Miscellany

Results (31 - 60) of 246

ROBIDA, Albert.

Les Villes martyres.

Paris, Baudelot, 1914.

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300 €

ROBIDA, Albert.

Les Amoureuses de la Tour Eiffel.

s.l., Lemercier, [v. 1890].

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200 €

Lithograph (365x280 mm) depicting elegant women admiring the Eiffel Tower. The lithograph is signed in the board and off the plank in pencil by Robida.

ROBIDA, Albert.

St Bertrand de Comminges.

s.l., s.n., [v. 1924].

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300 €

Beautiful lithograph (310x220 mm) with note of the heart of the church of St Bertrand de Comminges. The lithograph is signed in the board and off the plank in pencil by Robida. Edition of 125 copies this one n ° 25.

ROBIDA, Albert.

Menu pour le Banquet de la Saint Charlemagne.

Paris, Devambez, 1906.

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50 €

Banquet that brought together the award-winning students of Condorcet High School, it took place on January 27, 1906 (date written in pen).

ROBIDA, Albert.

Les Belles Villes Gauloises d'entre Rhin et Moselle, Schlestadt.

Paris, E. Baudelot, 1915.

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50 €

First edition, searched for its large lithography (a view on Schlestadt), in fine quality, realized by Albert Robida (1848-1926).

ROBIDA, Albert.

Lettre autographe signée.

s.l., s.n., 1907.

More Details >

150 €

Robida's answer to a question from Mademoiselle Dalligny on the history of St Antoine (a district of Paris).

ROBIDA, Albert.

Lot de 3 menus vierges.

s.l., s.n., [v. 1910].

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100 €

Pretty little menus illustrated by Robida for an unidentified restaurant (or association) which was located at 11, rue Scribe (near the Opéra Garnier). Each side offers a different comic scene: an alchemist, a Spanish cooking "all in oil" ... of lamp, and an anarchist preparing bombs icy ... On the back the same illustration on all the menus of a character carrying a bottle of Prussic acid.

ROBIDA, Albert.

Programme de Gala de l’Orphelinat des arts.

s.l., s.n., 1916.

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50 €

First page illustrated with a lithograph of Robida drawn in blood representing a WWI scene. Program for the morning of Gala of the Orphanage of the arts organized at the theater bouffes-Parisiens.

ROBIDA, Albert.

Lettre autographe signée.

s.l., s.n., 1900.

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100 €

Robida's response to a request for "Vieux Paris" shots.

ROBIDA, Albert.

Lettre autographe signée.

Le Vésinet, s.n., 1900.

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200 €

Robida is indignant about the poor quality of postcard prints of his color drawings for " Vieux Paris".

ROBIDA, Albert.

Les Belles Villes Gauloises d'entre Rhin et Moselle, Colmar.

Paris, E. Baudelot, 1915.

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50 €

First edition, searched for its large lithography (a view on Colmar), in fine quality, realized by Albert Robida (1848-1926).

ROBIDA, Albert.

Les Belles Villes Gauloises d'entre Rhin et Moselle, Strasbourg.

Paris, E. Baudelot, 1915.

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50 €

First edition, searched for its large lithography (a view on Strasbourg), in fine quality, realized by Albert Robida (1848-1926).

ROBIDA, Albert.

Carte de correspondance pour la librairie Dorbon-ainé.

s.l., s.n., [v. 1910].

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500 €

Very beautiful engraving on an original drawing by Robida for the Dorbon-Ainé bookstore (especially specialized in ancient occult books). We can see imps presenting their books to a delighted bibliophile. Very rare.

ROBIDA, Albert.

Villes martyres : Senlis.

s.l., [Baudelot], [1914].

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100 €

Lithograph (310x220 mm) with remark representing the German eagle destroying the city of Senlis. The lithograph is signed in the board and off the plank in pencil by Robida.

ROBIDA, Albert.

Villes martyres : Rheims.

s.l., [Baudelot], [1914].

More Details >

100 €

Lithograph (310x220 mm) with remark representing the German eagle destroying the cathedral of Rheims by bringing "Kultur Krupp". The lithograph is signed in the board and off the plank in pencil by Robida.

ROBIDA, Albert.

Les Belles Villes Gauloises d'entre Rhin et Moselle, Thann.

Paris, E. Baudelot, 1915.

More Details >

50 €

First edition, searched for its large lithography (a view on Thann), in fine quality, realized by Albert Robida (1848-1926).

ROBIDA, Albert.

Lettre autographe signée.

s.l., s.n., [v.1895].

More Details >

100 €

Robida's answer to a question about the procession of Furnes' penitents which "is well worth being cinematographed".

ROBIDA, Albert.

Programme de Gala pour la « Réunion des jurys et comités des expositions universelles » le 6 mai 1896.

s.l., s.n., [1896].

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50 €

Robida composition on the cover depicting the nineteenth century aging character watching the novelties of the year 1900 to come.

[RELIURE MAROQUIN].

Diurnal ou office complet pour les laïques, latin et français à l'usage du diocès de Bayeux.

Caen, s.n., [v.1800].

More Details >

100 €

REGEMORTES, Louis de.

Description du nouveau pont de pierre, construit sur la rivière d'Allier a Moulins; avec l'exposé des motifs qui ont déterminé son emplacement, et les dessins et détails relatifs à sa construction.

Paris, Lottin, 1771.

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2000 €

First edition.
Monumental impression for the description of the Moulins bridge built from 1754 to 1762 under the direction of Louis de Règemortes, engineer of bridges and roads: Plans, sections, elevations and maps.
Note the impressive fifth plank measuring over 1.80m long representing the foundations of the bridge.
"The work that has illustrated his name is the construction of the Moulins bridge, for which several unsuccessful attempts had been made in the previous century. The success of the project drawn up by Louis de Règemorte is mainly due to the establishment of a general masonry base. , strongly defended against the action of water, with unsinkable longitudinal levees attached to the wedges, to prevent the disastrous effect of scouring and flooding which had brought the ruin of the works undertaken on the same point from 1679 to 1689. " Tarbé de Saint-Hardouin (Biographical notes on the engineers of the bridges and roads since the creation of the body, in 1716, until our days, Baudry, 1884)

The now "Pont Règemortes" still crosses the Allier more than 250 years more late proof of the success of the engineer.

RANDOIN, Lucie || ROSSIER, Alvred.

Régimes, Vitamines et Équilibre alimentaire Vers une nouvelle thérapeutique moderne.

Paris, J.-B. Baillière et Fils, 1942.

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60 €

First edition.

PRAHL, Victor || DU LOUP, Christiane.

Time for singing : twenty songs for children.

Paris, Vipra, [ca. 1932].

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250 €

Edition limited oi 500 copies. The first 100 copies bound in board covers.
Verses and music by Victor Prahl ; pictures by Christiane Du Loup.

[POLYTECHNIQUE].

Séance des Ombres des Vieux Antiques.

Paris, A. Eymeoud, 1902.

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250 €

Songbook for the Ombres a Polytechnique evening in 1902

"Les Ombres" is a traditional performance by the École Polytechnique, the first edition of which was given in 1818. It involved the projection of satirical chineese shadows onto scenes from the life of the school and its teachers. Each projection was accompanied by a song, most often irreverent, written and sung by the students.

The Parisian group of the École Polytechnique was created in 1895 but still remains in activity today under the acronym GPX, it aims to "maintain and strengthen the bonds of camaraderie between the members of the polytechnic community. that organizing most of its events in the Paris region, the GPX welcomes all polytechnicians, regardless of their place of residence, as well as members of their family and close friends. " (site of the AX).

We join :
The Program for the Spring meeting (May 14, 1902) of the Parisian Group of the École Polytechnique, of which the Séance des Ombres des Vieux Antiques was only the 6th part - booklet (200x125 mm), 4 pages. Adorned with a Charles Pillet medallion.

[POLYTECHNIQUE].

Chansons des Ombres.

s.l., s.n., 1898.

More Details >

450 €

Songbook for the Ombres a Polytechnique evening in 1898

"Les Ombres" is a traditional performance by the École Polytechnique, the first edition of which was given in 1818. It involved the projection of satirical chineese shadows onto scenes from the life of the school and its teachers. Each projection was accompanied by a song, most often irreverent, written and sung by the students.
Uncommon document, witness to the traditions and jargon of this prestigious school.

PITON, Camille.

Marly-le-Roi. Son histoire (697-1904).

Paris, A. Joanin et Cie, 1904.

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150 €

First edition.

PILES, Roger de.

Dialogue sur le coloris.

Paris, Nicolas Langlois, 1699.

More Details >

450 €

Second edition.
"The discourse on art was born in France during the reign of Louis XIV thanks to two antagonistic figures: Félibien (1619-1709) and Roger de Piles (1635-1709). The latter became the major theoretician of color in the quarrel which opposed Rubenists and Poussinists during the last three decades of the 17th century." (trad. from Bernard Teyssèdre, "Roger de Piles and The debate on color, 1957)

De Piles supports Rubens by arguing that color is the major subject of painting and must come before drawing.

PICASSO, Pablo || GRAVURES.

Picasso.

Paris, Larousse Diffusion, 1988.

More Details >

100 €

This slipcase contains reproductions of 10 artworks, dated between 1905 and 1952. It was realized with the collaboration of Maya Picasso, the artist's daughter.
2000 numbered copies were printed on Yearling paper from Arjomari-Prioux.

PETITOT, Ennemond Alexandre.

Raisonnement sur la perspective, pour en faciliter l'usage aux artistes. Dédié aux mêmes.

Parme, Frères faure, 1758.

More Details >

800 €

First edition.
Beautiful perspective manual, written in French and Italian.

Petitot was a French architect who joined Parma in June 1753 with the title of first court architect and instructor at the newly created Academy of Fine Arts.

Copy with large margins.

PETIT RADEL, Louis Charles François.

Recherches sur les bibliothèques anciennes et modernes jusqu'à la fondation de la bibliothèque Mazarine, et sur les causes qui ont favorisé l'accroissement successif du nombre des livres.

Paris, Rey et Gravier, 1819.

More Details >

250 €

First edition.
First edition. Very interesting history of the Mazarine library by the one who was its curator during the Restoration.

Note the chapters on the history of medieval libraries, a subject little known at the time.

PERNOT, François Alexandre.

Carnet de croquis.

s.l., s.n., 1831.

More Details >

Sold

Sketchbook with 7 original pencil drawings signed by François-Alexandre PERNOT (1793-1865) and 1 trompe l'oeil signed HAUSEN.
The six drawings by Pernot drawn directly on the album's paper are dated 1831, a seventh collated is dated 1832. According to extracts from his diary, Pernot traveled through France at that time, he spent in particular the winter 1831-1832 in Nancy.

Pernot is close to artists and romantic salons (Châteaubriand, Lamartine, V. Hugo, Delacroix ...) and was appointed in 1826, master of the drawings of the king's pages by Charles X.

Results (31 - 60) of 246

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Miscellany

ROBIDA, Albert.

Les Villes martyres.

ROBIDA, Albert.

Les Amoureuses de la Tour Eiffel.

Lithograph (365x280 mm) depicting elegant women admiring the Eiffel Tower. The lithograph is signed in the board and off the plank in pencil by Robida.

ROBIDA, Albert.

St Bertrand de Comminges.

Beautiful lithograph (310x220 mm) with note of the heart of the church of St Bertrand de Comminges. The lithograph is signed in the board and off the plank in pencil by Robida. Edition of 125 copies this one n ° 25.

ROBIDA, Albert.

Menu pour le Banquet de la Saint Charlemagne.

Banquet that brought together the award-winning students of Condorcet High School, it took place on January 27, 1906 (date written in pen).

ROBIDA, Albert.

Les Belles Villes Gauloises d'entre Rhin et Moselle, Schlestadt.

First edition, searched for its large lithography (a view on Schlestadt), in fine quality, realized by Albert Robida (1848-1926).

ROBIDA, Albert.

Lettre autographe signée.

Robida's answer to a question from Mademoiselle Dalligny on the history of St Antoine (a district of Paris).

ROBIDA, Albert.

Lot de 3 menus vierges.

ROBIDA, Albert.

Programme de Gala de l’Orphelinat des arts.

First page illustrated with a lithograph of Robida drawn in blood representing a WWI scene. Program for the morning of Gala of the Orphanage of the arts organized at the theater bouffes-Parisiens.

ROBIDA, Albert.

Lettre autographe signée.

Robida's response to a request for "Vieux Paris" shots.

ROBIDA, Albert.

Lettre autographe signée.

Robida is indignant about the poor quality of postcard prints of his color drawings for " Vieux Paris".

ROBIDA, Albert.

Les Belles Villes Gauloises d'entre Rhin et Moselle, Colmar.

First edition, searched for its large lithography (a view on Colmar), in fine quality, realized by Albert Robida (1848-1926).

ROBIDA, Albert.

Les Belles Villes Gauloises d'entre Rhin et Moselle, Strasbourg.

First edition, searched for its large lithography (a view on Strasbourg), in fine quality, realized by Albert Robida (1848-1926).

ROBIDA, Albert.

Carte de correspondance pour la librairie Dorbon-ainé.

Very beautiful engraving on an original drawing by Robida for the Dorbon-Ainé bookstore (especially specialized in ancient occult books). We can see imps presenting their books to a delighted bibliophile. Very rare.

ROBIDA, Albert.

Villes martyres : Senlis.

Lithograph (310x220 mm) with remark representing the German eagle destroying the city of Senlis. The lithograph is signed in the board and off the plank in pencil by Robida.

ROBIDA, Albert.

Villes martyres : Rheims.

Lithograph (310x220 mm) with remark representing the German eagle destroying the cathedral of Rheims by bringing "Kultur Krupp". The lithograph is signed in the board and off the plank in pencil by Robida.

ROBIDA, Albert.

Les Belles Villes Gauloises d'entre Rhin et Moselle, Thann.

First edition, searched for its large lithography (a view on Thann), in fine quality, realized by Albert Robida (1848-1926).

ROBIDA, Albert.

Lettre autographe signée.

Robida's answer to a question about the procession of Furnes' penitents which "is well worth being cinematographed".

ROBIDA, Albert.

Programme de Gala pour la « Réunion des jurys et comités des expositions universelles » le 6 mai 1896.

Robida composition on the cover depicting the nineteenth century aging character watching the novelties of the year 1900 to come.

[RELIURE MAROQUIN].

Diurnal ou office complet pour les laïques, latin et français à l'usage du diocès de Bayeux.

REGEMORTES, Louis de.

Description du nouveau pont de pierre, construit sur la rivière d'Allier a Moulins; avec l'exposé des motifs qui ont déterminé son emplacement, et les dessins et détails relatifs à sa construction.

RANDOIN, Lucie || ROSSIER, Alvred.

Régimes, Vitamines et Équilibre alimentaire Vers une nouvelle thérapeutique moderne.

First edition.

PRAHL, Victor || DU LOUP, Christiane.

Time for singing : twenty songs for children.

Edition limited oi 500 copies. The first 100 copies bound in board covers. Verses and music by Victor Prahl ; pictures by Christiane Du Loup.

[POLYTECHNIQUE].

Séance des Ombres des Vieux Antiques.

[POLYTECHNIQUE].

Chansons des Ombres.

PITON, Camille.

Marly-le-Roi. Son histoire (697-1904).

First edition.

PILES, Roger de.

Dialogue sur le coloris.

PICASSO, Pablo || GRAVURES.

Picasso.

This slipcase contains reproductions of 10 artworks, dated between 1905 and 1952. It was realized with the collaboration of Maya Picasso, the artist's daughter. 2000 numbered copies were printed on Yearling paper from Arjomari-Prioux.

PETITOT, Ennemond Alexandre.

Raisonnement sur la perspective, pour en faciliter l'usage aux artistes. Dédié aux mêmes.

First edition.Beautiful perspective manual, written in French and Italian.Petitot was a French architect who joined Parma in June 1753 with the title of first court architect and instructor at the newly created Academy of Fine Arts.Copy with large margins.

PETIT RADEL, Louis Charles François.

Recherches sur les bibliothèques anciennes et modernes jusqu'à la fondation de la bibliothèque Mazarine, et sur les causes qui ont favorisé l'accroissement successif du nombre des livres.

Edition limited oi 500 copies. The first 100 copies bound in board covers.
Verses and music by Victor Prahl ; pictures by Christiane Du Loup.

This slipcase contains reproductions of 10 artworks, dated between 1905 and 1952. It was realized with the collaboration of Maya Picasso, the artist's daughter.
2000 numbered copies were printed on Yearling paper from Arjomari-Prioux.

First edition.
Beautiful perspective manual, written in French and Italian.

Petitot was a French architect who joined Parma in June 1753 with the title of first court architect and instructor at the newly created Academy of Fine Arts.

Copy with large margins.

First edition.
First edition. Very interesting history of the Mazarine library by the one who was its curator during the Restoration.

Note the chapters on the history of medieval libraries, a subject little known at the time.