteur 1808-1879, avec un catalogue raisonné et illustré de l'oeuvre sculpté. 1952, Cailler, Genève.
6. Galerie Sagot-Le-Garrec. Daumier sculpteur, lithographe et dessinateur. 1957. Exposition catalogue. With an introduction written by Maurice Gobin.
7. Bibliothèque Nationale. DAUMIER. Lithographies, Gravures sur bois, Sculptures. 1934. Exposition catalogue.
Poor copy. Spine broken with lacks. With add in a manuscript sheet from Maurice Gobin to Marcel Lecomte (see n. 23) dated 19533 in which is discuss the date of the lithigraphy n°142 of this book.
8. DAUMIER, Jean Baptiste. Un matin de printemps. 1815. 27 pages. Stain p. 23/24.
First edition of this poem by Daumier's father. Copy that belonged to Léo Larguier (author of works on Corot, Cézanne, etc.) who then gave it to Maurice Gobin.
9. ALEXANDRE, Arsène. Honoré Daumier, l'homme et l'eouvre. Ouvrage orné d'un portrait à l'eau-forte, de deux héliogravures et de 47 illustrations. Paris, Renouard - H. Laurens, 1888.
8vo, (8)-383-(1) pages and 6 plates. Foxings.
Fine contemporary half morocco bindong signed Canapa. Originals wrappers bound in.
10. FUCHS, Edouard. Der Maler Daumier. 1927 + Supplement. 1930.
First volume in the original printed cloth and the supplement with original printed paper hardcover.
11. LE GARREC, Maurice . Trente-Six Bustes de H. Daumier, reproduits en phototypie grandeur nature. 1932. Spine chipped. 325 copies. Plates are captioned in pencil.

12. ESCHOLIER, Raymond. Daumier Peintre et Lithographe. Paris, Floury, 1923.
8vo, frontispiece, 202-(2) pages and 63 plates. Few pencil annotations.
Contemporary quarter morocco. Original wrappers bound in.
13. ESCHOLIER, Raymond. Daumier et son Monde. 1965.
14. ROGER- MARX, Claude, Daumier. 1938. Spine broken with lacks. Presentation copy to Maurice Gaubin : "Pour Maurice Gobin qui lutte pour l'art vrai avec l'amitié de CRM".
15. Burlington Magazine n°613. Avril 1954. Contain : Daumier Studies III par K.E. Maison
16. ROSENTHAL, Leon. Daumier (L' Art De Notre Temps). 1911.
17. The Journal Walter Art Gallery. Vol. XI.1948. With a paper from Marceau and Rosen : "A Terracotta by Daumier". With a manuscript paper from Gobin who give is advise on this Terracotta (par et truffé d'un page manuscrite de commentaire de Gobin sur cette terre cuite (Le Fardeau).
18. Arts et Livres de Provence. Premier Bulletin Daumier. 1949.

19. BALZER, Wolfgang. Der junge Daumier und seine Kampfgefährten. Politische Karikatur in Frankreich 1830 bis 1835. Dresden. 1965.
20. REY, Robert. Daumier. 1968.
21. FOGG ART MUSEUM. Daumier Sculpture - a Critical and Comparative Study. 1969. With ballpoint annotations on the book and on some loose sheets.
22. Catalogue vente Maurice Loncle. 22 novembre 1977. With in particular important sculptures by Daumier, with the auction prices noted in ballpoint pen.
23. SAGOT-LE GARREC. Daumier Sculpteur. * Les bustes des Parlementaire et LECOMTE, Marcel. ** Les figurines et autres sculptures. 1979. Joint exhibition of these two galleries opened on October 10, 1979
24. PASSERON, Roger. Daumier: Témoin de son temps. 1979
25. CHERPIN, Jean. Daumier et la sculpture. 1979. Presentation copy : "A Francis Gobin en témoignage de gratitude pour les conseils amicaux reçus de Maurice Gobin et l'admiration pour son oeuvre. En cordial hommage".
26. The Metropolitan Art Museum. Daumier Drawings. 1992.
27. Colta Ives. Honoré Daumier : Zeichnungen (German). 1992. German version of the catalogue of this joint exhibition (see no. 26) between the Städtische Galerie im Städelschen Kunstinstitut in Frankfurt and the Metropolitan Art Museum.
28. LOYRETTE, Henri [ under the direction ]. Daumier, 1808 -1879 - Album de l'exposition [ Musée des Beaux-Arts du Canada, Ottawa, 11 juin-6 septembre 1999 ; Galeries nationales du Grand Palais, Paris, 5 octobre 1999-3 . Washington, 19 février-14 mai 2000 ]

Due to the important weight of this set (arround 60 kg) , no shipping out France or with important shipping extra cost.

Photo DE LA FAILLE, Jacob-Baart || VAN GOGH, Vincent. 

DE LA FAILLE, Jacob-Baart || VAN GOGH, Vincent. 

L'oeuvre de Vincent van Gogh. Catalogue raisonné. 

Paris, G.Van Oest, 1928.
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1000 €

First edition.
The catalog raisonné of paintings and drawings of Van Gogh . Complete.

With :
- Lettres de vincent van gogh à Emile bernard publiées par ambroise vollard. 1911. Disbound. Spine damaged. To be repaired
- Francis Gobain (i.e. Gobin). Vincent Van Gogh. 1947.

Photo DELACROIX, Eugène || (GOBIN, LAMBERT, , MAISON, ...). 

DELACROIX, Eugène || (GOBIN, LAMBERT, , MAISON, ...). 

Lot de 27 ouvrages relatifs à Delacroix provenant de la bibliothèque de documentation de Maurice Gobin. 

s.l., s.n., s.d.>
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Twenty-seven books and exhibition catalogs relating to the work of Eugène Delacroix.

This collection comes from the documentation library of the art dealer Maurice Gobin (later his son Francis).
Maurice Gobin was also a collector of Delacroix's works and from time to time we see works by Delacroix from his collection on the market.
Maurice Gobin dedicated an exhibition to Eugène Delacroix in 1937 (see n.3).

1. Catalogue de la vente qui aura lieu par suite du décès de Eugène Delacroix, Hôtel Drouot. Paris, J.Claye, 1864.
8vo (238x154 mm), xvi-104 pages. 8vo (238x154 mm), xvi-104 pages. Half title is missing. Originals printed covers.
Without spine, covers detached. Small lack at the upper corner of the title page. A pencil drawing to the last cover.
First edition.
Copy with a few pencil annotations by Maurice Gobin, highlighting in particular the works in this catalog that he had acquired.

2. MOREAU-NELATON, Etienne. Delacroix raconté par lui-même. Paris, Henri Laurens, 1916.
Two 4to (275x224 mm), 223 pages / 273 pages and 443 illustrations.
Contemporary full clothes, original printed covers bound in. Binding a little twisted
First edition.
3. GOBIN, Maurice. Exposition De Peintures Aquarelles & Dessins Par E Delacroix 1798-1863.
Catalogue of the 99 works presented in this exhibition, from November 26 to December 18, 1937.
4. ROBAUT Alfred. L'œuvre complet de Eugène Delacroix. Peintures dessins gravures lithographies. Paris, Charavay, 1885.
4to, lxii,537-(1) pages, with 2 portraits h.tof Delacroix. Contemporary quarter calf.
Copy with interesting annotations by Maurice Gobin and supplemented by him with two photographs of works by Delacroix that he owned.
Poor binding. Binding completly loose, spine broken.
5. LAMBERT, Elie. Delacroix et les femmes d'Alger. 1937. Presentation copy to Maurice Gobin
6. et 7. LAMBERT, Elie. Delacroix et l'Espagne. 1951. Offprint of the "Revue de Arts". One presentation copy to Francis Gobin and an other presentation copy to Maurice Gobin.
8. LAMBERT, Elie. Histoire d'un tableau L'Abd er Rahman Sultan du Maroc de Delacroix. 1953
9. Typescript (16pp.) with handwritten correction of an attempt at a translation into French (probably by Maurice Gobin) of the preface given by Lamberto Vitali to the Italian edition of Delacroix's Journal (Diaro).
10. Eugène Delacroix : Diari 1804-1863. A cura di Lamberto Vitali. 1954. 3 volumes. Original printed hardcovers. In italian.
11. Journal de Eugène Delacroix avec une introduction et des notes par André Joubin. Paris, Plon, 1932. 3 volumes
12. Correspondance générale de Eugène Delacroix publiée par André Joubin. Paris, Plon, 1936. 5 volumes. The volumes were prepared for a binding which was not carried out and left stapled under a waiting cover
13. Eugène Delacroix. Oeuvres Littéraires. Volume I . Études esthétiques . Volume II . Essais sur les artistes célèbres. Paris, Crès, 1923. 2 volumes.
14. ESCHOLIER, Raymond. Delacroix. Peintre, Graveur, Écrivain. 1926-1929. 3 volumes.
15. REGAMEY, Raymond. Eugène Delacroix "L'époque de la Chapelle Saints Anges" (1847-1863). Paris. Spin chipped.
16. HOURTICQ, Louis. Delacroix. L'oeuvre Du Maitre - Ouvrage Illustré de 243 Gravures. 1930
17. Centenaire du Romantisme. Exposition Delacroix. Musée du Louvre, Juin-Juillet 1930.
18. Sterling, Charles. Voyage de Delacroix au Maroc 1832 et Exposition rétrospective du peintre orientaliste Mr. AUGUSTE. Exposition at the Musée de l'Orangerie. 1933
19. Eugène Delacroix. Exposition Catalogue. Kunstmuseum Bern. 16 november 1963 - 19 january 1964
20. Delacroix au Maroc. 1963. Published on the occasion of the tribute paid to Delacroix in Morocco by the French University and Cultural Mission.
21. ESCHOLIER, Raymond. Commémoration du Centenaire. Exposition Delacroix Citoyen de Paris 6, rue Furstenberg Mars - Septembre 1963.
22. Musée du Louvre. Inventaire général des dessins - Ecole française : dessins d'Eugène Delacroix, tomes I et II. 1984.
23. Eugène Delacroix. Themen und Variationen - Arbeiten auf Papier. Exposition catalogue. Städtische Galerie, Frankfurt (24 sept. 1987 - 10 jan. 1988).
24. Serullaz, Maurice. Delacroix. 1989. Presentation copy to Francis Gobin
25. Delacroix, le voyage au Maroc. 1994. Catalogue de l'exposition à l'Institut du Monde Arabe du 24 sept. 1994 au 15 Janv. 1995. Hardcovers. We joint the prospectus.
26. Eugène Delacroix. Souvenirs d'un voyage au Maroc. 1994. Edition given by Beaumont-Maillet, Jobert et Join-Lambert
27. Gerard Rondeau. Le Maroc, Hommage a Delacroix. 1999. Presentation copy from d'Arlette Sérullaz to Franci Gobin.

Due to the important weight of this set (arround 40 kg) , no shipping out France or with important shipping extra cost.

Photo DESGODETZ, Antoine. 

DESGODETZ, Antoine. 

Les Édifices antiques de Rome, mesurés et dessinés très exactement sur les lieux. 

Paris, Claude Antoine Jombert, 1779.
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3000 €

Second edition.
A new edition by Claude Antoine Jombert, who had just acquired the original copperplates from the descendants of the architect.
Antoine Desgodetz was sent to Rome, where he stayed for sixteen months in 1676–1677, to survey and measure ancient monuments with great precision. The purpose was well conceived, as he had already observed discrepancies in the dimensions—and thus the proportions—given in classical works on the subject.
The result was a work of obvious utility and great beauty: Desgodetz’s drawings were engraved by excellent artists, including Louis de Chastillon, Nicolas Guérard, and Jean and Pierre Lepautre. Each plate is accompanied by a facing descriptive notice specifying the measurements of the various elements and pointing out the errors in earlier treatises.
The work was justly admired and underwent several reissues. It is all the more surprising to learn that, unlike most ancient treatises, it has not lost its value: even today’s archaeologists—far more demanding than the amateurs of the past—still recognize its accuracy and usefulness.

A complete copy, with all 137 required plates.

Photo DICKENS, Charles || DORE, Gustave. 

DICKENS, Charles || DORE, Gustave. 

Cantiques de Noël. 

Paris, Editions Textes Prétextes, 1946.
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100 €

Very beautiful illustration of this classic of ancient literature by Gustave Doré

Copy n°1 printed on pure Auvergne rag by hand, accompanied by a suite in black of illustrations on pure vellum and an original watercolor, first paper printed in 21 copies.

Photo DORGELES, Roland. 

DORGELES, Roland. 

Le Réveil des morts. 

Paris, Editions Mornay, 1924.
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250 €

Edition illustrated by Carlègle.
Le Réveil des morts takes place in the immediate post-war years 14-18 on the Chemin des Dames. The refugees return to their flattened country, completely destitute, and begin to live again in this territory disfigured by the war, where the dead rub shoulders with the living. Story of a disaster, of the establishment of war damages, it is the period of reconstruction and mourning.

One of 30 copies on Japon, ours n°14.

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo DOSTOIEVSKI, Fedor || GRAU SALA, Emilio. 

DOSTOIEVSKI, Fedor || GRAU SALA, Emilio. 

Le Joueur. 

Paris, Fernand Hazan, 1947.
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250 €

Emilio Grau Sala (1911-1975) is a remarkable colorist (oil and water paints, pastels) and illustrator, he was a member of Maurice Boitel's group.

Copy n ° 6 of the 125 printed on Vélin Johannot with the continuation of the illustrations.

Photo [DOUCET, Jérôme] DICKENS, Charles. 

[DOUCET, Jérôme] DICKENS, Charles. 

Monsieur Minns, Horace Sparkins. 

Paris, Le Livre et L'Estampe, 1903.
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350 €

Adaptation of the work of Dickens by Jérôme Doucet under the pseudonym of F. de Montfrileux.
Stencil illustrated by Harry Elliot.
One of the 240 copies on Arches paper, ours n°277.

Photo DUCHENNE, Guillaume-Benjamin. 

DUCHENNE, Guillaume-Benjamin. 

Mécanisme de la physionomie humaine ou analyse électro-physiologique de l’expression des passions. 

Paris, Baillière, 1876.
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18000 €

Rare copy of the deluxe edition of the second edition with the atlas.
It's the first medical book illustrated with photographs of living subjects.
The celebrated work by Duchenne de Boulogne on facial expressions induced by electrification.
Duchenne de Boulogne’s research was intended both for anatomists and scientists (Darwin would later use Duchenne’s findings in his The Expression of the Emotions in Man and Animals) and for artists, who, as he said, “have not always been able to find the fundamental lines” of an expressive face.
Using his electrodes and induction coil, Duchenne assigned the precise role of each facial muscle in animating the human face.
He thus aimed to “make known, through electro-physiological analysis and with the help of photography, the art of accurately painting the expressive lines of the human face—a kind of orthography of physiognomy in motion” (from the preface).

A copy from the deluxe edition, issued by the publisher, accompanied by its atlas; the regular edition contained only the frontispiece and the nine plates in the text volume.
Our copy is complete with its atlas of 82 additional plates (the last eleven "aesthetic" plates are often missing).

The atlas reproduces the original photographs, whose portraits had been extracted to create the nine synoptic plates, now printed in large format on albumen paper and mounted.
The electrically induced emotions of the six models literally leap off the page.

The first series of experimental photographs (plates 3–73), featuring an old cobbler with a wrinkled face, was deemed too coarse when Duchenne first presented it. He was persuaded to create a second series (plates 74–84) showing young women in various poses—ecstatic to imitate Saint Teresa or cruel to mimic Lady Macbeth.
“Striving to satisfy those with a sense of beauty, and wishing to please while instructing, I have undertaken some new electrophysiological studies in which, as far as possible, I hope to meet the principal requirements of aesthetics: beauty of form, combined with the truth of facial expression, attitude, and gesture.” (p. 133)
He called this part of his work the aesthetic section.
Perhaps unconvinced of its scientific value, he did not always distribute these 11 “aesthetic” photographs with the atlas; for example, the copies sent to Darwin and Charcot stop at plate 73.
The publisher himself only anounced on the title page 74 plates. Copies with plates 74 to 84 are rare.

Duchenne stands at the crossroads of three recent scientific revolutions (electrical induction, physiology, and photography), yet here he has composed one of the true photographic masterpieces of the 19th century.

Photo DUHAMEL, Georges. 

DUHAMEL, Georges. 

Journal de Salavin. 

Paris, Albert Guillot, 1949.
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175 €

With 37 original compositions from Andres Segovia.
Copy printed for the author, Georges Duhamel, and inscribed by the author.

Photo DUHAMEL, Georges || COLIN, Paul-Émile. 

DUHAMEL, Georges || COLIN, Paul-Émile. 

La Pierre d'Horeb. 

Paris, Manuel Brucker, 1927.
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150 €

First illustrated edition.
Edition limited to 416 copies.
Copy 362, one of the 300 on vélin d'Arches.
With woodcut illustrations from Paul-Émile Colin.
Presentation copy.

Photo DUNAN, Renée. 

DUNAN, Renée. 

Le Prix Lacombyne. 

Paris, Editions Mornay, 1924.
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200 €

Edition illustrated by Maurice Achener.

One of the 25 copies on Japan paper, ours n°9.

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo DUNOYER DE SEGONZAC, André. 

DUNOYER DE SEGONZAC, André. 

Lot de 7 ouvrages relatifs à Dunoyer de Segonzac provenant de la bibliothèque de documentation de Maurice Gobin. 

Paris, s.n., s.d.>
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1000 €

Seven books related to Dunoyer de Segonzac.

This collection comes from the documentation library of the art dealer Maurice Gobin (later his son Francis).


1. LIORE Aimé & CAILLER Pierre. Catalogue de l'oeuvre grave de Dunoyer de Segonzac. Genève 1958-1970.
8 volumes. Catalogue raisonne of the prints of Andre Dunoyer de Segonzac.

2. DELAHAUT, Jean-Robert. A. Dunoyer de Segonzac. [1962]. Presentation copy to Maurice Gobin. O the upper cover : "Pour Maurice Gobin avec mon fidèle et amical souvenir et mes meilleurs voeux pour l'an 1963 andré Dunoyer de Segonzac. Noël 1962". Maurice Gobin just passed away, didn't read these words
3. Art et Style. Dunoyer de Segonzac. 1960. Presentation copy to Maurice Gobin : "Pour Maurice Gobin qui a un sens aigu et profond des Arts graphiques et Plastiques".
4. JAMOT, Paul. Dunoyer de Segonzac. Paris, Floury, 1929.
5. ROGER-MARX. Claude. Dunoyer De Segonzac. 1951. One of the 25 copies of the luxury edition (No. X) with four etchings specially engraved for this book. The justification for the edition indicates a suite on Marais paper, a print on Japanese paper, on China paper and in crossed state. Our copy contains the etchings on Arches paper, a print on Japanese paper and the crossed stare on Arches paper
6. Orangerie des tuileries . Dunoyer de Segonzac. Exposition du 20 février au 3 mai 1976.
7. Dragonette de Varine. Dunoyer de Segonzac 1884-1974. Publications filmées d'art et d'histoire. 1976. complete with 36 slides.

Due to the important weight of this set (arround 14 kg) , no shipping out France or with important shipping extra cost.

Photo DURANDY, Dominique. 

DURANDY, Dominique. 

La Ceinture de Vénus, collines et paysages de mon pays. 

Macon, Brocherioux, 1923.
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250 €

First edition.
Book dedicated to the country of Nice by Dominique Durandy (1868-1920).
The book is prefaced by Camille Mauclair and the watercolors plates are by Lessieux.

Copy on Lafuma paper n°499.

Photo DURET, Théodore || (Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin). 

DURET, Théodore || (Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin). 

Histoire des peintres impressionnistes: Pissarro, Claude Monet, Sisley, Renoir, Berthe Morisot, Cézanne, Guillaumin. 

Paris, H.Floury, 1906.
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First edition of this important publication on the history of Impressionism.
A complete copy with the 5 original etchings.
- Camille Pissaro : "Les faneuses"
- Sisley : "Bords du Loing"
- Renoir : 2 original etchings. "Femme nue assise" and "Femme nue couchée"
- Cézanne : "Portrait de Guillaumin"
- Guillaumin : "Vue prise de Saardam".

Photo [ÉLOGES et PORTRAITS (Collection Bruker)]. 

[ÉLOGES et PORTRAITS (Collection Bruker)]. 

Ensemble de 46 ouvrages illustrés par Dufy, Marquet, Bofa, Utrillo, Hasegawa. 

Monte-Carlo, André Sauret, 1948.
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10000 €

Manuel Bruker, was born in 1891 in Radaut, Romania. He was three years old when his family arrived in France and settled in Paris around 1894.

After studying medicine and receiving his doctorate in 1917, he became an ear, nose and throat specialist.

Dr. Manuel Bruker was, in the words of Pierre Mac Orlan, a "book lover" with a real passion for art.

In 1926, at the age of thirty-five, he created his own publishing house on the advice of his friend Dr. Lucien-Graux, "the prince of bibliophiles".

Between 1931 and 1963, Bruker devoted himself to what was to be the most original and personal part of his work as a publisher: the creation of Praise and Portraits of Artists. He chose among his contemporaries those whose work he particularly esteemed; collaborating with them, he commissioned prints to illustrate the texts, which were written by writers or art critics often close to the artist. During these three decades Manuel Bruker publishes forty-six Praises and Portraits.
These works, which testify to the publisher's aspirations in the field of illustrated books - Manuel Bruker considered this field to be "a production in which France has been able to take the lead" - have rarely been brought together. They have been the subject of three exhibitions, the first at the municipal library of Toulouse in 1958, more recently at the Meguro Museum of Tokyo in the fall of 2003, and then at the Museum of Fine Arts of Bordeaux in 2005, from whom we borrow this introduction.

A very rare and complete collection of the 34 "Praises" and 12 "Portraits" published by Manuel Bruker.

If most of these works are easy to find, some are rare, such as the portrait of Hasegawa

Most of them are printed at 200 copies, some at 150 or 250 copies.

The "Eloges" :
Eloge de Raoul Dufy par Fernand Fleuret. Paris, 1932.
Eloge de J.-E Laboureur par le Dr Lucien-Graux. Paris, 1938.
Eloge de H. de Waroquier par A.- H Martinie. Paris, 1945.
Eloge de Pierre Bonnard par Léon Werth. Paris, 1946.
Eloge de Bernard Naudin par Claude Roger-Marx. Paris, 1947.
Eloge de Albert Marquet par Léon Werth. Paris, 1948.
Eloge de Gus Bofa par Pierre Mac Orlan. Paris, 1949.
Eloge de Jean Frélaut par Jacques de Laprade. Paris, 1950.
Eloge de Lucien Mainssieux par Manuel Bruker. Paris, 1950.
Eloge de Marcel Vertès par Georges Huisman. Paris, 1951.
Eloge de Louise Hervieu par Claude Roger-Marx. Paris, 1953.
Eloge de Henri Manguin par Charles Terrasse. Paris, 1954.
Eloge de Jacques Villon par Jacques Lassaigne. Paris, 1955.
Eloge de Maurice Brianchon par Claude Roger-Marx. Paris, 1955.
Eloge de Yves Brayer par Jean Bouret. Paris, 1955.
Eloge de Maurice Utrillo par Renée Willy. Paris, 1956.
Eloge de J.-G. Daragnès par Pierre Mac Orlan. Paris, 1956.
Eloge de Charles Camoin par Charles Vildrac. Paris, 1956.
Eloge de Van Dongen par Paul Guth. Paris, 1957.
Eloge de François Desnoyer par Jean Bouret. Paris, 1958.
Eloge de Clavé par Pierre Osenat. Paris, 1958.
Eloge de Gromaire par Guy Dornand. Paris, 1958.
Eloge de Cavaillès par Jean Cassou. 1958.
Eloge de Derain par Marc Sandoz. 1958.
Eloge de Roland Oudot par Claude Roger-Marx. Paris, 1958.
Eloge de Maurice Asselin par Marc Sandoz. Paris,1959.
Eloge de André Lhote par Guy Dornand. Paris,1960.
Eloge de Louis Neillot par Jean Bouret. Paris, 1962.
Eloge de Jean Lurçat par Robert Mallet. Paris, 1962.
Eloge de Robert Humblot par Claude Roger-Marx. Paris, 1962.
Eloge de Georges Oudot par Guy Dornand. Paris, 1962.
Eloge de Emile Bernard par Louis Hautecoeur. Paris, 1962.
Eloge de Michel Rodde par Gérard Mourgue. Paris, 1963.
Eloge de Dunoyer de Segonzac par Maurice Loncle. Paris, 1963


The "Portraits" :
Portrait de J.-L. Soulas par Jacques de Laprade. Paris, 1950.
Portrait d’A. Jacquemin par Louis Cheronnet. 1951.
Portrait d’Albert Decaris par lui-même. Paris, 1953.
Portrait de D. Galanis par André Beucler. Paris, 1954.
Portrait de Robert Lotiron par Claude Roger-Marx. Paris, 1955.
Portrait d’Abram Krol par Maurice Toesca. Paris, 1957.
Portrait de Jacob Balgley par Claude Roger-Marx. 1959.
Portrait de Monique Jörgensen par elle-même. Paris, 1959.
Portrait de Germaine de Coster par Raymond Cogniat. Paris, 1960.
Portrait de Ilya Bechkov par Bogomil Raino. 1960.
Portrait de Kiyoshi Hasegawa par Robert Rey. Paris, 1963.
Portrait de Hélène Marre par Jean-Luc Michaud. Paris, 1963.

Photo FARGUE, Léon Paul || [DUNOYER DE SEGONZAC André]. 

FARGUE, Léon Paul || [DUNOYER DE SEGONZAC André]. 

Côtes rôties. 1928-1938. Gravures et aquarelles de Dunoyer de Segonzac. 

Paris, Textes Prétextes, 1949.
More Details >
900 €

First edition illustrated by par Dunoyer de Segonzac with 2 etchings an 46 printed watercolored.

Limited edition (252 copies), our, n° 24, one of the 30 copies with color suite of watercolors on Rives and a suite of three original etchings.

Copy with an added large original watercolor in color signed by the artist.

Photo FLAUBERT, Gustave. 

FLAUBERT, Gustave. 

Madame Bovary. 

Paris, Editions Mornay, 1930.
More Details >
350 €

Edition illustrated by Christian Jacques Boullaire.

One of the 60 copies on Japan paper, ours n°62.

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo FORT, Paul || JOETS, Jules. 

FORT, Paul || JOETS, Jules. 

Plages & Ports Flamands. 

Paris, Aux deux amis, [1942].
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450 €

First edition of the illustrations.
Six poems by Paul Fort illustrated by lithographs by Jules Joëts.
One of 40 copies signed by the artist, ours n° 36
Each of the lithographs are signed and numbered by Jules Joëts (1884-1954) painter and lithographer from St Omer.

Photo FOUJITA || LOTI, Pierre. 

FOUJITA || LOTI, Pierre. 

Madame Chrysanthème. 

Paris, Editions excelsior, 1926.
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1200 €

60 original color illustrations by Foujita.

1 of 25 copies on Arches out of market (initialled H.C).

Photo FRANCE, Anatole. 

FRANCE, Anatole. 

Sur La Pierre blanche. 

Paris, La Connaissance, 1924.
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250 €

Philosophical and anticipatory work of Anatole France.
"The work deals as a whole with the evolution of mankind, and outlines the possibility of a creation of the United States of the world." (wikipedia)
Very nice edition decorated with engravings by Jean Kefalinos (full page, banners, frames ...).

Copy on Vélin de Rives nominative for M. Du Part with the series of illustrations on Vellum.

Photo FRANCE, Anatole. 

FRANCE, Anatole. 

Les Opinions de Monsieur Jérome Coignard. 

Paris, Editions Mornay, 1924.
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200 €

Edition illustrated by Sylvain Sauvage.

One of the 67 copies on Japan paper, ours n°31

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo FRANCE, Anatole. 

FRANCE, Anatole. 

Le Crime de Sylvestre Bonnard. 

Paris, Editions Mornay, 1923.
More Details >
200 €

Edition illustrated by Fernand Siméon.

One of the 61 copies on Japan paper, ours n°48

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

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