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GRASSET, Eugène || GILLOT, Charles.
Histoire des quatre fils Aymon - très nobles et très vaillans chevaliers. Illustrée de compositions en couleurs par Eugène Grasset. Gravure et impression par Charles Gillot. Introduction et Notes par Charles Marcilly.
Paris, H. Launette, 1883.
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2000 €
The story of the four Aymon sons is a legendary tale, which was originally a gesture song from the French Carolingian era. The four heroes, sons of Duke Aymon, are introduced to the emperor Charlemagne and will live many adventures accompanied by an enchanter and a magical horse.
Their adventures are finely illustrated by Eugène Grasset (1845-1917), one of the representatives of Art Nouveau. It combines, with delicacy and simplicity, iconography inspired by the Middle Ages and the Knighthood with Art Nouveau style (with stylized forms and characteristic ornamental motifs such as flowers).
[GRANET, Abbé François].
Recueil de dissertations sur plusieurs tragédies de Corneille et de Racine, avec des réflexions pour & contre la critique des ouvrages d'esprit, et des jugemens sur ces dissertations.
Paris, Gissey, 1740.
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150 €
Book which revives the quarrel between the Ancients and the Moderns through the critical study of the tragedies of Corneille and Racine.
GRANDMOUGIN, Charles.
L'Enfant Jésus, mystère en 5 tableaux.
Paris, J. Rouam et Cie, 1892.
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50 €
First edition.
Beautiful lithographies by Dagnan-Bouveret, Fantin-Latour, Mouchot, De Richemont, Trochsler and Wencker.
GOURMONT, Remy de.
La Patience de Griseledis.
Paris, Editions du Sagittaire, 1920.
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150 €
Fine binding signed by Yseux.
Louis Yseux is one of the most talented bookbinders of the early 20th century, bringing to life a tradition of French binding and gilding dating back to the 18th century, it is indeed he who takes over the workshop of his master Thierry himself. heir to Simier and Petit. All his bindings bear his signature Yseux successor Thierry-Simier.
GOURMONT, Remy de.
Les Litanies de la rose. Edition fac-similé.
Paris, Editions Excelsior, s.d. [ca.1925].
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60 €
GOLL, Claire || CHAGALL, Marc.
Journal d'un cheval.
Paris, Editions Manuel Bruker, 1952.
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1200 €
First edition of illustrations.
Cover illustrated in color and 6 engravings by Marc Chagall.
The horse has always been at the center of Chagall's dreamlike work, it is an animal that is almost always present in the paintings of the Russian master. It is therefore natural that Manuel Bruker asked the painter to illustrate this short story by Claire Goll.
Chagall and Goll will become friends and Chagall will draw the tomb of Yvan and Claire Goll after the death of the latter in 1977.
One of the 105 copies on Vélin de Rives, ours n°138.
GOETHE, Johann Wolfgang von || COLLOT, André.
Faust - Le Second Faust. Illustré par A. Collot.
Paris, La tradition, [1937-1938].
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800 €
On of the 34 copies on Japon Impérial paper, with an additionnal suite and an original drawing. Our copy contain an second additional drawing.
Translation by Gérard de Nerval, with illustrations by André Collot.
André Collot (1897-1976) was a French illustrator, engraver and painter known for his many illustrations of erotic books. However, by working on the illustration of Goethe's "Faust", he revealed a darker part of his work and succeeded in transcribing all the tragedy of the work of the famous German writer.
GHERARDI, Evariste.
Le Théâtre Italien de Gherardi, ou Le Recueil Général de toutes le Comédies and Scènes Françoises jouées par les Comédiens Italiens du Roy.
Paris, Pierre Witte, 1717.
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600 €
The Italian Comedy or Italian Theater was the competing theater troupe of the French Comedy (born from the merger of Molière's troupe and that of the Hotel de Bourgogne) at the end of the 17th century.
His repertoire, assembled here by Evariste Gherardi, was inspired by both characters from the Commedia dell'arte and French authors. I
t was dissolved in 1697 following the announcement of the False Prude (who attacked Maintenon) then returned to Paris under the Regency in 1716.
GENET, Jean || PICQ, Emile.
Chants secrets.
Lyon, Marc Barbezat, 1945.
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200 €
First edition limited to 400 copies.
GAUTIER, Théophile.
Une Nuit de Cléopatre.
Paris, A. Ferroud, 1894.
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250 €
Illustrated edition of 21 compositions by Paul Avril.
"Crossing the Nile on her royal cange to go to her summer palace, Cleopatra "is horribly bored." Meïamoun, in love with the queen, is caught spying on her in her bath. Having the whim of To be merciful, Cleopatra grants him an orgiastic night. When morning arrives, the men enter the room. Meïamoun then drinks the poisoned glass and dies."
One of the 250 copies on Arches, ours n°354.
Good copy in signed binding.
.
GAUTIER, Théophile.
Le Roi Candaule.
Paris, A. Ferroud, 1893.
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200 €
Illustrated edition of 21 compositions by Paul Avril.
"King Candaule has become drunk with the beauty of his wife Nyssia. He conceives the strange project of sharing his admiration as an aesthete by proposing to the young and handsome Gyges, the head of the palace guards, to come and secretly see his wife in her simple nudity. Horrified by this sacrilegious request, Gyges refuses at first but can only obey his king. Hidden in the bridal chamber, Gyges discovers the incredible beauty of Nyssia and immediately falls in love with her."
One of the 250 copies on Arches, ours n°338.
Good copy in signed binding.
.
GAUTIER, Théophile.
Jean et Jeannette.
Paris, A. Ferroud, 1894.
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250 €
Illustrated edition of 24 compositions by Lalauze.
"Tired of her formal and rococo suitors, the Marquise de Champrosé, a young widow, decides to accompany her servant and confidant, Justine, to the ball at the Moulin-Rouge. For his part, the Viscount de Candale, also tired , one of her dancers from the Opera, accompanies Master Bonnard to this same ball. Under the name of Jeannette, dressed as a grisette, the marquise is invited to dance by the viscount posing as M. Jean, arriving from his province. ."
One of the 250 copies on Arches, ours n°438.
Good copy in signed binding.
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GAUTIER, Theophile.
Le Pavillon sur l'eau.
Paris, Ferroud, 1900.
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500 €
The color compositions are by Henri Caruchet and the preface to this tale by Gautier is given by Camille Mauclair.
Our copy on Japanese paper, gift from the editor to "Madame Torchou".
GASZTOLD, Carmen Bernos de.
Eparses.
Paris, Chez l'illustrateur, 1946.
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250 €
First edition.
One of 180 numbered exemplar on Rives, our n°LX
First collection of poems published by Carmen Bernos de Gasztold (1919-1995), illustrated by her brother Pierre de Gasztold.
Nice drawing signed with dedication by Pierre de Gasztold.
GARCIA LORCA, Federico || ELUARD, Paul.
Ode à Salvador Dali.
Paris, GLM, 1927.
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800 €
First french edition.
Presentation copy signed by Paul Eluard and Louis Parrot.
GALTIER-BOISSIERE, Jean || DIGNIMONT, André.
La bonne vie.
Paris, Henri Jonquières et Cie, 1928.
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350 €
575 copies, this one on "Vélin de Montgolfier" paper.
GALTIER-BOISSIERE, Jean.
La vie de garçon. Gravures et dessins de Jean Oberlé.
Paris, Mornay, 1929.
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250 €
First edition, first issue.
Presentation copy to Blum.
GALLAND, Antoine.
Les Milles et une Nuits.
Paris, Furne et Cie, 1837.
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180 €
Good copy.
FRANCE, Anatole || JOU, Louis.
L'Ile des pingouins. Illustrations de Louis Jou.
Paris, Editions Lapina, 1926.
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1500 €
Copy 68, one of the 25 on 'Japon impérial' paper with additionnal etchings (two state of the etchings, a state with the copper barred and a complete suite of the woodcuts, all on japon paper.
FRANCE, Anatole.
Les Opinions de Monsieur Jérome Coignard.
Paris, Editions Mornay, 1924.
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200 €
Edition illustrated by Sylvain Sauvage.
One of the 67 copies on Japan paper, ours n°31
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
FRANCE, Anatole.
Le Crime de Sylvestre Bonnard.
Paris, Editions Mornay, 1923.
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200 €
Edition illustrated by Fernand Siméon.
One of the 61 copies on Japan paper, ours n°48
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
FRANCE, Anatole.
Madame de Luzy.
Paris, A. Ferroud, 1902.
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100 €
First edition.
Beautiful edition illustrated with ten compositions by Lalauze
One of the 200 copies on Arches vellum paper, ours n°345.
FRANCE, Anatole.
Sur La Pierre Blanche.
Paris, La Connaissance, 1924.
More Details >
100 €
Fine binding signed by Yseux.
Louis Yseux is one of the most talented bookbinders of the early 20th century, bringing to life a tradition of French binding and gilding dating back to the 18th century, it is indeed he who takes over the workshop of his master Thierry himself. heir to Simier and Petit. All his bindings bear his signature Yseux successor Thierry-Simier.
FRANCE, Anatole.
Sur La Pierre blanche.
Paris, La Connaissance, 1924.
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250 €
Philosophical and anticipatory work of Anatole France.
"The work deals as a whole with the evolution of mankind, and outlines the possibility of a creation of the United States of the world." (wikipedia)
Very nice edition decorated with engravings by Jean Kefalinos (full page, banners, frames ...).
Copy on Vélin de Rives nominative for M. Du Part with the series of illustrations on Vellum.
FOUREST, Georges.
La Negresse blonde.
Paris, La Connaissance, 1920.
More Details >
90 €
Fine binding signed by Yseux.
Louis Yseux is one of the most talented bookbinders of the early 20th century, bringing to life a tradition of French binding and gilding dating back to the 18th century, it is indeed he who takes over the workshop of his master Thierry himself. heir to Simier and Petit. All his bindings bear his signature Yseux successor Thierry-Simier.
FOUJITA || LOTI, Pierre.
Madame Chrysanthème.
Paris, Editions excelsior, 1926.
More Details >
1200 €
60 original color illustrations by Foujita.
1 of 25 copies on Arches out of market (initialled H.C).
FOUCHER, Paul || REGNIER, Philoclès.
La Joconde.
Paris, Michel Levy, 1856.
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500 €
Second edition.
Comedy in five acts written by Paul Foucher (1810-1875) and Philoclès Regnier (1807-1885) which premiered at the Comédie Française on November 19, 1855.
Our copy, which probably belonged to Regnier, is enriched with the program printed on silk announcing the premiere performance at the Comédie Française, as well as 7 signed autograph letters addressed to Regnier to congratulate him on the play.
Among the signatories of these letters we find the author Philoxène Boyer or the actress Jeanne Arnould-Plessy.
Following the letters are a few press extracts, literary reviews of the play, including the review by Théophile Gautier published in the Revue Dramatique.
FORT, Paul.
Deux Chaumières au pays de l'Yveline.
Paris, A. Monnier, 1916.
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35 €
First edition;
Copy n°42 signed by the author.
Sending of the author to E. Duboin from the family of Jacques Duboin (1878-1976) economist and politician of which we disperse part of the library.
FORT, Paul.
L'Amour Enfant de Bohème.
Paris, Armand Jules Klein, 1930.
More Details >
Sold
First edition, one of the 200 on Vergé d'Arches.
Copy printed for Maurice Delort.
Presentation copy.
FORT, Paul.
L'Arche de Noé.
Paris, Armand Jules Klein, 1934.
More Details >
150 €
First edition, one of the 200 on Vergé d'Arches.
Copy printed for Maurice Delort.
Presentation copy.
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