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Fine Bindings
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BAUMANN, Emile.
La Fosse aux Lions.
Paris, G. Crès & Cie, 1925.
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80 €
Fine binding signed by Yseux.
Louis Yseux is one of the most talented bookbinders of the early 20th century, bringing to life a tradition of French binding and gilding dating back to the 18th century, it is indeed he who takes over the workshop of his master Thierry himself. heir to Simier and Petit. All his bindings bear his signature Yseux successor Thierry-Simier.
MONTFORT, Eugène.
Un Coeur vierge.
Paris, Mornay, 1926.
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100 €
Fine binding signed by Yseux.
Louis Yseux is one of the most talented bookbinders of the early 20th century, bringing to life a tradition of French binding and gilding dating back to the 18th century, it is indeed he who takes over the workshop of his master Thierry himself. heir to Simier and Petit. All his bindings bear his signature Yseux successor Thierry-Simier.
MIRBEAU, Octave.
Sébastien ROCH.
Paris, Mornay, 1926.
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150 €
Illustrations by Barbier.
Fine binding signed by Yseux.
Louis Yseux is one of the most talented bookbinders of the early 20th century, bringing to life a tradition of French binding and gilding dating back to the 18th century, it is indeed he who takes over the workshop of his master Thierry himself. heir to Simier and Petit. All his bindings bear his signature Yseux successor Thierry-Simier.
GALTIER-BOISSIERE, Jean || DIGNIMONT, André.
La bonne vie.
Paris, Henri Jonquières et Cie, 1928.
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350 €
575 copies, this one on "Vélin de Montgolfier" paper.
MIRBEAU, Octave.
Le Calvaire.
Paris, Mornay, 1928.
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150 €
Illustrations by Hermann Paul.
Fine binding signed by Yseux.
Louis Yseux is one of the most talented bookbinders of the early 20th century, bringing to life a tradition of French binding and gilding dating back to the 18th century, it is indeed he who takes over the workshop of his master Thierry himself. heir to Simier and Petit. All his bindings bear his signature Yseux successor Thierry-Simier.
VERLAINE, Paul.
Choix de Poésies.
Paris, Fasquelle, 1928.
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800 €
Beautiful copy of this famous industrial binding produced between 1933 and 1955 by Joseph Taupin, under the pseudonym Jotau. The boards and the back are molded in a mass-dyed resin, close to bakelite, pollopas. Flats and backs are articulated by a rod. This particularly brittle resin was quickly abandoned and few copies reach us without damage, as is the case with the book we are offering.
RABELAIS, François || BARTA, Lazlo.
Gargantua.
Paris, Aux éditions de la Cigogne, 1934.
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800 €
Exceptionnelle reliure conçue par l'artiste Laslo Barta pour notre exemplaire (le certificat de l'artiste est joint à l'ouvrage)
Barta, artiste né en Hongrie en 1902 et mort en 1961 en France, s'est essayé à plusieurs discipline: peinture, décoration, mosaïque. Ce gout éclectique se retrouve sur notre livre dans lequel le texte est illustré de 40 eaux fortes, les gardes illustrées à la gouache et les plats conçues en haut relief de cuir repoussé.
One of 160 copies on Vélin de Rives, ours n° 59.
SAINT-EXUPERY, Antoine (de).
Lettre à un Otage.
New York, Brentano's, 1946.
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950 €
Very beautiful binding executed by Jean Paul Miguet (1925-2019) one of the greatest French bookbinders of the 20th century.
SAINT-EXUPERY, Antoine (de).
Lettres de Jeunesse (1923-1931).
Paris, NRF Gallimard, 1953.
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2000 €
First edition.
One of the 60 copies on paper Hollande Pannekoek, ours n°X. Second paper after 21 on "japon".
Very beautiful binding executed by Jean Paul Miguet (1925-2019) one of the greatest French bookbinders of the 20th century.
From 1923 to 1931, Antoine de Saint-Exupéry wrote many particularly touching letters to Renée de Saussine known as "Rinette". Three years his senior, Renée de Saussine was introduced to him by her brother Bertrand, a classmate of Antoine at the Lycée Saint-Louis. An affectionate friendship binds Antoine to Renée and spans the years. Sometimes, when he is far from her, he phones her. Finding her only rarely, he writes her many letters.
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