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Art & Artist's Books

Results (61 - 90) of 134
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Photo ROSTAND, Edmond || MUCHA, Alfons. 

ROSTAND, Edmond || MUCHA, Alfons. 

La Samaritaine. Evangile en trois tableaux en vers. 

Paris, Charpentier et Fasquelle, 1897.
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300 €

First edition.
Piece designed at the request of Sarah Bernhardt, the author's friend. The cover features an illustration by Alfons Mucha.

Photo TOUDOUZE, Gustave. 

TOUDOUZE, Gustave. 

La Vengeance des Peaux-de-Bique. 

Paris, Hachette et Cie, 1896.
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400 €

First edition.
100 luxury copies have been published on China paper.
Our copy is one of the first 50 copies (n°28), with all the engravings expected (n°28).

The illustrations of this book were realized by Julien Le Blant (1851-1936), who was a French painter specialized on the War in the Vendée, in France, at the end of the eighteenth century.

Fine copy.

Photo VOLLARD, Ambroise. 

VOLLARD, Ambroise. 

La Vie et l'Oeuvre de Pierre-Auguste Renoir. 

Paris, Ambroise Vollard, 1919.
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1500 €

First edition printed at of 1000 copies.
Complete copy with the original engravings ("Femme nue"), from Pierre-Auguste Renoir.

We add :
- ROGER-MAX, Claude. Renoir. 1933. Presentation copy to Maurice Gobin.

Photo [BEAUMONT, L. de] || ROBIDA, Albert. 

[BEAUMONT, L. de] || ROBIDA, Albert. 

Le cas du vidame, par l'Académicien d'estampes. 

Paris, A la librairie illustrée, [ca. 1889].
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550 €

Copy on Japan paper.
Presentation copy to Monsieur Achille by Albert Robida, with a fine drawing by the artist (Profile of a woman wearing a nice hat).

Robida (1848-1926) illustrates here, with his characteristic style full of life, the funny story of a mismatched wedding, which begins with a disastrous wedding night.

Photo FRANCE, Anatole. 

FRANCE, Anatole. 

Le Crime de Sylvestre Bonnard. 

Paris, Editions Mornay, 1923.
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200 €

Edition illustrated by Fernand Siméon.

One of the 61 copies on Japan paper, ours n°48

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo COLERIDGE, Samuel Taylor || LHOTE, André. 

COLERIDGE, Samuel Taylor || LHOTE, André. 

Le dit de l'ancien marinier en sept parties. 

Paris, Emile-Paul frères, 1920.
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180 €

766 copies, this one number xv, one of the 27 on "papier bis du Mittineague-mill" with a suite of the illustrations.

Photo MIRBEAU, Octave. 

MIRBEAU, Octave. 

Le Jardin des Supplices. 

Paris, Editions Mornay, 1923.
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200 €

Edition illustrated by Paul de Pidoll.

One of the 60 copies on Japan paper, ours n°36.

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo DOSTOIEVSKI, Fedor || GRAU SALA, Emilio. 

DOSTOIEVSKI, Fedor || GRAU SALA, Emilio. 

Le Joueur. 

Paris, Fernand Hazan, 1947.
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250 €

Emilio Grau Sala (1911-1975) is a remarkable colorist (oil and water paints, pastels) and illustrator, he was a member of Maurice Boitel's group.

Copy n ° 6 of the 125 printed on Vélin Johannot with the continuation of the illustrations.

Photo MARDRUS, Dr. Joseph Charles || BOURDELLE, Antoine. 

MARDRUS, Dr. Joseph Charles || BOURDELLE, Antoine. 

Le Marié Magique. 

Paris, Société des Bibliophiles Franco-Suisses, 1930.
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600 €

Limited edition, only 125 copies.
COPY NUMBER 1.

Photo DUNAN, Renée. 

DUNAN, Renée. 

Le Prix Lacombyne. 

Paris, Editions Mornay, 1924.
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200 €

Edition illustrated by Maurice Achener.

One of the 25 copies on Japan paper, ours n°9.

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo ARNOUX, Alexandre || FRELAUT, Jean. 

ARNOUX, Alexandre || FRELAUT, Jean. 

Le Promeneur accompagné. 

Paris, Textes et Prétextes, 1948.
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120 €

First edition of illustrations.
11 full-page black lithographs and 11 color text engraving. Jean Frélaut (1879-1954) is a painter illustrator member of the group of Independent Painters-engravers, founded by Jean Émile Laboureur and Raoul Dufy.
One of the 200 copies on Lana paper, ours n°163.

Photo MAC ORLAN, Pierre. 

MAC ORLAN, Pierre. 

Le Quai des brumes. 

Paris, Éditions Arc-en-Ciel, 1948.
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500 €

One of 170 copies on vellum paper(ours n ° 94).
This edition is illustrated in color in the text by Dignimont.
Quai des brumes was freely adapted for cinema by Marcel Carné with Jean Gabin and Michelle Morgan.

Photo DORGELES, Roland. 

DORGELES, Roland. 

Le Réveil des morts. 

Paris, Editions Mornay, 1924.
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250 €

Edition illustrated by Carlègle.
Le Réveil des morts takes place in the immediate post-war years 14-18 on the Chemin des Dames. The refugees return to their flattened country, completely destitute, and begin to live again in this territory disfigured by the war, where the dead rub shoulders with the living. Story of a disaster, of the establishment of war damages, it is the period of reconstruction and mourning.

One of 30 copies on Japon, ours n°14.

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo PIZE, Louis || ROBERT, Maurice. 

PIZE, Louis || ROBERT, Maurice. 

Le Rhône de Lyon à Pont-Saint-Esprit. 

Grenoble, Arthaud, 1929.
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200 €

First edition.
64 engravings under tissue paper by Maurice Robert (1909-1992) Swiss painter, draftsman and watercolourist. Early work of the artist who shows here a great mastery of drawing. He will later turn to much more abstract paintings and sculptures.
One of 375 copies on large shaped Rives vellum, ours n° 92.

Photo GAUTIER, Théophile. 

GAUTIER, Théophile. 

Le Roi Candaule. 

Paris, A. Ferroud, 1893.
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200 €

Illustrated edition of 21 compositions by Paul Avril.

"King Candaule has become drunk with the beauty of his wife Nyssia. He conceives the strange project of sharing his admiration as an aesthete by proposing to the young and handsome Gyges, the head of the palace guards, to come and secretly see his wife in her simple nudity. Horrified by this sacrilegious request, Gyges refuses at first but can only obey his king. Hidden in the bridal chamber, Gyges discovers the incredible beauty of Nyssia and immediately falls in love with her."

One of the 250 copies on Arches, ours n°338.

Good copy in signed binding.
​.

Photo ROCHER, Edmond. 

ROCHER, Edmond. 

Le Roman de la fleur. 

Paris, Maurice Dormann, 1912.
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150 €

First edition.
Beautiful print on good quality glossy wove paper.

Edmond Rocher is a painter and poster designer whose work is typical of the art nouveau of the Belle Epoque, he exhibited in particular at the Salon des cent.
He offers here an "Illustrated Floral Monograph" his favorite theme. The cover announces 60 pen and ink compositions in the text to which is added the portrait of the artist and 1 lithograph out of text. Our copy peppered with a second lithograph (cropped signature).
Large handwritten dedication from Edmond Rocher to the photographer Chabrier.

Photo STENDHAL. 

STENDHAL. 

Le Rouge et le Noir. 

Paris, Henri Creuzevault, 1945.
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750 €

Artist's copy signed by illustrator Sylvain Sauvage, is one of 25 copies reserved for collaborators among the 50 including the suite of prints off-print and an original sketch signed by the artist.

Very nice illustration of this classic by Stendhal.

Photo BUCAILLE, Max. 

BUCAILLE, Max. 

Le Scaphandrier des Rêves. 

Paris, GLM, 1950.
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200 €

First edition.
Twelve collages by Max Bucaille with a preface by J. Laude
One of 465 copies on vellum paper (No. 228).

Photo BERAUD, Henri. 

BERAUD, Henri. 

Le Vitriol de lune. 

Paris, Editions Mornay, 1931.
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150 €

Edition illustrated by Guy Arnoux.

One of the 60 copies on Japan paper, ours n°12.

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo BASTIA, Georges. 

BASTIA, Georges. 

Le Zoo des Vedettes. 

s.l., s.n., [v. 1950].
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2000 €

First edition printed at 400 numbered copies (n° 35), with 68 caricatures by Georges BASTIA (1904-1980), on 61 plates, , representing the stars of the show of the time such as Sacha Guitry, Jean Gabin, Gérard Philippe, Madeleine Renaud, Jean-Louis Barrault, Brigitte Bardot, Jean Marais, Simone Signoret, Yves Montand, Yvonne Printemps, Bourvil, Michel Simon, etc.

Although bearing the same title and including the same preface as the work published by Éditions Héracléïa v. 1946, this work is completly different.

The rarity of this edition comes from the fact that the quality of the plates which compose it is such that they are often sold separately and sometimes by mistake as original works.
Indeed, each lithograph has een enhanced with gouache by the artist, which gives a kind of uniqueness to each copy.

Photo BASTIA, Georges. 

BASTIA, Georges. 

Le Zoo des Vedettes. 

Monaco, Éditions Héracléïa, [ca. 1946].
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350 €

First edition printed at 450 numbered copies (n° 435), with 30 original lithographs by Georges BASTIA (1904-1980), representing animal caricatures of the stars of the show of the time such as Michel Simon, Fernandel, Marguerite Moreno, Cécile Sorel, Jean-Louis Barrault, Fernand Ledoux, Maurice Chevalier, Raimu, Mistinguett, Edith Piaf, etc.

Presentation copy to to Marc Gilbert Sauvageon, French playwright, screenwriter and director.

Photo NERVAL, Gérard de || MOREAU, Luc Albert. 

NERVAL, Gérard de || MOREAU, Luc Albert. 

Les Chimères. 

Paris, Pour les Amis de Poésie, 1944.
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300 €

First edition of illustrations.
28 lithographs in black by Luc-Albert Moreau (1882-1948) painter and illustrator friend of Colette, Daragnès and Ravel.

One of the 175 copies on Vélin blanc du marais, ours n°75.

Photo BOCCACE. 

BOCCACE. 

Les Dix Journées de Jean Boccace. 

Paris, Librairie des bibliophiles Joaust, 1873.
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450 €

Beautiful edition by Jouaust of the work of Boccace.
Paul Lacroix signs the introduction and Flameng who gives eleven very beautiful etchings.

Photo BERGERET, Gaston || HENRIOT. 

BERGERET, Gaston || HENRIOT. 

Les Evénements de Pontax. 

Paris, Librairie Conquet-Carteret, 1899.
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450 €

First edition.
Illustrations, “handwriting and watercolors” by Henri Maigrot aka Henriot.

One of the 175 copies on marsh vellum, ours n°155.

Photo CARCO, Francis || DARAGNES, Jean Gabriel. 

CARCO, Francis || DARAGNES, Jean Gabriel. 

Les Jours & les Nuits. 

Paris, Textes et Prétextes, 1946.
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100 €

First edition of illustrations.
21 color lithographs by Daragnès including 10 full-page.
One of the 200 copies on Lana paper, ours n°184.

Photo FRANCE, Anatole. 

FRANCE, Anatole. 

Les Opinions de Monsieur Jérome Coignard. 

Paris, Editions Mornay, 1924.
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200 €

Edition illustrated by Sylvain Sauvage.

One of the 67 copies on Japan paper, ours n°31

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo RAGUENET, Antonin. 

RAGUENET, Antonin. 

Les principaux palais de l'exposition universelle de Paris. 

Paris, Eugène Bigot, 1900.
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300 €

First edition.
Complete copy of the 96 architectural plates.

Photo REGNIER, Henri (de). 

REGNIER, Henri (de). 

Les Rencontres de Monsieur de Bréot. 

Paris, Editions Mornay, 1930.
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170 €

Edition illustrated by George Barbier.
One of the 66 copies on Japan paper, ours n°62.

Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.

Photo CHARLET, Nicolas-Toussaint. 

CHARLET, Nicolas-Toussaint. 

Lettre autographe signée adressé à Regnier. 

Viroflay, s.n., 23 juillet 1844.
More Details >
150 €

Handwritten autograph letter from Nicolas-Toussaint Charlet (1792-1845) French painter and lithographer to Mr. Regnier Maison de Tableaux at 20 Boulevard des Italians.
Written in July 1844, Charlet says she is weakened but on the road to recovery. There he concluded an agreement on honor with Regnier, a gallery owner, for the distribution of his paintings and drawings but did not want to commit himself to a contract.
This letter does not appear in the correspondence published by La Combe.

Photo BONINGTON, Richard Parkes || (GOBIN, DUBUISSON, CURTIS,...). 

BONINGTON, Richard Parkes || (GOBIN, DUBUISSON, CURTIS,...). 

Lot de 11 ouvrages relatifs à Bonington provenant de la bibliothèque de documentation de Maurice Gobin.
1. Curtis. Catalogue de l'oeuvre lithographié et gravé de R.P. Bonington. 1939
2. Dubuisson. Richard Parkes Bonington: His Life and Work . 1924.
3. Dubuisson. Bonington. 1927
4. Gobin. Exposition De Peintures Aquarelles & Dessins Par R. P. Bonington. 1936
5. Gobin. Bonington 1802-1828 Collection Des Maitres. 1950
6. Sambon. Exposition d'oeuvres inédites de Ricchars Parkes Bonington (1802-1828) et de Sir David Wilke (1785-1841). 1932
7. L'amateur d'estampes. juillet 1931. p.98 à 107, notes sur Bonington
8. Musée Jacquemart-André. Bonington - Un Romantique anglais à Paris. 1966
9. Noon. Richard parkes bonington - du plaisir de peindre - musee du petit palais, paris, [5 mars-17 mai] 1992
10. Spencer. R P Bonington, 1802-1828. 1965
11. Lepoittevin. Bonington : les débuts du romantisme en Angleterre et en Normandie. 1966. 

s.l., s.n., 1924-1992.
More Details >
250 €

Eleven books and exhibition catalogs relating to the work of Richard Parkes Bonington (RPB).
This collection comes from the documentation library of the art dealer Maurice Gobin (later his son Francis).

Maurice Gobin dedicated an exhibition to RPB in 1936 (see 4) and a popular work (see 5).

The books may contain some annotations from Maurice and Francis Gobin, giving their opinion on a particular work attributed to RPB or their provenance.
Maurice Gobin added in the Dubuisson's book (4.) some photographs of RPB's works and we also find a drawing (portrait of Dubuisson) probably made by Maurice Gobin.

Results (61 - 90) of 134
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