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Litterature
Results (91 - 120) of
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ORLÉANS, Charles Duc d'.
Chansons et Rondeaux de Charles, duc d'Orleans. Cy commance le Livre que Monseigneur Charles duc d'Orleans a faict estant prisonnier en Angleterre, auquel y a maintes belles chansons et rondeaux, envoyees a madame sa femme.
Paris, Les Parallèles, 1935.
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45 €
Limited edition. Only 80 copies (n°lxxviii).
FORT, Paul.
L'Arche de Noé.
Paris, Armand Jules Klein, 1934.
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150 €
First edition, one of the 200 on Vergé d'Arches.
Copy printed for Maurice Delort.
Presentation copy.
RABELAIS, François || BARTA, Lazlo.
Gargantua.
Paris, Aux éditions de la Cigogne, 1934.
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800 €
Exceptionnelle reliure conçue par l'artiste Laslo Barta pour notre exemplaire (le certificat de l'artiste est joint à l'ouvrage)
Barta, artiste né en Hongrie en 1902 et mort en 1961 en France, s'est essayé à plusieurs discipline: peinture, décoration, mosaïque. Ce gout éclectique se retrouve sur notre livre dans lequel le texte est illustré de 40 eaux fortes, les gardes illustrées à la gouache et les plats conçues en haut relief de cuir repoussé.
One of 160 copies on Vélin de Rives, ours n° 59.
GUÉGAN, Bertrand.
Centenaires 33 ou l'Arc-en-Ciel Poétique.
Paris, Collection des Parallèles, 1933.
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60 €
Limited edition. Only 100 copies (n°1).
COCTEAU, Jean.
Essai de critique indirecte.
Paris, Grasset, 1932.
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120 €
First collective edition, partly original, illustrated on the frontispiece with a black reproduction of a de Chirico painting from the author's collection.
Edition reimposed on paper in-4 Teillère, one of 72 copies on vellum paper, ours n°55.
BRETON, André.
Le Revolver à cheveux blancs.
Paris, Editions des cahiers libres, 1932.
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500 €
First edition.
Copy for press.
Presentation copy to Yolande Oliviero.
Yolande Oliviero was a bookseller close to surrealist circles, it is said that all the surrealists dedicated their books to her. Bunuel describes it in “Mon Dernier Soupir” as a “slightly lame but very beautiful bookstore”.
CURWOOD, James Oliver.
Nomades du Nord.
Paris, Editions Mornay, 1932.
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180 €
Edition illustrated by Henri Deluermoz.
One of the 57 copies on Japan paper, ours n°20.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
BENOIT, Pierre.
Axelle.
Paris, Editions Mornay, 1932.
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150 €
Edition illustrated by Lucien Boucher.
One of the 50 copies on Japan paper, ours n°23.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
COLETTE.
Le Blé en Herbe.
Paris, Flammarion, 1932.
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Sold
Dedication copy signed by Colette.
MOLIERE, Jean-Baptiste Poquelin || TRILLEAU, G.
Monsieur de Pourceaugnac, comédie-ballet Faite à Chambord, pour le divertissement du Roi.
Paris, Les Pharmaciens Bibliophiles, 1932.
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120 €
Limited edition to 175 copy. This, number 25 printed for Monsieur Kuypers-Cochard.
With illustrations from G.Trilleau.
SAUTEREAU DU PART.
Au Long de ma route.
Macon, Protat frères, 1931.
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75 €
Collection of poems.
BERAUD, Henri.
Le Vitriol de lune.
Paris, Editions Mornay, 1931.
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150 €
Edition illustrated by Guy Arnoux.
One of the 60 copies on Japan paper, ours n°12.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
ARAGON, Louis.
Le Front rouge.
s.l., s.n., n°1 juillet 1931.
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2500 €
First edition of the poem Le Front Rouge.
Following the publication of Aragon's poem "Red Front" in the first issue of the journal "La Littérature de la Révolution mondiale", the government prosecuted the poet for provocation to assassination. Aragon in this poem indeed called for "getting down the cops" and "sweeping the Elysée". The copies of the magazine were therefore seized and destroyed by the courts.
The surrealists immediately took to the defense of their comrade and published a series of pamphlets and leaflets. André Breton notably defends the total freedom of poetry. However, Aragon did not recognize himself in Breton's texts and announced his break with the surrealist movement in March 1932. An important episode in French literary history during which each of the actors of the surrealist movement was able to express their position on the place poetry in society.
Rare copy of this magazine having escaped judicial seizure, absent from most collections devoted to surrealism.
André Vasseur, scholar and great collector of literary journals, has here supplemented the copy of the journal with 8 other pieces (brochures and leaflets) published by surrealist circles about this affair. On a page bringing together bibliographical notes in his hand, he notices that most collections of this type do not have number 1 of "La Littérature de la Révolution mondiale"
1- Le Surréalisme son autonomie, L'Affaire Aragon
(10 pages, extract).
3- BRETON, Misère de la poésie, l'Affaire Aragon devant l'opinion publique, Paris,éditions surréalistes, 1932
31 pages.
4- L'Affaire Aragon, [v. 1932]
(4) pages.
5- La Poésie Transfigurée, 30 janvier 1932.
(4) pages.
6- Protestation, Bruxelles 2 mars 1932
(1) page.
7- Paul ELUARD, Certificat,
(1) page.
8- Paillasse! (Fin de "L'Affaire Aragon"), mars 1932
12 pages.
9- Autour d'un poème, 5 avril 1932
4 pages.
FORT, Paul.
L'Amour Enfant de Bohème.
Paris, Armand Jules Klein, 1930.
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Sold
First edition, one of the 200 on Vergé d'Arches.
Copy printed for Maurice Delort.
Presentation copy.
MARDRUS, Dr. Joseph Charles || BOURDELLE, Antoine.
Le Marié Magique.
Paris, Société des Bibliophiles Franco-Suisses, 1930.
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600 €
Limited edition, only 125 copies.
COPY NUMBER 1.
FLAUBERT, Gustave.
Madame Bovary.
Paris, Editions Mornay, 1930.
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350 €
Edition illustrated by Christian Jacques Boullaire.
One of the 60 copies on Japan paper, ours n°62.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
REGNIER, Henri (de).
Les Rencontres de Monsieur de Bréot.
Paris, Editions Mornay, 1930.
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170 €
Edition illustrated by George Barbier.
One of the 66 copies on Japan paper, ours n°62.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
COURTELINE, Georges || DUNOYER DE SEGONZAC || FORAIN || DIGNIMONT || BOUSSINGAULT || FALKE || BOFA, Gus || MARCHAND, Jean || OBERLE, Jean || VILLEBOEUF, André.
Oeuvres complètes. Illustrations de Dunoyer de Segonzac ; Jean-Louis Forain ; Pierre Devaux ; Dignimont ; J.L. Boussingault ; Pierre Falké ; Gus Bofa ; Jean Marchand ; Jean Oberlé et André Villeboeuf.
Paris, Librairie de France, 1930-1931.
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250 €
One of the 500 copies on Arches paper with an additionnal suite of the illustrations.
BRETON, André.
Second Manifeste du Surréalisme.
Paris, Editions Kra, 1930.
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250 €
First edition.
Presentation copy, signed by the André Breton. (Message canceled , rubbed with waterstain).
Join with the rare brochure of announcement.
MAURIAC, François.
Trois récits.
Paris, Grasset, 1929.
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70 €
First joint edition of these three short stories by Mauriac: Un homme de lettres, Coups de couteau, Le Démon de la connaissance
Edition reimposed on paper in-4 Teillère, one of 180 copies on Arches vellum, ours n°29.
RAMUZ, Charles Ferdinand || BROSSHARD, R.Th.
Chant des Pays du Rhône.
Paris, Les Bibliophiles Régionaux, 1929.
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230 €
Edition limited to 226 copies.
With 33 lithography from Gaston Proust drawned by R.Th Bosshard.
PROUST, Marcel.
Oeuvres complètes.
Paris, NRF, 1929-1936.
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1200 €
First complete edition of the works of Marcel Proust.
This edition by the NRF was an opportunity to bring together all the works of Marcel and to propose a first revision of the text with the collaboration of Robert Proust. It is also this edition which fixes the so-called "canonical" volume number of the Recherche.
The first fifteen volumes are devoted to the "A la Recherche du temps perdu", then come "Pastiches et mélanges", "Les Plaisirs et les Jours" and "Chroniques".
Numbered copies on Bruges rag paper with sheaf watermark.
Beautiful decorative set.
PIZE, Louis || ROBERT, Maurice.
Le Rhône de Lyon à Pont-Saint-Esprit.
Grenoble, Arthaud, 1929.
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200 €
First edition.
64 engravings under tissue paper by Maurice Robert (1909-1992) Swiss painter, draftsman and watercolourist. Early work of the artist who shows here a great mastery of drawing. He will later turn to much more abstract paintings and sculptures.
One of 375 copies on large shaped Rives vellum, ours n° 92.
CENDRARS, Blaise.
Le Plan de l'Aiguille.
Paris, Au sans pareil, 1929.
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600 €
First edition.
One of the 56 on "Holllande" paper, second paper.
CONSTANTIN-WEYER, Maurice || FALKE, Pierre.
Clairière.
Paris, Editions Mornay, 1929.
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250 €
Edition illustrated by George Barbier.
One of the 35 copies on Japan paper, ours n°10.
Editions Mornay was a French publishing house founded in 1919 by Georges and Antoinette Mornay. The company was particularly known for its exquisitely designed and illustrated books, which featured the work of some of the leading illustrators of the time.
GALTIER-BOISSIERE, Jean.
La vie de garçon. Gravures et dessins de Jean Oberlé.
Paris, Mornay, 1929.
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250 €
First edition, first issue.
Presentation copy to Blum.
BRANCOVAN, Anna de (Comtesse de Noailles).
Poèmes d'enfance.
Paris, Grasset, 1928.
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120 €
Limited edition to 3968 copy.
Our, one the the first 68 (n°10) on Madagascar paper.
MORAND, Paul.
Magie noire.
Paris, Bernard Grasset, Coll. "Les Cahiers verts", 1928.
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250 €
First edition.
Published in the series "Les Cahiers Verts." One of 120 numbered copies (n° 52) printed on "Velin d'Arches", from a total issue in quarto format of 312 copies, in addition to the various issues in octavo and 16mo.
VERLAINE, Paul.
Choix de Poésies.
Paris, Fasquelle, 1928.
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800 €
Beautiful copy of this famous industrial binding produced between 1933 and 1955 by Joseph Taupin, under the pseudonym Jotau. The boards and the back are molded in a mass-dyed resin, close to bakelite, pollopas. Flats and backs are articulated by a rod. This particularly brittle resin was quickly abandoned and few copies reach us without damage, as is the case with the book we are offering.
FORT, Paul.
Le Rire Français.
Paris, Armand Jules Klein, 1928.
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75 €
First edition, one of the 150 on Vergé d'Arches.
Copy printed for Maurice Delort.
Presentation copy.
Results (91 - 120) of
474
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