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Art & Artist's Books
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ZOLA, Emile.
La Faute de l'Abbé Mouret.
Paris, Editions Mornay, 1922.
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300 €
Edition illustrated by Maurice Achener.
One of the 50 copies on Japan paper, ours n°41
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
ZAMACOIS, Miguel.
Seigneur Polichinelle.
Paris, Librairie Théatrale, 1926.
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150 €
Presentation copy signed by Zamacoïs with an original watercolor paint.
WELTER, Gustave.
Eloge de la Danse.
Paris, Editions Mornay, 1925.
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250 €
Edition illustrated by Charles-Auguste Edelmann.
One of the 25 copies on Japan paper, ours n°20
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
VOLLARD, Ambroise.
Paul Cézanne.
Paris, Galerie A. Vollard, 1914.
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1500 €
First edition printed at of 1000 copies.
Complete copy with the original engravings ("Tête de femme"), from Paul Cézanne in frontispiece.
With :
- LARGUIER Léo. Cézanne ou la lutte avec l'ange de la peinture . 1947. Presentation copy to Maurice Gobin.
- Rewald, John. Paul Cézanne. Correspondance . 1937
- L'amour de l'art. Décembre 1926. Cézanne et hommage à Monnet. Covers detached.
- L'amour de l'art. Mai 1936. Cézanne.
VOLLARD, Ambroise.
La Vie et l'Oeuvre de Pierre-Auguste Renoir.
Paris, Ambroise Vollard, 1919.
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Sold
First edition printed at of 1000 copies.
Complete copy with the original engravings ("Femme nue"), from Pierre-Auguste Renoir.
We add :
- ROGER-MAX, Claude. Renoir. 1933. Presentation copy to Maurice Gobin.
VERTES, Marcel.
Complexes.
Monte-Carlo, André Sauret, 1948.
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250 €
One of the 40 copies with an original drawing from Vertes.
TOUDOUZE, Gustave.
La Vengeance des Peaux-de-Bique.
Paris, Hachette et Cie, 1896.
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400 €
First edition.
100 luxury copies have been published on China paper.
Our copy is one of the first 50 copies (n°28), with all the engravings expected (n°28).
The illustrations of this book were realized by Julien Le Blant (1851-1936), who was a French painter specialized on the War in the Vendée, in France, at the end of the eighteenth century.
Fine copy.
TOUCHAGUES, Louis || ARNOUX, Alexandre.
Nus. Vingt cuivres gravés par Touchagues.
Paris, Edition du Tertre, [ca. 1945].
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750 €
Copy printed for Marc-Gilbert Sauvajon (1909-1985).
TÖPFFER, Rodolphe.
M. CREPIN.
Paris, Imprimerie Caillet, [v. 1860].
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60 €
Reissue around 1860 of one of the first comics ever published by Rodolphe Töpffer, the inventor of the genre.
TOPFFER, Rodolphe.
Premiers voyages en zigzag ou excursions d'un pensionnat en vacances dans les cantons suisses et sur le revers italien des Alpes.
Paris, Garnier frères, 1860.
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75 €
Beautiful edition illustrated by Calame, Girardet, D'Aubigny.
TERRASSE, Charles || [BONNARD, Pierre].
Bonnard.
Paris, H. Floury, 1927.
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Sold
First edition, regular issue of this important study on the painter Pierre Bonnard.
SUARES, André.
Présences.
Paris, Editions Mornay, 1925.
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120 €
Edition illustrated byFernand Siméon et Achille Ouvré.
One of the 40 copies on Japan paper, ours n°40.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
[STENDHAL (Henry Beyle, dit)].
Histoire de la peinture en Italie. Par M. B. A. A.
Paris, Didot l'Aîné, 1817.
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2500 €
First edition.
A full margin copy, untrimmed.
STENDHAL.
Le Rouge et le Noir.
Paris, Henri Creuzevault, 1945.
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750 €
Artist's copy signed by illustrator Sylvain Sauvage, is one of 25 copies reserved for collaborators among the 50 including the suite of prints off-print and an original sketch signed by the artist.
Very nice illustration of this classic by Stendhal.
SOULAGES, Gabriel || CARLEGLE (ill.).
Des riens.
Paris, Editions Mornay, 1926.
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450 €
Edition illustrated by Carlègle.
Gabriel Soulages is a French author of novels, stories and light collections. In his romantic work, inspired by a pleasant eroticism, he demonstrated an in-depth Greek and Latin culture.
One of 37 copies on Japon, ours n°18 accompanied by two original watercolors signed by Carlègle.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
SILVESTRE, Armand.
Floréal.
Paris, Masson et Cie, 1912.
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150 €
First edition.
Very nice edition enriched with illustrations by Georges Cain printed in several colors. Each chapter is adorned with an inset engraving and an engraved headband and end-engraving which frames the text.
Massenet sets the heroes of this spring of 1799 to music and leaves us the music sheets.
Jules Clarétie who writes the preface tells us: "[...] Among these books, I do not know, I repeat it, of more original than this one. It seems that all the arts wanted to fraternize in these pages and find themselves, under the same cover, like the heroes of Floréal under the same spring sky. ".
ROSTAND, Edmond || MUCHA, Alfons.
La Samaritaine. Evangile en trois tableaux en vers.
Paris, Charpentier et Fasquelle, 1897.
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300 €
First edition.
Piece designed at the request of Sarah Bernhardt, the author's friend. The cover features an illustration by Alfons Mucha.
ROCHER, Edmond.
Le Roman de la fleur.
Paris, Maurice Dormann, 1912.
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150 €
First edition.
Beautiful print on good quality glossy wove paper.
Edmond Rocher is a painter and poster designer whose work is typical of the art nouveau of the Belle Epoque, he exhibited in particular at the Salon des cent.
He offers here an "Illustrated Floral Monograph" his favorite theme. The cover announces 60 pen and ink compositions in the text to which is added the portrait of the artist and 1 lithograph out of text. Our copy peppered with a second lithograph (cropped signature).
Large handwritten dedication from Edmond Rocher to the photographer Chabrier.
ROBIDA, Albert.
St Bertrand de Comminges.
s.l., s.n., [v. 1924].
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300 €
Beautiful lithograph (310x220 mm) with note of the heart of the church of St Bertrand de Comminges. The lithograph is signed in the board and off the plank in pencil by Robida. Edition of 125 copies this one n ° 25.
ROBAUT, Alfred. COROT, Camille.
L'oeuvre de Corot.
Catalogue raisonné et illustré précédé de l'histoire de Corot et de ses oeuvres par Étienne Moreau-Nélaton.
Paris, H. Floury, 1905.
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8000 €
First edition printed at of only 400 copies.
One of the only five copies on old Japanese paper, the first large paper.
The reference catalogue raisonné of Jean-Baptiste Camille Corot's work preceded by an extensive biography of the artist's life and artwork by Etienne Moreau-Nelaton.
With descriptions and black-and-white reproductions of more than 3,000 of the artist's paintings, drawings, and engravings.
The fifth and final volume is devoted to the tables.
Our copy is bound with :
- in volume 1, two original photographs of Corot, the original Corot burial certificate, and finally two specimens for subscription to the book, dated 1904 (8 pages), one on vellum paper, the other on Japanese paper.
- in volume 4, p. 329, a photograph of Corot (Coll. Nadar, reproduced in 1910), three autograph letters signed by Corot with two stamped envelopes, and three sketches, attributed according to a pencil note to Robaut after Corot for the first and to Corot for the other two (without warranty for these attributions).
One of the letters is addressed to the parents of his student Emmanuel Damoye, in which Corot expresses concern that he has been drafted (in 1870).
A unique collection to which we are including, in paperback, the first supplement (ex. 18 of 600 copies) published 40 copies later in 1948.
ROBAUT, Alfred || DUTILLEUX, Constant.
Carnet de dessins.
s.l., s.n., [v.1840-1900].
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4500 €
Drawing album bellonging to Alfred Robaut, with his blind-stamped monogram on the upper cover.
A draftsman and lithographer, Robaut is best known as the author of the first catalog of works by Eugène Delacroix and Jean-Baptiste Camille Corot, painters for whom he greatly admired.
He learned to paint from his father, Felix Robaut, who taught embroidery design at the Douai Academy. In 1853, he married the eldest daughter of the painter Constant Dutilleux, through whom he came into contact with Delacroix and Corot.
This album contains numerous drawings by Alfred Robault's close friends and artists from the North (Alfred Robaut, Felix Robaut, and some of his students, as well as Constant Dutilleux).
We thus find about twenty drawings by Constant Dutillleux (3 are signed, the others attributed in the margin) by his father, 10 are attributed to Félix Robaut, 18 to Alfred Robaut, others to northern artists or former students of Felix Robaut. (2 drawings signed HP attributed to Henry Pluchard, 1 sketch by Henri Regnault with the stamp of the sale of his studio, 1 signed by De La Rochenoire, 1 signed by Célestin Lepollart, 2 drawings attributed to Caullet, 1 attributed to Abel de Pujol, 1 signed by Ambroise Détrez, 3 attributed to Pierre Billet, ...).
REMBRANDT.
Lot de 11 ouvrages relatifs à Rembrandt provenant de la bibliothèque de documentation de Maurice Gobin.
s.l., s.n., 1922-1979.
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500 €
Eleven books and exhibition catalogs relating to the work of Honoré Rembrandt.
This collection comes from the documentation library of the art dealer Maurice Gobin (later his son Francis).
Maurice Gobin wrote a papper on Rembrandt published in the magazine l'Art et les artistes (see no. 2)
1. HIND, Arthur. Rembrandts Etchings, An Essay And A Catalogue. 1923. 2 vol. 8vo.
Maurice Gobin's copy with many annotations on the plate volume.
Joint. An autograph letter signed by Loys Delteil to Mrs. Möller concerning the sale of Rembrandt prints.
2. GOBIN, Maurice. "Notes sur Rembrandt et son oeuvre gravé." 1922.
Papper published in "L'art et les artistes." No. 29, July 1922.
Set containing two versions of Mr. Gobin's original manuscript (first working manuscript and second fair copy), two printed versions (one without illustrations and one with), and the issue of the journal in which this article was published. With reproductions (with annotations by Maurice Gobin) of Rembrandt's works (about ten photos and three heliogravures (two bearing the stamp of Charles Amand Durand – RAPILLY PARIS)).
3. DE BRUIJN, Catalogus van de verzameling etsen van Rembrandt. 1932
Catalogue of De Bruijn's collection of Rembrandt prints. This copy includes a letter from De Bruijn to Maurice Gobin, sending him this book and inviting him to attend the upcoming exhibition of his collection.
4. LUGT, Frits. Musée du Louvre: Inventaire général des dessins des écoles du Nord. École Hollandaise, Tome III : Rembrandt, ses élèves, ses imitateurs, ses copistes. 1933.
5. Rembrandt, l'oeuvre du maître. Hachette. v.1930
6. Rembrandt - Des Meisters Handzeichnungen. Verlag. v. 1930
7. BENECH, Otto. Rembrandt Choix de Dessins. 1948
8. CUENDET, William. Rembrandt. Eaux-Fortes. 1947. Presentation copy with pencil note from W. Cuendet to Maurice Gobin : "A Monsieur Maurice Gobin, le si délicat amateur des plus belles choses j'offre ces images de Rembrandt, ces "pensées gravées" qui sont le journal intime de ce génie. En très cordial hommage".
Placed in the book are four letters, three from 1933 between Cuendet and Gobin concerning the purchase of Rembrandt prints and a copy of a letter from Gobin to Cuendet in 1949.
9. Rembrandt et son temps. Exhibition catalog of Rembrandt's works held at the École nationale supérieur des Beaux-Arts. 1955. Maurice Gobin contributed to this exhibition and is cited in the preface. Attached is a manuscript by Maurice Gobin presenting this exhibition at the Radio in 1955 in the program "L'art et la Vie".
10. Rembrandt et ses contemporains Dessins Hollandais du dix-septième siècle. 1977. Catalogue of the Frits Lugt collection at the Morgan Library and the Dutch Institute in Paris.
11. 140 Radierungen von Rembrandt der Jahre 1629 bis 1665. Exhibition catalogue at the Kornfeld Gallery in Bern. 1979
Due to the important weight of this set (arround 19 kg) , no shipping out France or with important shipping extra cost.
[RELIURES SIGNEES KIEFFER] FRANCE, Anatole.
Histoire contemporaine.
Paris, Aux éditions du Sagittaire, 1922-1924.
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450 €
First illustrated edition.
Complete series of the Contemporary History collection comprising four novels by Anatole France illustrated with watercolors by Serge Beaune.
Our copies are identical in the same binding signed by Kieffer and printed on the second paper: Imperial Japan with a series of line drawings on China, numbered n°24
The titles published in this collection are as follows:
- L'Orme du Mail
- Le Mannequin d'Osier
- L'Anneau d'Améthyste
- Mr Bergeret à Paris.
REGNIER, Henri (de).
Les Rencontres de Monsieur de Bréot.
Paris, Editions Mornay, 1930.
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170 €
Edition illustrated by George Barbier.
One of the 66 copies on Japan paper, ours n°62.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
RAMUZ, Charles Ferdinand || BROSSHARD, R.Th.
Chant des Pays du Rhône.
Paris, Les Bibliophiles Régionaux, 1929.
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230 €
Edition limited to 226 copies.
With 33 lithography from Gaston Proust drawned by R.Th Bosshard.
RAGUENET, Antonin.
Les principaux palais de l'exposition universelle de Paris.
Paris, Eugène Bigot, 1900.
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300 €
First edition.
Complete copy of the 96 architectural plates.
RABELAIS, François || BARTA, Lazlo.
Gargantua.
Paris, Aux éditions de la Cigogne, 1934.
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800 €
Exceptionnelle reliure conçue par l'artiste Laslo Barta pour notre exemplaire (le certificat de l'artiste est joint à l'ouvrage)
Barta, artiste né en Hongrie en 1902 et mort en 1961 en France, s'est essayé à plusieurs discipline: peinture, décoration, mosaïque. Ce gout éclectique se retrouve sur notre livre dans lequel le texte est illustré de 40 eaux fortes, les gardes illustrées à la gouache et les plats conçues en haut relief de cuir repoussé.
One of 160 copies on Vélin de Rives, ours n° 59.
POE, Edgar || MALLARME, Stephane || DARAGNES, Jean Gabriel.
Poèmes d'Edgar Poe.
Paris, Editions textes prétextes, 1949.
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300 €
First edition of illustrations.
Poems by Poe translated by Mallarmé and illustrated by Daragnès with 11 mezzotint engravings.
One of the 200 copies on Rives, ours n° 163.
PIZE, Louis || ROBERT, Maurice.
Le Rhône de Lyon à Pont-Saint-Esprit.
Grenoble, Arthaud, 1929.
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200 €
First edition.
64 engravings under tissue paper by Maurice Robert (1909-1992) Swiss painter, draftsman and watercolourist. Early work of the artist who shows here a great mastery of drawing. He will later turn to much more abstract paintings and sculptures.
One of 375 copies on large shaped Rives vellum, ours n° 92.
PISSARRO, Ludovic Rodo || VENTURI, Lionello.
Camille Pissarro, son art, ses oeuvres.
Paris, Paul Rosenberg, 1939.
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250 €
First edition of the first Catalogue raisonné of the Camille Pissarro works.
Copy n.874 of 1000.
We add the n°IV 11 of April 1936 of the "revue de l'art" devoted to Pissaro.
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