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MAC ORLAN, Pierre || [BOFA, Gus].
Eloge de Gus Bofa.
Paris, Manuel Bruker, 1949.
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850 €
First edition.
One of the 20 first copy with the additional set of engravings.
MANET, Edouard || (MOREAU-NELATON, GUERIN, JAMOT, ...).
Lot de 6 ouvrages relatifs à Edouard Manet provenant de la bibliothèque de documentation de Maurice Gobin.
s.l., s.n., s.d.>
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1000 €
Six books relating to the work of Edouard Manet.
This collection comes from the documentation library of the art dealer Maurice Gobin (later his son Francis).
1. JAMOT,Paul & WILDENSTEIN, Georges. MANET. Catalogue critique. L'oeuvre de l'artiste en quatre cent quatre-vingts phototypies. Paris. 1932. Two 4to, vi-202-(2) pages / (8)-(4) pages and 487 phototypies on 220 plates.
Contemporary quarter clothes, original printed wrappars bound in.
Copy with Maurice Gobin's pencil monogram, which he peppered with:
- A newspaper "Les lettres françaises. Arts Spectacles. No. 585 Sept. 1955. (4) pages, with a papper by Charles Péruseaux on the lost painting "Les Gitanos," from which Manet cut out several fragments after making an etching. With a handwritten dedication from Péruseaux "En hommage à Monsieur Gobin possesseur de la belle nature morte "Le Cabas aux oignons" ", which is actually a fragment and is reproduced in this article.
- A photograph of this same painting, with notes on the back by Maurice Gobin, and a late reproduction of "Les Gitanos." Indeed, in 1905, Alfred Strölin reissued 30 etchings by Manet, printing 100 copies before pierced the copperplates.
Ours, with pierced copperplate, is therefore later than 1905.
2. MOREAU-NELATON, Etienne. Manet raconté par lui-même. 1926. Two 4to, original printed wrappers.
3. MATHEY, Jacques. Graphisme De Manet. Essai De Catalogue Raisonné Des Dessins. 1961-1966. Vol. I and III only.
I. Graphisme de Manet. Essai de catalogue raisonné de dessins.1961. Avec tampon "Exemplaire d'hommage"
III. Graphisme de Manet. III: Dessins et peintures réapparus. 1966. Presentation copy to Francis Gobin.
4. MATHEY, Jacques. Bulletin de la Societe d'Etudes pour la Connaissance d'Edouard Manet. N°. 1. 1967
5. GUERIN, Marcel. L'Oeuvre Grave de Manet. 1944. Spine fadded. Copy n.96 (on 600).
6. REY, Robert. Choix de Soixante-quatre Dessins de Edouard Manet (Dessins et Peintures des Maitres du XIXe Siècle a Nos Jours). 1932
Due to the important weight of this set (arround 11 kg) , no shipping out France or with important shipping extra cost.
MARDRUS, Dr. Joseph Charles || BOURDELLE, Antoine.
Le Marié Magique.
Paris, Société des Bibliophiles Franco-Suisses, 1930.
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600 €
Limited edition, only 125 copies.
COPY NUMBER 1.
MARTY, Marcelle.
Moussa, le petit noir.
Paris, Crès, collection des Arts, 1925.
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1300 €
First edition limited to 365 copies.
Our, number 7, on of the 45 on "Madagascar", second paper after 5 on "Japon".
Very good copy.
MARTY, Marcelle || MARQUET, Albert.
Images d'une petite ville arabe.
Paris, Manuel Bruker, [1947].
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500 €
First edition of illustrations.
Friend of Matisse, Fauvist painter in his youth, Albert Marquet (1875-1947) discovered himself an insatiable traveler and he spent long periods in the Maghreb. Here among his last production of engravings, published when he was seriously ill.
One of the 200 copies on Vélin d'Arches to form by Jourde and Allard, ours n°78.
MAURRAS, Charles || JOSSO, Camille-Paul.
Anthinéa, d'Athènes à Florence.
Paris, Aux dépens de l'artiste (presses Daragnès), 1955.
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250 €
First edition of illustrations.
Book printed on Daragnès presses in 200 copies decorated with 29 chisel engravings by Camille Paul Josso (1902-1986) orientalist painter, two of which are double-paged.
Unnumbered copy printed for the playwright Marc-Gilbert Sauvajon.
Accompanied by the presentation folder of the edition with a sample of the text and engravings.
MELLERIO, André.
Odilon Redon : peintre, dessinateur et graveur.
Paris, H. Floury, 1923.
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650 €
First edition.
We add :
- Jacques Seligmann & Co. 20 Years in the evolution of Picasso 1903-1923. Loan Exhibition November 1 – November 20 1937. New York.
- Cirici-Pellicer. Picasso Avant Picasso . 1950.
MERIMEE, Prosper || TRAYNIER, Jean.
Colomba.
Paris, La Tradition, 1942.
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400 €
First edition of the illustrations.
One of the 24 copies with double set of plates and 1 copper matrix, ours n°13.
[Michel BERTRAND] SAINT MARC, Antoine.
La Dame de Plaisance.
s.l., Marcel Castel, 1968.
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250 €
First edition. Only 56 copies printed.
Very nice edition for the Club des Cinquante illustrated by 6 original watercolors signed by the painter Michel Bertrand (1935-2009).
Michel Bertrand will turn two years later to contemporary art in which he will experience some success. Catherine Millet will classify him among the major artists of the Montpellier region alongside Gérard Garouste and Vincent Bouliès. Six of his works are part of the collections of the Center Georges Pompidou.
MIRBEAU, Octave.
L'Abbé Jules.
Paris, Editions Mornay, 1925.
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250 €
Edition illustrated by Fernand Siméon.
One of the 72 copies on Japan paper, ours n°5.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
MIRBEAU, Octave.
Le Jardin des Supplices.
Paris, Editions Mornay, 1923.
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200 €
Edition illustrated by Paul de Pidoll.
One of the 60 copies on Japan paper, ours n°36.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
MOLIERE, Jean-Baptiste Poquelin || TRILLEAU, G.
Monsieur de Pourceaugnac, comédie-ballet Faite à Chambord, pour le divertissement du Roi.
Paris, Les Pharmaciens Bibliophiles, 1932.
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120 €
Limited edition to 175 copy. This, number 25 printed for Monsieur Kuypers-Cochard.
With illustrations from G.Trilleau.
MOREAU-NELATON, Etienne.
Millet raconté par lui-même.
Paris, Henri Laurens, 1921.
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300 €
First edition.
MOREAU-NELATON, Etienne.
Corot raconté par lui-même.
Paris, Henri Laurens, 1924.
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200 €
First edition.
Copy with a few handwritten annotations by Maurice Gobin and several loose sheets of his notes.
We enclose the catalog of Maurice Gobin's 1938 Corot exhibition and the n°11 of February 1936 of the "revue de l'art" devoted to Corot.
NERVAL, Gérard de || MOREAU, Luc Albert.
Les Chimères.
Paris, Pour les Amis de Poésie, 1944.
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300 €
First edition of illustrations.
28 lithographs in black by Luc-Albert Moreau (1882-1948) painter and illustrator friend of Colette, Daragnès and Ravel.
One of the 175 copies on Vélin blanc du marais, ours n°75.
NICERON, Jean-François.
La Perspective curieuse ou magie artificielle des effets merveilleux de : L’optique par la vision directe, la catoptrique, par la réflexion des miroirs plats, cylindriques & coniques, la dioptrique, par la réfraction des crystaux.
Paris, Pierre Billaine, 1638.
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2500 €
First edition.
This work is a treatise on optical illusions and anamorphic perspectives, written by Nicéron, a monk of the order of Minims and mathematician of the 17th century. In it, he explores the principles of geometry applied to perspective, in particular the deformations of images that are only correctly revealed from a certain angle or through a mirror.
La Perspective Curieuse is a major work in the history of visual perception and art, influencing both artists and scientists of its time.
The discussion in the fourth part is particularly famous for being the first reference to the law of refraction developed by Descartes that same year.
A title-frontispiece engraved by Daret.
[NICOLAS] || IRIBE, Paul.
- Blanc et rouge
- Rose et noir
- Bleu, blanc, rouge.
Paris, Etablissements Nicolas, 1930-1932.
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Sold
First edition.
Brochures published at the initiative of the Nicolas company for the promotion of wine.
The illustration was left to Paul Iribe, one of the leading figures of the Art Deco movement.
O. HENRY || GUS BOFA.
Martin Burney, boueux, boxeur et marchand d'oiseaux.
Paris, édition française illustrée, 1919.
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350 €
First edition in French.
French adaptation by Maurice Beerblock and illustrated by Gus Bofa.
One of 15 copies on Dutch paper (including 7 non-commercial), ours n°9.
PARKER, K.T. || MATHEY, Jacques.
Antoine Watteau. Catalogue complet de son oeuvre dessiné.
Paris, F. de Nobele, 1957-1959.
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300 €
First edition of this reference work comprising a catalogue raisonné of 934 drawings from Watteau. of the Camille Pissarro works.
Copy n.874 of 1000.
We add the n°LXX of July 1936 of the "la revue de l'art" devoted to Watteau. Disbound.
PETITJEAN, Charles || WICKERT, Charles.
Catalogue de l'oeuvre gravé de Robert Nanteuil.
Paris, Loys Delteil et Maurice Le Garres, 1925.
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220 €
First edition.
Copy with a few handwritten annotations by Maurice Gobin and several loose sheets of his notes.
PISSARRO, Ludovic Rodo || VENTURI, Lionello.
Camille Pissarro, son art, ses oeuvres.
Paris, Paul Rosenberg, 1939.
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250 €
First edition of the first Catalogue raisonné of the Camille Pissarro works.
Copy n.874 of 1000.
We add the n°IV 11 of April 1936 of the "revue de l'art" devoted to Pissaro.
PIZE, Louis || ROBERT, Maurice.
Le Rhône de Lyon à Pont-Saint-Esprit.
Grenoble, Arthaud, 1929.
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200 €
First edition.
64 engravings under tissue paper by Maurice Robert (1909-1992) Swiss painter, draftsman and watercolourist. Early work of the artist who shows here a great mastery of drawing. He will later turn to much more abstract paintings and sculptures.
One of 375 copies on large shaped Rives vellum, ours n° 92.
POE, Edgar || MALLARME, Stephane || DARAGNES, Jean Gabriel.
Poèmes d'Edgar Poe.
Paris, Editions textes prétextes, 1949.
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300 €
First edition of illustrations.
Poems by Poe translated by Mallarmé and illustrated by Daragnès with 11 mezzotint engravings.
One of the 200 copies on Rives, ours n° 163.
RABELAIS, François || BARTA, Lazlo.
Gargantua.
Paris, Aux éditions de la Cigogne, 1934.
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800 €
Exceptionnelle reliure conçue par l'artiste Laslo Barta pour notre exemplaire (le certificat de l'artiste est joint à l'ouvrage)
Barta, artiste né en Hongrie en 1902 et mort en 1961 en France, s'est essayé à plusieurs discipline: peinture, décoration, mosaïque. Ce gout éclectique se retrouve sur notre livre dans lequel le texte est illustré de 40 eaux fortes, les gardes illustrées à la gouache et les plats conçues en haut relief de cuir repoussé.
One of 160 copies on Vélin de Rives, ours n° 59.
RAGUENET, Antonin.
Les principaux palais de l'exposition universelle de Paris.
Paris, Eugène Bigot, 1900.
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300 €
First edition.
Complete copy of the 96 architectural plates.
RAMUZ, Charles Ferdinand || BROSSHARD, R.Th.
Chant des Pays du Rhône.
Paris, Les Bibliophiles Régionaux, 1929.
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230 €
Edition limited to 226 copies.
With 33 lithography from Gaston Proust drawned by R.Th Bosshard.
REGNIER, Henri (de).
Les Rencontres de Monsieur de Bréot.
Paris, Editions Mornay, 1930.
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170 €
Edition illustrated by George Barbier.
One of the 66 copies on Japan paper, ours n°62.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
[RELIURES SIGNEES KIEFFER] FRANCE, Anatole.
Histoire contemporaine.
Paris, Aux éditions du Sagittaire, 1922-1924.
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450 €
First illustrated edition.
Complete series of the Contemporary History collection comprising four novels by Anatole France illustrated with watercolors by Serge Beaune.
Our copies are identical in the same binding signed by Kieffer and printed on the second paper: Imperial Japan with a series of line drawings on China, numbered n°24
The titles published in this collection are as follows:
- L'Orme du Mail
- Le Mannequin d'Osier
- L'Anneau d'Améthyste
- Mr Bergeret à Paris.
REMBRANDT.
Lot de 11 ouvrages relatifs à Rembrandt provenant de la bibliothèque de documentation de Maurice Gobin.
s.l., s.n., 1922-1979.
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500 €
Eleven books and exhibition catalogs relating to the work of Honoré Rembrandt.
This collection comes from the documentation library of the art dealer Maurice Gobin (later his son Francis).
Maurice Gobin wrote a papper on Rembrandt published in the magazine l'Art et les artistes (see no. 2)
1. HIND, Arthur. Rembrandts Etchings, An Essay And A Catalogue. 1923. 2 vol. 8vo.
Maurice Gobin's copy with many annotations on the plate volume.
Joint. An autograph letter signed by Loys Delteil to Mrs. Möller concerning the sale of Rembrandt prints.
2. GOBIN, Maurice. "Notes sur Rembrandt et son oeuvre gravé." 1922.
Papper published in "L'art et les artistes." No. 29, July 1922.
Set containing two versions of Mr. Gobin's original manuscript (first working manuscript and second fair copy), two printed versions (one without illustrations and one with), and the issue of the journal in which this article was published. With reproductions (with annotations by Maurice Gobin) of Rembrandt's works (about ten photos and three heliogravures (two bearing the stamp of Charles Amand Durand – RAPILLY PARIS)).
3. DE BRUIJN, Catalogus van de verzameling etsen van Rembrandt. 1932
Catalogue of De Bruijn's collection of Rembrandt prints. This copy includes a letter from De Bruijn to Maurice Gobin, sending him this book and inviting him to attend the upcoming exhibition of his collection.
4. LUGT, Frits. Musée du Louvre: Inventaire général des dessins des écoles du Nord. École Hollandaise, Tome III : Rembrandt, ses élèves, ses imitateurs, ses copistes. 1933.
5. Rembrandt, l'oeuvre du maître. Hachette. v.1930
6. Rembrandt - Des Meisters Handzeichnungen. Verlag. v. 1930
7. BENECH, Otto. Rembrandt Choix de Dessins. 1948
8. CUENDET, William. Rembrandt. Eaux-Fortes. 1947. Presentation copy with pencil note from W. Cuendet to Maurice Gobin : "A Monsieur Maurice Gobin, le si délicat amateur des plus belles choses j'offre ces images de Rembrandt, ces "pensées gravées" qui sont le journal intime de ce génie. En très cordial hommage".
Placed in the book are four letters, three from 1933 between Cuendet and Gobin concerning the purchase of Rembrandt prints and a copy of a letter from Gobin to Cuendet in 1949.
9. Rembrandt et son temps. Exhibition catalog of Rembrandt's works held at the École nationale supérieur des Beaux-Arts. 1955. Maurice Gobin contributed to this exhibition and is cited in the preface. Attached is a manuscript by Maurice Gobin presenting this exhibition at the Radio in 1955 in the program "L'art et la Vie".
10. Rembrandt et ses contemporains Dessins Hollandais du dix-septième siècle. 1977. Catalogue of the Frits Lugt collection at the Morgan Library and the Dutch Institute in Paris.
11. 140 Radierungen von Rembrandt der Jahre 1629 bis 1665. Exhibition catalogue at the Kornfeld Gallery in Bern. 1979
Due to the important weight of this set (arround 19 kg) , no shipping out France or with important shipping extra cost.
ROBAUT, Alfred || DUTILLEUX, Constant.
Carnet de dessins.
s.l., s.n., [v.1840-1900].
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4500 €
Drawing album bellonging to Alfred Robaut, with his blind-stamped monogram on the upper cover.
A draftsman and lithographer, Robaut is best known as the author of the first catalog of works by Eugène Delacroix and Jean-Baptiste Camille Corot, painters for whom he greatly admired.
He learned to paint from his father, Felix Robaut, who taught embroidery design at the Douai Academy. In 1853, he married the eldest daughter of the painter Constant Dutilleux, through whom he came into contact with Delacroix and Corot.
This album contains numerous drawings by Alfred Robault's close friends and artists from the North (Alfred Robaut, Felix Robaut, and some of his students, as well as Constant Dutilleux).
We thus find about twenty drawings by Constant Dutillleux (3 are signed, the others attributed in the margin) by his father, 10 are attributed to Félix Robaut, 18 to Alfred Robaut, others to northern artists or former students of Felix Robaut. (2 drawings signed HP attributed to Henry Pluchard, 1 sketch by Henri Regnault with the stamp of the sale of his studio, 1 signed by De La Rochenoire, 1 signed by Célestin Lepollart, 2 drawings attributed to Caullet, 1 attributed to Abel de Pujol, 1 signed by Ambroise Détrez, 3 attributed to Pierre Billet, ...).
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