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Art & Artist's Books
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BAZIN, Germain || GERICAULT, Théodore.
Théodore Géricault : Etude critique, documents et Catalogue Raisonné.
Paris, Wildenstein Institute & La Bibliothèque des Arts, 1987-1997.
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350 €
The reference catalogue raisonné of Théodore Géricault 's work.
Due to the important weight of this set (arround 20 kg) , no shipping out France or with important shipping extra cost.
[Michel BERTRAND] SAINT MARC, Antoine.
La Dame de Plaisance.
s.l., Marcel Castel, 1968.
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250 €
First edition. Only 56 copies printed.
Very nice edition for the Club des Cinquante illustrated by 6 original watercolors signed by the painter Michel Bertrand (1935-2009).
Michel Bertrand will turn two years later to contemporary art in which he will experience some success. Catherine Millet will classify him among the major artists of the Montpellier region alongside Gérard Garouste and Vincent Bouliès. Six of his works are part of the collections of the Center Georges Pompidou.
PARKER, K.T. || MATHEY, Jacques.
Antoine Watteau. Catalogue complet de son oeuvre dessiné.
Paris, F. de Nobele, 1957-1959.
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300 €
First edition of this reference work comprising a catalogue raisonné of 934 drawings from Watteau. of the Camille Pissarro works.
Copy n.874 of 1000.
We add the n°LXX of July 1936 of the "la revue de l'art" devoted to Watteau. Disbound.
CARTON, Jean || MONTHERLANT, Henry de.
Encore un instant de bonheur.
Paris, Société du Livre d'Art, 1955.
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500 €
Limited edition (150 copies).
Our one the only 20 with the additionnal two suite of the engravings.
With an original drawing from Jean Carton.
MAURRAS, Charles || JOSSO, Camille-Paul.
Anthinéa, d'Athènes à Florence.
Paris, Aux dépens de l'artiste (presses Daragnès), 1955.
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250 €
First edition of illustrations.
Book printed on Daragnès presses in 200 copies decorated with 29 chisel engravings by Camille Paul Josso (1902-1986) orientalist painter, two of which are double-paged.
Unnumbered copy printed for the playwright Marc-Gilbert Sauvajon.
Accompanied by the presentation folder of the edition with a sample of the text and engravings.
DARAGNES, Jean Gabriel || FARGUE, Léon Paul || COLETTE.
Rencontres.
Paris, Presses de Madame Daragnès, 1954.
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1200 €
First edition.
Book in the form of a tribute published by his friends after the death of Jean Gabriel Daragnès. Woodwinds from the artist accompanied by texts by Colette, Fargue, Segonzac...
Original gouache hand-signed by Daragnès (250x215 mm).
One of the 130 copies printed on Vélin blanc with an original painting, ours n°21.
CAUËT, Christiane et Louis-Frédéric.
Rodin.
Photographies de Louis-Frédéric,
Poèmes de Christiane Cauët.
Paris, Collection "Argiles", [1952].
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100 €
Edition limited to 109 copies.
Copy 27.
With 11 pictures from Louis-Frédéric.
GOLL, Claire || CHAGALL, Marc.
Journal d'un cheval.
Paris, Editions Manuel Bruker, 1952.
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1200 €
First edition of illustrations.
Cover illustrated in color and 6 engravings by Marc Chagall.
The horse has always been at the center of Chagall's dreamlike work, it is an animal that is almost always present in the paintings of the Russian master. It is therefore natural that Manuel Bruker asked the painter to illustrate this short story by Claire Goll.
Chagall and Goll will become friends and Chagall will draw the tomb of Yvan and Claire Goll after the death of the latter in 1977.
One of the 105 copies on Vélin de Rives, ours n°138.
COLERIDGE, Samuel Taylor || DARAGNES, Jean-Gabriel.
La Chanson du Vieux marin.
Paris, Société des francs-bibliophiles, 1951.
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250 €
First edition of the illustrations.
Jean Gabriel Daragnès (1886-1950) is undoubtedly one of the most famous illustrator of the middle of the XXth century, he signs here one of his last creations with sixteen original compositions. He died during the publication and did not have time to engrave them himself
One of the 160 copies on pur fil by Vidalon, ours n°155.
BUCAILLE, Max.
Le Scaphandrier des Rêves.
Paris, GLM, 1950.
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200 €
First edition.
Twelve collages by Max Bucaille with a preface by J. Laude
One of 465 copies on vellum paper (No. 228).
BASTIA, Georges.
Le Zoo des Vedettes.
s.l., s.n., [v. 1950].
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2000 €
First edition printed at 400 numbered copies (n° 35), with 68 caricatures by Georges BASTIA (1904-1980), on 61 plates, , representing the stars of the show of the time such as Sacha Guitry, Jean Gabin, Gérard Philippe, Madeleine Renaud, Jean-Louis Barrault, Brigitte Bardot, Jean Marais, Simone Signoret, Yves Montand, Yvonne Printemps, Bourvil, Michel Simon, etc.
Although bearing the same title and including the same preface as the work published by Éditions Héracléïa v. 1946, this work is completly different.
The rarity of this edition comes from the fact that the quality of the plates which compose it is such that they are often sold separately and sometimes by mistake as original works.
Indeed, each lithograph has een enhanced with gouache by the artist, which gives a kind of uniqueness to each copy.
DUHAMEL, Georges.
Journal de Salavin.
Paris, Albert Guillot, 1949.
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175 €
With 37 original compositions from Andres Segovia.
Copy printed for the author, Georges Duhamel, and inscribed by the author.
MAC ORLAN, Pierre || [BOFA, Gus].
Eloge de Gus Bofa.
Paris, Manuel Bruker, 1949.
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850 €
First edition.
One of the 20 first copy with the additional set of engravings.
POE, Edgar || MALLARME, Stephane || DARAGNES, Jean Gabriel.
Poèmes d'Edgar Poe.
Paris, Editions textes prétextes, 1949.
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300 €
First edition of illustrations.
Poems by Poe translated by Mallarmé and illustrated by Daragnès with 11 mezzotint engravings.
One of the 200 copies on Rives, ours n° 163.
MAC ORLAN, Pierre.
Le Quai des brumes.
Paris, Éditions Arc-en-Ciel, 1948.
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500 €
One of 170 copies on vellum paper(ours n ° 94).
This edition is illustrated in color in the text by Dignimont.
Quai des brumes was freely adapted for cinema by Marcel Carné with Jean Gabin and Michelle Morgan.
VERTES, Marcel.
Complexes.
Monte-Carlo, André Sauret, 1948.
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250 €
One of the 40 copies with an original drawing from Vertes.
ARNOUX, Alexandre || FRELAUT, Jean.
Le Promeneur accompagné.
Paris, Textes et Prétextes, 1948.
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120 €
First edition of illustrations.
11 full-page black lithographs and 11 color text engraving. Jean Frélaut (1879-1954) is a painter illustrator member of the group of Independent Painters-engravers, founded by Jean Émile Laboureur and Raoul Dufy.
One of the 200 copies on Lana paper, ours n°163.
[ÉLOGES et PORTRAITS (Collection Bruker)].
Ensemble de 46 ouvrages illustrés par Dufy, Marquet, Bofa, Utrillo, Hasegawa.
Monte-Carlo, André Sauret, 1948.
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10000 €
Manuel Bruker, was born in 1891 in Radaut, Romania. He was three years old when his family arrived in France and settled in Paris around 1894.
After studying medicine and receiving his doctorate in 1917, he became an ear, nose and throat specialist.
Dr. Manuel Bruker was, in the words of Pierre Mac Orlan, a "book lover" with a real passion for art.
In 1926, at the age of thirty-five, he created his own publishing house on the advice of his friend Dr. Lucien-Graux, "the prince of bibliophiles".
Between 1931 and 1963, Bruker devoted himself to what was to be the most original and personal part of his work as a publisher: the creation of Praise and Portraits of Artists. He chose among his contemporaries those whose work he particularly esteemed; collaborating with them, he commissioned prints to illustrate the texts, which were written by writers or art critics often close to the artist. During these three decades Manuel Bruker publishes forty-six Praises and Portraits.
These works, which testify to the publisher's aspirations in the field of illustrated books - Manuel Bruker considered this field to be "a production in which France has been able to take the lead" - have rarely been brought together. They have been the subject of three exhibitions, the first at the municipal library of Toulouse in 1958, more recently at the Meguro Museum of Tokyo in the fall of 2003, and then at the Museum of Fine Arts of Bordeaux in 2005, from whom we borrow this introduction.
A very rare and complete collection of the 34 "Praises" and 12 "Portraits" published by Manuel Bruker.
If most of these works are easy to find, some are rare, such as the portrait of Hasegawa
Most of them are printed at 200 copies, some at 150 or 250 copies.
The "Eloges" :
Eloge de Raoul Dufy par Fernand Fleuret. Paris, 1932.
Eloge de J.-E Laboureur par le Dr Lucien-Graux. Paris, 1938.
Eloge de H. de Waroquier par A.- H Martinie. Paris, 1945.
Eloge de Pierre Bonnard par Léon Werth. Paris, 1946.
Eloge de Bernard Naudin par Claude Roger-Marx. Paris, 1947.
Eloge de Albert Marquet par Léon Werth. Paris, 1948.
Eloge de Gus Bofa par Pierre Mac Orlan. Paris, 1949.
Eloge de Jean Frélaut par Jacques de Laprade. Paris, 1950.
Eloge de Lucien Mainssieux par Manuel Bruker. Paris, 1950.
Eloge de Marcel Vertès par Georges Huisman. Paris, 1951.
Eloge de Louise Hervieu par Claude Roger-Marx. Paris, 1953.
Eloge de Henri Manguin par Charles Terrasse. Paris, 1954.
Eloge de Jacques Villon par Jacques Lassaigne. Paris, 1955.
Eloge de Maurice Brianchon par Claude Roger-Marx. Paris, 1955.
Eloge de Yves Brayer par Jean Bouret. Paris, 1955.
Eloge de Maurice Utrillo par Renée Willy. Paris, 1956.
Eloge de J.-G. Daragnès par Pierre Mac Orlan. Paris, 1956.
Eloge de Charles Camoin par Charles Vildrac. Paris, 1956.
Eloge de Van Dongen par Paul Guth. Paris, 1957.
Eloge de François Desnoyer par Jean Bouret. Paris, 1958.
Eloge de Clavé par Pierre Osenat. Paris, 1958.
Eloge de Gromaire par Guy Dornand. Paris, 1958.
Eloge de Cavaillès par Jean Cassou. 1958.
Eloge de Derain par Marc Sandoz. 1958.
Eloge de Roland Oudot par Claude Roger-Marx. Paris, 1958.
Eloge de Maurice Asselin par Marc Sandoz. Paris,1959.
Eloge de André Lhote par Guy Dornand. Paris,1960.
Eloge de Louis Neillot par Jean Bouret. Paris, 1962.
Eloge de Jean Lurçat par Robert Mallet. Paris, 1962.
Eloge de Robert Humblot par Claude Roger-Marx. Paris, 1962.
Eloge de Georges Oudot par Guy Dornand. Paris, 1962.
Eloge de Emile Bernard par Louis Hautecoeur. Paris, 1962.
Eloge de Michel Rodde par Gérard Mourgue. Paris, 1963.
Eloge de Dunoyer de Segonzac par Maurice Loncle. Paris, 1963
The "Portraits" :
Portrait de J.-L. Soulas par Jacques de Laprade. Paris, 1950.
Portrait d’A. Jacquemin par Louis Cheronnet. 1951.
Portrait d’Albert Decaris par lui-même. Paris, 1953.
Portrait de D. Galanis par André Beucler. Paris, 1954.
Portrait de Robert Lotiron par Claude Roger-Marx. Paris, 1955.
Portrait d’Abram Krol par Maurice Toesca. Paris, 1957.
Portrait de Jacob Balgley par Claude Roger-Marx. 1959.
Portrait de Monique Jörgensen par elle-même. Paris, 1959.
Portrait de Germaine de Coster par Raymond Cogniat. Paris, 1960.
Portrait de Ilya Bechkov par Bogomil Raino. 1960.
Portrait de Kiyoshi Hasegawa par Robert Rey. Paris, 1963.
Portrait de Hélène Marre par Jean-Luc Michaud. Paris, 1963.
DOSTOIEVSKI, Fedor || GRAU SALA, Emilio.
Le Joueur.
Paris, Fernand Hazan, 1947.
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250 €
Emilio Grau Sala (1911-1975) is a remarkable colorist (oil and water paints, pastels) and illustrator, he was a member of Maurice Boitel's group.
Copy n ° 6 of the 125 printed on Vélin Johannot with the continuation of the illustrations.
GOERG, Edouard || POE, Edgar.
L'Ange du Bizarre, suivi d'autres contes. Eaux-fortes originales d'Edouard Goerg.
Et un ensemble de dessins et de documents de ou relatifs Goerg.
Paris, Marcel Sautier, 1947.
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1200 €
Limited edition of 275 copies (No. 192) illustrated with 28 original etchings by Edouard Goerg (1893-1969), expressionist painter, printmaker, and illustrator.
Presentation copy from Edouard Goerg and his wife Elana to Francis Gobin: "à Francis Gobin et son épouse charmante avec nos voeux les meilleurs pour 1959 et l'expression de nos sentiments de fidèle amitié."
We add :
- 6 preparatory drawings intended to illustrate "Le Manteau de Parade" by Francis Lafavery, with an introduction by Jeau Cassou. [1954] with 2 original lithographs by Goerg). The 6 preparatory pencil drawings are indeed three versions of these two illustrations. We also enclose this book (other provenance). Spine broken.
- GEORGE, Waldemar. Goerg. 1965. Presentation copy from Goerg and Waldemar George to Francis Gobin.
- An original lithograph signed in pencil by Ed. Goerg and printed in an edition of 15 (our number 8)
- In an envelope addressed to Francis Gobin: a greeting card from Edouard and Elena Goerg with an original drawing.
- Wedding announcement of Goerg's daughter, Clause-Lise, with Christian Germak. 1961. Illustrated by Goerg. Printed in 190 copies according to the 1989 exhibition catalog, no. 106 (see end)
- A business card from Christian Germak
- Copy of a letter from Héléna Goerg to Francis and Thérèse Gobin in which she requests their assistance in the conflict with her daughter-in-law concerning Edouard Goerg's estate, with a copy of the latter's will and Francis Gobin's response
- Catalog of the "Edouard Goerg" exhibition from November 7 to 25, 1989, in Paris.
MARTY, Marcelle || MARQUET, Albert.
Images d'une petite ville arabe.
Paris, Manuel Bruker, [1947].
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500 €
First edition of illustrations.
Friend of Matisse, Fauvist painter in his youth, Albert Marquet (1875-1947) discovered himself an insatiable traveler and he spent long periods in the Maghreb. Here among his last production of engravings, published when he was seriously ill.
One of the 200 copies on Vélin d'Arches to form by Jourde and Allard, ours n°78.
BIRAN, Michèle de || TOUCHAGES, Louis.
Seuls à deux.
Paris, Editions du Mouflon, 1947.
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200 €
12 illustrations after Louis Touchagues colored by Nervet.
One of the 33 copies on Chiffon d'Auvergne, accompanied by the suite of twelve engravings printed in black on Chiffon d'Auvergne and two original initial drawings (instead of an one announced drawing). Our copy n°31.
GUITRY, Sacha.
Elles et Toi.
Monte-Carlo, Raoul Solar, 1946.
More Details >
450 €
First edition.
One of the 300 first copies, signed by the author.
Presentation copy to Marc Gilbert Sauvageon, French playwright, screenwriter and director.
GASZTOLD, Carmen Bernos de.
Eparses.
Paris, Chez l'illustrateur, 1946.
More Details >
250 €
First edition.
One of 180 numbered exemplar on Rives, our n°LX
First collection of poems published by Carmen Bernos de Gasztold (1919-1995), illustrated by her brother Pierre de Gasztold.
Nice drawing signed with dedication by Pierre de Gasztold.
CARCO, Francis || DIGNIMONT, André.
Dignimont.
Monte Carlo, André Sauret, 1946.
More Details >
250 €
First edition.
Monograph devoted by Francis Carco to the work of his friend André Dignimont.
One of the 385 numbered copies on Vélin de Rives, ours n° 331 containing in frontispiece a lithograph signed and numbered by the artist and theset of the 41 reproductions drawing from the work of Dignimont.
CARCO, Francis || DARAGNES, Jean Gabriel.
Les Jours & les Nuits.
Paris, Textes et Prétextes, 1946.
More Details >
100 €
First edition of illustrations.
21 color lithographs by Daragnès including 10 full-page.
One of the 200 copies on Lana paper, ours n°184.
DICKENS, Charles || DORE, Gustave.
Cantiques de Noël.
Paris, Editions Textes Prétextes, 1946.
More Details >
100 €
Very beautiful illustration of this classic of ancient literature by Gustave Doré
Copy n°1 printed on pure Auvergne rag by hand, accompanied by a suite in black of illustrations on pure vellum and an original watercolor, first paper printed in 21 copies.
BASTIA, Georges.
Le Zoo des Vedettes.
Monaco, Éditions Héracléïa, [ca. 1946].
More Details >
350 €
First edition printed at 450 numbered copies (n° 435), with 30 original lithographs by Georges BASTIA (1904-1980), representing animal caricatures of the stars of the show of the time such as Michel Simon, Fernandel, Marguerite Moreno, Cécile Sorel, Jean-Louis Barrault, Fernand Ledoux, Maurice Chevalier, Raimu, Mistinguett, Edith Piaf, etc.
Presentation copy to to Marc Gilbert Sauvageon, French playwright, screenwriter and director.
LONGUS || TOUCHAGES, Louis.
Daphnis et Chloé.
Paris, Editions du Bélier, 1945.
More Details >
600 €
Very beautiful illustration of this classic of ancient literature by Louis Touchages.
Copy n°1 printed on pure Auvergne rag by hand, accompanied by a suite in black of illustrations on pure vellum and an original watercolor, first paper printed in 21 copies.
STENDHAL.
Le Rouge et le Noir.
Paris, Henri Creuzevault, 1945.
More Details >
750 €
Artist's copy signed by illustrator Sylvain Sauvage, is one of 25 copies reserved for collaborators among the 50 including the suite of prints off-print and an original sketch signed by the artist.
Very nice illustration of this classic by Stendhal.
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