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Litterature
Results (421 - 450) of
490
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CARCO, Francis || DIGNIMONT, André.
Dignimont.
Monte Carlo, André Sauret, 1946.
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250 €
First edition.
Monograph devoted by Francis Carco to the work of his friend André Dignimont.
One of the 385 numbered copies on Vélin de Rives, ours n° 331 containing in frontispiece a lithograph signed and numbered by the artist and theset of the 41 reproductions drawing from the work of Dignimont.
DICKENS, Charles || DORE, Gustave.
Cantiques de Noël.
Paris, Editions Textes Prétextes, 1946.
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100 €
Very beautiful illustration of this classic of ancient literature by Gustave Doré
Copy n°1 printed on pure Auvergne rag by hand, accompanied by a suite in black of illustrations on pure vellum and an original watercolor, first paper printed in 21 copies.
GASZTOLD, Carmen Bernos de.
Eparses.
Paris, Chez l'illustrateur, 1946.
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250 €
First edition.
One of 180 numbered exemplar on Rives, our n°LX
First collection of poems published by Carmen Bernos de Gasztold (1919-1995), illustrated by her brother Pierre de Gasztold.
Nice drawing signed with dedication by Pierre de Gasztold.
BASTIA, Georges.
Le Zoo des Vedettes.
Monaco, Éditions Héracléïa, [ca. 1946].
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350 €
First edition printed at 450 numbered copies (n° 435), with 30 original lithographs by Georges BASTIA (1904-1980), representing animal caricatures of the stars of the show of the time such as Michel Simon, Fernandel, Marguerite Moreno, Cécile Sorel, Jean-Louis Barrault, Fernand Ledoux, Maurice Chevalier, Raimu, Mistinguett, Edith Piaf, etc.
Presentation copy to to Marc Gilbert Sauvageon, French playwright, screenwriter and director.
GUITRY, Sacha.
Elles et Toi.
Monte-Carlo, Raoul Solar, 1946.
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450 €
First edition.
One of the 300 first copies, signed by the author.
Presentation copy to Marc Gilbert Sauvageon, French playwright, screenwriter and director.
COCTEAU, Jean.
La Crucifixion.
Paris, Paul Morihien, 1946.
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850 €
First edition.
One of the 25 on Chine paper.
[CRES, Jean].
La Tradition du livre : collection complète des 6 livres.
Paris, Jean Crès, 1947.
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200 €
Complete series of the collection entitled La Tradition du livre created by Jean Crès in 1947 in homage to the work of his father as a publisher who had printed the famous bibliophile collection of the "Masters of the Book".
Homogeneous copies, all printed on the first paper (Vin de cuve Malacca de Lana) accompanied by the suite of separate engravings, all numbered n°23.
The titles published in this collection are as follows:
- Duhamel, Vie des Martyrs, illustrated by Camille Berg
- Giraudoux, Aventures de Jérôme Bardini, illustrated by Jean-André Canté
- Stendhal, Lamiel, illustrated by Jacques Boullaire
- Mauriac, Genitrix, illustrated by Robert Cami
- Malraux, The Conquerors, illustrated by Jean Delpech
- Vercel, Capitaine Conan, illustrated by Henri Jadoux.
MARTY, Marcelle || MARQUET, Albert.
Images d'une petite ville arabe.
Paris, Manuel Bruker, [1947].
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500 €
First edition of illustrations.
Friend of Matisse, Fauvist painter in his youth, Albert Marquet (1875-1947) discovered himself an insatiable traveler and he spent long periods in the Maghreb. Here among his last production of engravings, published when he was seriously ill.
One of the 200 copies on Vélin d'Arches to form by Jourde and Allard, ours n°78.
DOSTOIEVSKI, Fedor || GRAU SALA, Emilio.
Le Joueur.
Paris, Fernand Hazan, 1947.
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250 €
Emilio Grau Sala (1911-1975) is a remarkable colorist (oil and water paints, pastels) and illustrator, he was a member of Maurice Boitel's group.
Copy n ° 6 of the 125 printed on Vélin Johannot with the continuation of the illustrations.
BIRAN, Michèle de || TOUCHAGES, Louis.
Seuls à deux.
Paris, Editions du Mouflon, 1947.
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200 €
12 illustrations after Louis Touchagues colored by Nervet.
One of the 33 copies on Chiffon d'Auvergne, accompanied by the suite of twelve engravings printed in black on Chiffon d'Auvergne and two original initial drawings (instead of an one announced drawing). Our copy n°31.
COCTEAU, Jean.
Le foyer des artistes.
Paris, Plon, 1947.
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350 €
First edition.
One of the 22 on Hollande, second paper after 16 on Japon.
COCTEAU, Jean.
Poèsies. 1946-1947.
Paris, Jean-Jacques Pauvert, 1947.
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750 €
First edition limited to only 50 copies.
One of the 7 on Japon paper.
MAYA, Tristan.
Morceaux choisis suivis des Poèmes à Ré.
Paris, Vent debout, 1948.
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200 €
First edition.
Tristan Maya is the ghost name of Jean Maton (1926-2000), French writer, poet, novelist, literary critic and bookseller in Orléans. The work is published by “Vent Debout”, a literary and artistic review published in occupied Germany, but with its headquarters in Mattaincourt (Vosges).
Presentation copy.
One of 200 numbered copies, ours n°17.
ARNOUX, Alexandre || FRELAUT, Jean.
Le Promeneur accompagné.
Paris, Textes et Prétextes, 1948.
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120 €
First edition of illustrations.
11 full-page black lithographs and 11 color text engraving. Jean Frélaut (1879-1954) is a painter illustrator member of the group of Independent Painters-engravers, founded by Jean Émile Laboureur and Raoul Dufy.
One of the 200 copies on Lana paper, ours n°163.
GUERIN, Maurice de.
Poëmes.
Paris, Pour les fils de Roi [Jacques Haumont], 1948.
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60 €
First edition.
Printed in sixty copies.
APOLLINAIRE, Guillaume.
Lettres à sa marraine (1915-1918).
Paris, Pour les Fils de Roi [Jacques Haumont], 1948.
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100 €
First edition.
With an introduction and notes by Marcel Adema.
Copy on yellow paper.
[ÉLOGES et PORTRAITS (Collection Bruker)].
Ensemble de 46 ouvrages illustrés par Dufy, Marquet, Bofa, Utrillo, Hasegawa.
Monte-Carlo, André Sauret, 1948.
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10000 €
Manuel Bruker, was born in 1891 in Radaut, Romania. He was three years old when his family arrived in France and settled in Paris around 1894.
After studying medicine and receiving his doctorate in 1917, he became an ear, nose and throat specialist.
Dr. Manuel Bruker was, in the words of Pierre Mac Orlan, a "book lover" with a real passion for art.
In 1926, at the age of thirty-five, he created his own publishing house on the advice of his friend Dr. Lucien-Graux, "the prince of bibliophiles".
Between 1931 and 1963, Bruker devoted himself to what was to be the most original and personal part of his work as a publisher: the creation of Praise and Portraits of Artists. He chose among his contemporaries those whose work he particularly esteemed; collaborating with them, he commissioned prints to illustrate the texts, which were written by writers or art critics often close to the artist. During these three decades Manuel Bruker publishes forty-six Praises and Portraits.
These works, which testify to the publisher's aspirations in the field of illustrated books - Manuel Bruker considered this field to be "a production in which France has been able to take the lead" - have rarely been brought together. They have been the subject of three exhibitions, the first at the municipal library of Toulouse in 1958, more recently at the Meguro Museum of Tokyo in the fall of 2003, and then at the Museum of Fine Arts of Bordeaux in 2005, from whom we borrow this introduction.
A very rare and complete collection of the 34 "Praises" and 12 "Portraits" published by Manuel Bruker.
If most of these works are easy to find, some are rare, such as the portrait of Hasegawa
Most of them are printed at 200 copies, some at 150 or 250 copies.
The "Eloges" :
Eloge de Raoul Dufy par Fernand Fleuret. Paris, 1932.
Eloge de J.-E Laboureur par le Dr Lucien-Graux. Paris, 1938.
Eloge de H. de Waroquier par A.- H Martinie. Paris, 1945.
Eloge de Pierre Bonnard par Léon Werth. Paris, 1946.
Eloge de Bernard Naudin par Claude Roger-Marx. Paris, 1947.
Eloge de Albert Marquet par Léon Werth. Paris, 1948.
Eloge de Gus Bofa par Pierre Mac Orlan. Paris, 1949.
Eloge de Jean Frélaut par Jacques de Laprade. Paris, 1950.
Eloge de Lucien Mainssieux par Manuel Bruker. Paris, 1950.
Eloge de Marcel Vertès par Georges Huisman. Paris, 1951.
Eloge de Louise Hervieu par Claude Roger-Marx. Paris, 1953.
Eloge de Henri Manguin par Charles Terrasse. Paris, 1954.
Eloge de Jacques Villon par Jacques Lassaigne. Paris, 1955.
Eloge de Maurice Brianchon par Claude Roger-Marx. Paris, 1955.
Eloge de Yves Brayer par Jean Bouret. Paris, 1955.
Eloge de Maurice Utrillo par Renée Willy. Paris, 1956.
Eloge de J.-G. Daragnès par Pierre Mac Orlan. Paris, 1956.
Eloge de Charles Camoin par Charles Vildrac. Paris, 1956.
Eloge de Van Dongen par Paul Guth. Paris, 1957.
Eloge de François Desnoyer par Jean Bouret. Paris, 1958.
Eloge de Clavé par Pierre Osenat. Paris, 1958.
Eloge de Gromaire par Guy Dornand. Paris, 1958.
Eloge de Cavaillès par Jean Cassou. 1958.
Eloge de Derain par Marc Sandoz. 1958.
Eloge de Roland Oudot par Claude Roger-Marx. Paris, 1958.
Eloge de Maurice Asselin par Marc Sandoz. Paris,1959.
Eloge de André Lhote par Guy Dornand. Paris,1960.
Eloge de Louis Neillot par Jean Bouret. Paris, 1962.
Eloge de Jean Lurçat par Robert Mallet. Paris, 1962.
Eloge de Robert Humblot par Claude Roger-Marx. Paris, 1962.
Eloge de Georges Oudot par Guy Dornand. Paris, 1962.
Eloge de Emile Bernard par Louis Hautecoeur. Paris, 1962.
Eloge de Michel Rodde par Gérard Mourgue. Paris, 1963.
Eloge de Dunoyer de Segonzac par Maurice Loncle. Paris, 1963
The "Portraits" :
Portrait de J.-L. Soulas par Jacques de Laprade. Paris, 1950.
Portrait d’A. Jacquemin par Louis Cheronnet. 1951.
Portrait d’Albert Decaris par lui-même. Paris, 1953.
Portrait de D. Galanis par André Beucler. Paris, 1954.
Portrait de Robert Lotiron par Claude Roger-Marx. Paris, 1955.
Portrait d’Abram Krol par Maurice Toesca. Paris, 1957.
Portrait de Jacob Balgley par Claude Roger-Marx. 1959.
Portrait de Monique Jörgensen par elle-même. Paris, 1959.
Portrait de Germaine de Coster par Raymond Cogniat. Paris, 1960.
Portrait de Ilya Bechkov par Bogomil Raino. 1960.
Portrait de Kiyoshi Hasegawa par Robert Rey. Paris, 1963.
Portrait de Hélène Marre par Jean-Luc Michaud. Paris, 1963.
VERTES, Marcel.
Complexes.
Monte-Carlo, André Sauret, 1948.
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250 €
One of the 40 copies with an original drawing from Vertes.
MAC ORLAN, Pierre.
Le Quai des brumes.
Paris, Éditions Arc-en-Ciel, 1948.
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500 €
One of 170 copies on vellum paper(ours n ° 94).
This edition is illustrated in color in the text by Dignimont.
Quai des brumes was freely adapted for cinema by Marcel Carné with Jean Gabin and Michelle Morgan.
DOMMERGUES, Marcel.
Les Après-midi du libraire, réflexions à l'usage des bibliophiles et des Libraires.
Paris, Librairie Marcel Dommergues, 1949.
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60 €
First edition.
Copy on vellum paper (n°533)
Presentation copy.
POE, Edgar || MALLARME, Stephane || DARAGNES, Jean Gabriel.
Poèmes d'Edgar Poe.
Paris, Editions textes prétextes, 1949.
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300 €
First edition of illustrations.
Poems by Poe translated by Mallarmé and illustrated by Daragnès with 11 mezzotint engravings.
One of the 200 copies on Rives, ours n° 163.
MAC ORLAN, Pierre || [BOFA, Gus].
Eloge de Gus Bofa.
Paris, Manuel Bruker, 1949.
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850 €
First edition.
One of the 20 first copy with the additional set of engravings.
ELUARD, Paul.
Léda.
Lausanne, H.L. Mermod, 1949.
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750 €
First edition.
One of the 30 copy on Chineese paper, first paper.
Beautiful edition illustrated by Gericault's drawings printed in bicolor.
COGNET, Louis.
Relation écrite par la Mère Angélique Arnault sur Port-Royal.
Paris, Bernard Grasset, 1949.
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20 €
First edition, limited to 3339 copies. Our copie is one of the 2850 copies on Alfa paper, numbered n°2179.
COGNET, Louis.
Relation écrite par la Mère Angélique Arnauld sur Port-Royal.
Paris, Bernard Grasset, 1949.
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Sold
First edition, limited to 3339 copies. Our copie is one of the 350 copies on Vélin Édita numbered n°C.
SAINT-GARNIER, Jean.
Amour et voluptés... au rythme alterné des saisons.
Paris, Collection J. Saint Garnier, [1949].
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150 €
Rare first edition.
Presentation copy.
DUHAMEL, Georges.
Journal de Salavin.
Paris, Albert Guillot, 1949.
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175 €
With 37 original compositions from Andres Segovia.
Copy printed for the author, Georges Duhamel, and inscribed by the author.
BUCAILLE, Max.
Le Scaphandrier des Rêves.
Paris, GLM, 1950.
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200 €
First edition.
Twelve collages by Max Bucaille with a preface by J. Laude
One of 465 copies on vellum paper (No. 228).
VIRGILE.
La Fille d'Auberge, inscriptions, priapées.
Paris, Jacques Haumont, 1950.
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60 €
Copy on Vélin d'Annonay, n°29/35.
Engravings by Gabriel Fournier.
BASTIA, Georges.
Le Zoo des Vedettes.
s.l., s.n., [v. 1950].
More Details >
2000 €
First edition printed at 400 numbered copies (n° 35), with 68 caricatures by Georges BASTIA (1904-1980), on 61 plates, , representing the stars of the show of the time such as Sacha Guitry, Jean Gabin, Gérard Philippe, Madeleine Renaud, Jean-Louis Barrault, Brigitte Bardot, Jean Marais, Simone Signoret, Yves Montand, Yvonne Printemps, Bourvil, Michel Simon, etc.
Although bearing the same title and including the same preface as the work published by Éditions Héracléïa v. 1946, this work is completly different.
The rarity of this edition comes from the fact that the quality of the plates which compose it is such that they are often sold separately and sometimes by mistake as original works.
Indeed, each lithograph has een enhanced with gouache by the artist, which gives a kind of uniqueness to each copy.
Results (421 - 450) of
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