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Photo LESCALLIER, Daniel. 

LESCALLIER, Daniel. 

Traité pratique du gréement des vaisseaux et autres batimens de mer. 

Paris, Clousier, 1791.
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1200 €

First edition.
In addition to a busy career in the administration of the Navy, Daniel Lescallier (17443-1822) wrote several works devoted to the navy.
This practical treatise by Lescallier is abundantly illustrated with plates, some of which come from his Marine dictionary.
This work is today a reference for knowledge of the rigging of 18th century vessels.

Photo EIFFEL, Gustave. 

EIFFEL, Gustave. 

Nouvelles Recherches sur La Résistance De L'air et L'aviation Faites Au Laboratoire. 

Paris, H. Dunod et E. Pinat, 1914.
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1200 €

First edition.
After experimental aerodynamic tests obtained by free fall from the second floor of the tower he had built on the Champ de Mars in Paris, Gustave Eiffel had a wind tunnel built there in 1909. It was moved to Auteuil in 1912 and is still in operation today, operated by the company Aérodynamic Eiffel. This aerodynamics laboratory was used in particular to test the characteristics of Farman military biplanes which were used during the First World War.

Photo VARELA, Francisco. 

VARELA, Francisco. 

Principles of Biological Autonomy. 

New York, North-Holland, 1979.
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1500 €

First edition.

Francisco Varela (1946 - 2001) was a Chilean neurobiologist whose work in theoretical biology and cognitive science had an influence far exceeding his initial fields of study and thus influenced the field of artificial intelligence research.

Francisco Varela’s Principles of Biological Autonomy was a groundbreaking text when it was first published in 1979, putting forth a novel theory of how living systems produce and maintain themselves.

This foundational book introduces the key concept of autonomy derived as an elaboration of the idea of autopoiesis (the self-production and self-distinction) of living organisms.

Varela covers topics in systems theory, neuroscience, theories of perception, and immune networks and offers a participatory epistemology that goes on to be further developed in later enactive literature. (The MIT Press, 2025).

These ideas are compelling not only for historical reasons but also because they still illuminate current efforts in developing the enactive approach toward wider and more challenging goals (including language, human cognition, ethics, and environmentalism).

Varela’s ideas continue to shape cognitive science through the ongoing development of the enactive approach, which today encompasses accounts of various aspects of cognition and is becoming an increasingly influential framework. Yet it’s often forgotten how deeply Varela’s work was grounded in a conception of biological autonomy. So much so, in fact, that the label enactivism is frequently invoked without reference to its foundational commitment to autonomy.

Photo SCHRAMKE, Theophilus. 

SCHRAMKE, Theophilus. 

Description of the New-York Croton aqueduct : in English, German and French. 

New York, at the authors, 1846.
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1500 €

First edition.
Rare publication on the construction of the Croton Aqueduct.
Following the Cholera epidemic of 1832, the city of New York, whose population was exploding at the time (the most populated city in the United States as early as 1820), decided to build an aqueduct to bring drinking water from the Catskills to the heart of the city.
The construction site, which spanned 40.5 miles (65 kilometers) from 1837 to 1842, was led by John B. Jervis and secured New York's water supply. It was then one of the largest works of hydraulic architecture, linking reservoirs, tunnels, and bridges. The Aqueduct remained in service until 1955.
It was the first of the monumental infrastructures that would make New York a new Rome.

Photo [CITROEN]. 

[CITROEN]. 

Meharee Citroën.
Album du Raid saharien Méhari. 

s.l., Citroën, [1968].
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1500 €

The Mehari was launched in June 1968, to prove its effectiveness and robustness in the most hostile environment the Algerian subsidiary of Citroën organized a 6000 km raid in southern Algeria on which 3 teams with 3 Méharis relaieront.
The departure was made in Ghardaïa and the arrival in Djanet through Ain Salah and Tamanrasset.
The album illustrates this adventure with 32 original photographs in period print (legend opposite).
Only produced in 5 copies, this one no. 00 is offered to Alfred Lucas then director of the export services.

Photo KUPFFER, Adolf Theodor. 

KUPFFER, Adolf Theodor. 

Travaux de la commission pour fixer les mesures et les poids de l'empire de Russie. 

St Petersbourg, Imprimerie de l'Expédition de la confection des papiers de la Couronne, 1841.
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2000 €

First edition.
Adolph Theodor Kupffer (1799-1865) was a Baltic German physical chemist and therefore subject of the Russian Empire. He proposed establishing a single system of weights and measures in Russia, whose system, still of medieval inspiration, was then very heterogeneous. Kupffer's unified system will be adopted by an imperial decree of Nicholas I in 1835. He explains the modalities in this publication in 1841. Although these works are written in French, the French decimal metric system seems to him to be mathematically logical. , too revolutionary for Russia. He preferred to draw inspiration from the London Commission of Weights and Measures and defined the standards of weight (the pound), length (the Sagène) and volume (the védro) based on English measurements. A Russian Sagène is thus worth six English feet. The basic standards are made of copper and platinum. The Kupffer system remained in use in Russia until the end of the 19th century, before the country finally adopted the metric system.
Very complete set of atlas of 15 plates which completes the text.

Photo MOMORO, Antoine-François. 

MOMORO, Antoine-François. 

Traité élémentaire de l'imprimerie, ou le Manuel de l'Imprimeur. 

Paris, A.F. Momoro, 1793.
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2000 €

The scarce first edition.
Manual which will remain a reference for printers for a long time.
Momoro was very active during the French Revolution, member of the Cordeliers club, printer for Père Duchesne d'Hébert, he put his career at the service of the Revolution but died on the scaffold in 1794 with his Hébertist friends. It would be to him that we owe the motto "Liberty, Equality, Fraternity".
Complete copy of the 36 plates required. The error which announced 40 plates on the title page was crossed out on our copy. This notice will be modified in the second edition.

Photo LEGRAND, Louis. 

LEGRAND, Louis. 

Hôtel de Mademoiselle de Marsy
Hôtel de Mme Riensch de Osa. 

Paris, s.n., 1894-1905.
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2000 €

18 architectural plans of Parisian mansions printed from the drawings of the architect Legrand. The plans show the interior layout, layout and facades.

- 10 plans for Mademoiselle De Marsy's Hotel (1905)
Marie-Louise Marsy, real name Anne-Marie-Louise-Joséphine Mars (1866-1942), member of the Comédie Française which she left in 1902 after becoming Mme de Vassart d'Hozier.
Hotel located at the intersection of Boulevard Jules Sandeau and Rue Octave Feuillet in the 16th arrondissement. The current facades at this address do not correspond to the architect's plans.

- 8 plans for the Hotel de Mme Riensch de Osa (1894).

Augusta de Osa (1855-1944), née Riensch, was born into a wealthy industrial family in Hamburg. The diplomatic position of her husband allowed Augusta to lead a brilliant social life by frequenting the Parisian high society of the Belle Epoque.
Each plan is countersigned by Mme Riensch de Osa with the mention Read and approved.
Hotel still visible at the current 35, avenue Georges V (current boutique which adjoins the Prince de Galles hotel).

Photo GRIGNON, Pierre-Clément. 

GRIGNON, Pierre-Clément. 

Mémoires de physique sur l'art de fabriquer le fer, d'en fondre et forger des canons d'artillerie; sur l'histoire naturelle et sur divers sujets particuliers de physique et d'économie, avec une table analytique des matières en forme de dictionnaire, pour servir à l'intelligence des termes techniques. 

Paris, Delalain, 1775.
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2400 €

First edition of this important work for the metallurgy and the cristallography.

Photo [Chambre syndicale des forces hydrauliques]. 

[Chambre syndicale des forces hydrauliques]. 

Album de la Chambre syndicale des forces hydrauliques. 

Paris, Benin frères, 1911.
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2500 €

First edition.
Monumental iconography of the French hydraulic industry at the beginning of the 20th century, bringing together several hundred photos divided into two volumes:
Volume I: Transport and distribution of electrical energy
Volume II: Electrometallurgy, electrochemistry
he hydraulic forces union, including the president honorary was then Alfred Pechiney, brought together more than a hundred factories using "white coal" as an energy source. That is to say the hydraulic force of dams or rivers. Each industrial site of the union is represented by one or more photos preceded by a sheet giving the main characteristics. Important testimony to the history of France's industrial heritage.

Photo JOBLOT, Louis. 

JOBLOT, Louis. 

Observations d'histoire naturelle, faites avec le microscope. 

Paris, Briasson, 1754-1755.
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2500 €

Second edition.
Posthumous edition increased by 53 spectacular plates resulting from the observations of Louis Joblot under the microscope. The second volume is devoted to the technical evolutions of microscopes on which Joblot worked, which allowed him to explore the unknown world of protozoa.

Photo CHEVREUL, Michel Eugène. 

CHEVREUL, Michel Eugène. 

Mémoire sur la vision des couleurs matérielles en mouvement de rotation et des vitesses numériques de cercles. 

Paris, Firmin-Didot, 1882 [1881].
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3000 €

First edition of Chevreul's last works on color.
A rare offprint with its own title page published by Firmin-Didot in 1882, of an article presented to the Academy of Sciences in December 1880 and January 1881 (one generally only finds the article extracted from the Mémoires de l'institut published in 1883). Chevreul is interested here in physiological optics, trying to analyze how the contrast between complementary colors is affected by movement.
In his conclusion, in which he calls himself "the dean of students in France" (he was then 95 years old), he sees a direct application of his work to signaling for train drivers.

Photo DESGODETZ, Antoine. 

DESGODETZ, Antoine. 

Les Édifices antiques de Rome, mesurés et dessinés très exactement sur les lieux. 

Paris, Claude Antoine Jombert, 1779.
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3000 €

Second edition.
A new edition by Claude Antoine Jombert, who had just acquired the original copperplates from the descendants of the architect.
Antoine Desgodetz was sent to Rome, where he stayed for sixteen months in 1676–1677, to survey and measure ancient monuments with great precision. The purpose was well conceived, as he had already observed discrepancies in the dimensions—and thus the proportions—given in classical works on the subject.
The result was a work of obvious utility and great beauty: Desgodetz’s drawings were engraved by excellent artists, including Louis de Chastillon, Nicolas Guérard, and Jean and Pierre Lepautre. Each plate is accompanied by a facing descriptive notice specifying the measurements of the various elements and pointing out the errors in earlier treatises.
The work was justly admired and underwent several reissues. It is all the more surprising to learn that, unlike most ancient treatises, it has not lost its value: even today’s archaeologists—far more demanding than the amateurs of the past—still recognize its accuracy and usefulness.

A complete copy, with all 137 required plates.

Photo BOECE DE BOODT, Anselme. 

BOECE DE BOODT, Anselme. 

Le Parfaict Joaillier, ou Histoire des pierreries ou sont amplement descrites leur naissance, de juste prix, moyen de les cognoistre, & se garder des contrefaites, facilitez medicinales, & propriectez curieuses. 

Lyon, Jean Antoine Huguetan, 1644.
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3000 €

First french edition.
Milestone in mineralogy and gemmology.
Translation by Jean Bachou from the Latin edition of the "Gemmarum et Lapidum Historia" and enriched with annotations by André Toll.
All precious stones are studied there as well as the cutting and polishing processes. Boodt also describes the virtues of stones, medicinal and magical faculties.
Numerous woodcuts in the text.

Photo CHEVREUL, Michel Eugène. 

CHEVREUL, Michel Eugène. 

Des couleurs et de leurs applications aux arts industriels à l’aide des cercles chromatiques. Avec XXVII planches gravées sur acier et imprimées en couleurs par René Digeon. 

Paris, J.B. Baillière et Fils, 1864.
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5500 €

First edition of the rarest of Chevreul's publications on color.

Michel-Eugène Chevreul (1786-1889) is known to chemists for his research on fatty acids, saponification, and the discovery of stearin, but it is as a color theorist that his name will go down in history. Chevreul was appointed director of the Manufacture des Gobelins in 1824. Responsible for overseeing the production of dyes, he supported the work of dyers with his research on color perception. Thus, in 1839, he proposed a scientific approach to color complementarity and subsequently developed "color circles." A true "Pantone" color chart, a hundred years ahead of its time, Chevreul's color circles had the dual benefit of systematizing the production of hues (each with its own name) and making it easier to understand the concept of color complementarity. Thus, complementary colors are found on the same diameter of the color wheel, Red No. 2 corresponds to Green No. 2. "I believe I can affirm that it is possible to subject colors to a reasoned nomenclature, by relating them to types classified according to a simple method, accessible to the intelligence of all those who deal with colors" (extract from the preface). The standardization of color production was to interest first and foremost the industry then in full development, but it is undoubtedly in the Impressionist movement that Chevreul's theories found their finest accomplishment. Very early on, painters were inspired by Chevreul's work in their paintings, starting with Delacroix and then Monet. We will thus remember the fields of poppies dear to the Impressionists (Van Gogh, Monet, Pissaro...) where the red dots of the flowers burst out on complementary green backgrounds. The 27 spectacular plates were printed by René-Henri Digeon using chromochalcography, the process and difficulties of which are discussed in a paragraph in the book. Digeon appears to have presented a first edition of these plates at the 1855 World's Fair, for which he received a patent from the Empress. Several of the plates in our copy appear to be from this first edition and contain errors that have been corrected in other later copies that we have been able to consult.

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