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[DEZALLIER-ARGENVILLE].
Abrégé De La Vie Des Plus Fameux Peintres, Avec Leurs Portraits Gravés en Taille-douce, Les Indications De Leurs Principaux Ouvrages, Quelques Réflexions sur leurs caractères, Et La Manière De Connoitre Les Desseins Et Les Tableaux Des Grands Maitres.
Paris, De Bure l'ainé, 1762.
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500 €
Second edition.
A veritable biographical dictionary of great painters, most biographies are adorned with a portrait outside the text.
It is thus one frontispice and 254 portraits that adorn the text.
BULLART, Isaac.
Académie Des Sciences et des Arts.
Bruxelles, Fr. Poppens, 1682.
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950 €
First edition..
Decorated with more than 200 portraits engraved in the text.
Remarkable work for which Bullart worked for 30 years and which was published by his son. We will find, alongside humanists, navigators, scientists and inventors, printers, all the artists classified by school, Leonardo da Vinci, Magellan, Copernicus, Columbus, A. Paré, Gutenberg, etc.
[ESTAMPES].
Album de 29 lithographies.
s.l., s.n., [v. 1860].
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100 €
Album of lithographs composed as follows:
- ALOPHE, Melle DARCIER - Role of Mme de Briane in the Porcherons, Cattier. 1 Lithograph on chine glued (290x220 mm).
- DAVID, Jules, Series of 10 lithographs printed in two tones (sepia and black) (210x195mm).
- Célestin NANTEUIL, 1 Lithograph on chine glued (275x225 mm) printed by Lemercier.
- Gustave JANET, 6 Lithographs on chine glued (245x190mm), printed by Lemercier.
- Anatole B., 3 Lithographs on china glued (255x200 mm)
- [Anonymous], 3 Lithographs on chine glued (240x205 mm), printed by Lemercier.
- F. GERNIER, 1 lithograph glued (220x185 mm)
- Gustave JANET, 1 Lithograph on china glued (245x215mm)
- Célestin NANTEUIL, 1 lithograph against glued (240x195 mm) printed by Magnier and Montorgueil. Strong rednesses.
- BOUCHOT, 2 lithographs on chine glued(280x210 mm), printed by Lemercier.
YRIARTE, Charles || MARCELIN || CHAM.
Album du Grand Journal.
Paris, Auguste Vallée, [v. 1880].
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120 €
"Prime du Grand journal, du Figaro, de l'Autographe et de la Gazette des abonnés" composé de 300 dessins des plus grands illustrateurs de l'époque : Cham, Riou, Gustave Doré.
SALON DE 1840 || ROBERT, Jules || BARON TAYLOR.
Album du Salon de 1840 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes, ou sous leur direction.
Paris, Challamel, 1840.
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175 €
First edition.
Preface by Baron Taylor (1789-1879, French playwright, precursor of the romantic movement, art collector and philanthropist).
The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.
SALON DE 1841 || TENINT, Wilhelm.
Album du Salon de 1841 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.
Paris, Challamel, 1841.
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175 €
First edition.
The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.
SALON DE 1842 || TENINT, Wilhelm.
Album du Salon de 1842 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.
Paris, hallamel, 1842.
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150 €
First edition.
The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.
SALON DE 1843 || TENINT, Wilhelm.
Album du Salon de 1843 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.
Paris, Challamel, 1843.
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100 €
First edition.
The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.
SALON DE 1844 || CHALLAMEL, Pierre-Joseph.
Album du Salon de 1844 - collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.
Paris, Challamel, 1844.
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125 €
First edition.
The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.
[ALAMANACH].
Almanach dédié aux Dames.
Paris, Le Fuel, Delaunay, 1828.
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80 €
Lovely little almanac.
At the end of the book there are blank pages of "Memories" for each month of the year.
[ALMANACH].
Almanach royal année 1757.
Paris, Le Breton, 1757.
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150 €
Beautiful royal almanac.
D'HOURY, Laurent.
Almanach royal, année bissextile 1780.
Paris, D'Houry, 1780.
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150 €
First edition.
[BUSSY-RABUTIN, Roger Comte de ].
Amours des dames illustres de notre siècle
[suivi de]
Le passe-temps royal, ou les amours de mademoiselle de Fontage.
Cologne, Jean Le Blanc, 1682.
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550 €
Third edition.
This book is one of the most famous satyrico-historical novels of the 17th century.
[CIRQUE] BOYER, Maurice dit Moriss.
Annonce du spectacle d'Antonio et Brelock-Tolmés-Moriss au Nouveau cirque.
s.l., s.n., [v. 1920].
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50 €
After having been a comic illustrator for many years, Moriss devoted himself entirely from the 1940s on to music hall.
Here is the announcement of one of these first shows (the New Circus, which closed in 1926), illustrated by him.
BOUCHARDON, Édmé || HUQUIER, Gabriel.
Apollon et Les Muses,
dessinés par Ed. Bouchardon, sculp. du Roi.
Gravés et dédiés à Mre. Gabriel Bernard de Rieux ... par ... Huquier.
Paris, Chez Huquier, 1739.
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1500 €
Rare and complete first edition.
"Edme Bouchardon (1698-1762) was celebrated in his time as an exceptional artist," Bouchardon must have been a great man, "said the collector Pierre Jean Mariette," because he enjoyed all his reputation during his life." As a sculptor, he was nicknamed "the new Phidias", the modern equivalent of the greatest artist of ancient Greece, and as a draftsman he was considered one of the best in Europe. Historians of art have not changed today, Bouchardon being still considered one of the most creative and fascinating artists of the 18th century French, the one who played a decisive role in the transition from rockery to neoclassicism. "
This quote comes from the preface of the catalog of the exhibition "Edme Bouchardon (1698-1762), une idée du beau", which took place in 2016, at the Louvre, and was written by Mr. J-L. Martinez ( President and director of the Louvre) and Mr.T. Potts (director of the J. Paul Getty Museum).
It perfectly illustrates the genius of the artist. This collection of engravings, is cited in the chronology of the artist's works, in the catalog of the Louvre exhibition (p. 415).
The engravings represent the god of Music and Love Apollo, followed by his muses Calliope, Clio, Erato, Thalia, Melpomene, Terpsicore, Euterpe, Polimnia and Urania.
The genius of the artist is illustrated, here, with balanced compositions, the detail of the draperies, the vigor but also the softness of the figures. They perfectly illustrate Neoclassical style and Bouchardon's maner, as a sculptor.
This collection of engravings also shows his interest in the diffusion of his works, with the collaboration of the publisher and engraver Gabriel Huquier.
He was an engraver and publisher (1695-1772) specializing in prints. He is the one who engraved and published the greatest number of prints from Bouchardon's drawings, more than a hundred.
The engravings were not intended for the making of sculptures, but were drawings intended for a diverse audience such as artists, amateurs and collectors (as Mr. Gabriel Bernard de Rieux, cited on the title page).
Very fine copy.
CARDAN, Jérôme, (CARDANI, Hieronymi).
Arcana politica, sive de prudentia civili liber singularis.
Leyde, ex officina Elzeviriana, 1635.
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150 €
Second Elzevir edition.
This book by Jérôme Cardan was first published in 1627 with the title "Proxeneta", which means "the negotiator".
It deals with political life and court, household management, academia, and intellectual pursuits.
[LITHOGRAPHIE] HUMBERT, Paulette.
Armée en débacle.
s.l., s.n., [v. 1930].
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35 €
Engraving signed in the plate Paulette Humbert (1904 - 1994), artist active as an illustrator in the 30s and 40s
Beautiful night scene of an army in debacle.
DESBOIS, Pierre || HÉNARD, Lucien.
Aspects du vieux Paris. Préface de Lucien Descaves de l'Académie de Goncourt, Avec 50 eaux-fortes en taille-douce de P. Desbois.
Paris, chez l'artiste, 1923.
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300 €
First edition. 331 copies.
This, one of the 250 on Arches with 50 etchings in text.
DONNET || FREMIN || MONIN || LEVASSEUR.
Atlas géographique et statistique des départements de la France, de l'Algérie et des Colonies Françaises.
Paris, B.Dusillion, [1841].
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9000 €
Copy offer to the doctor Alfred Velpeau by Giraudeau de St Gervais, the Publisher - Owner of this book.
A wrapping used to immobilize the arm to the chest wall is known as a "Velpeau bandage".
Superb atlas, which is rarely found complete, as large maps are usually sold individually.
In its original wooden box.
ATLAS || GEOGRAPHIE.
Atlas national - Géographie de la France et de ses colonies.
Paris, A. Fayard, [vers 1900].
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100 €
Geographical atlas of the end of the 19th century and the beginning of the 20th century, containing the various data recorded on the French departments and French colonies, illustrated with colour maps (France, important cities and other territories).
FOUCHIER, Louis et Charles.
Au pays hollandais.
Paris, Hachette et Cie, 1913.
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20 €
Book illustrated with 60 engravings taken out of text and a map in black.
MEIER-GRAEFE, Julius.
Auguste Renoir avec 100 reproductions.
Paris, H. Floury, 1912.
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75 €
First french edition.
[GRAVURE].
Baron GROS.
s.l., s.n., [1840].
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15 €
Portrait of the baron Gros by Boilly
Steel engraving enhanced with colors for the French Plutarch (published around 1840).
[WOUTERS, Jan Ludewig].
Beschryvinge van het zeven honderdjaerig Jubile van den Heyligen Macarius, bezonderen Patroon tegen de peste, het welk geviert zal worden binnen de stad van Gend Hoofdstad van Vlaenderen.
Tot Gend, Jan Meyer, [1767].
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350 €
First edition.
Description of the seven hundred year Jubilee of S. Macarius...which will be celebrated in the City of Ghent in 1767.
Engravings by Jan Ludewig Wouters.
[STEYERT, André].
Brief discours des horrificques & célestialles visions qui furent veües en diverses régions &t notament en la Cité de Lyon, ez années 1527 & 1528, nouvellement mis en lumière, jouxte l'imprimé & augmenté de nottes très- amples & profictables à tous chrestiens & bons françois.
[Suivi de] : La terrible et espouventable comette, laquelle apparut le xi jour d’octobre l’an 1527 en Almaigne.
Lyon, Alf. Louis Perrin et Marinet, 1875.
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350 €
Rare booklet, n° 7 on chinese paper.
[GRAVURE] BAUDEMANT, Pierre.
Buste de Pierre Jean Grosley.
s.l., s.n., [1811].
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20 €
Bust of Pierre Jean Grosley (1718-1785) engraved by Bovinet after Baudemant for the frontispiece of "Historical and critical memories for the history of Troyes" in 1811.
[ALMANACH] BREE.
Cadeau des Muses ou almanach universel, etrennes utiles et agréables années 1821.
Falaise, Brée, 1821.
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60 €
Norman edition of this charming little almanac.
PERNOT, François Alexandre.
Carnet de croquis.
s.l., s.n., 1831.
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Sketchbook with 7 original pencil drawings signed by François-Alexandre PERNOT (1793-1865) and 1 trompe l'oeil signed HAUSEN.
The six drawings by Pernot drawn directly on the album's paper are dated 1831, a seventh collated is dated 1832. According to extracts from his diary, Pernot traveled through France at that time, he spent in particular the winter 1831-1832 in Nancy.
Pernot is close to artists and romantic salons (Châteaubriand, Lamartine, V. Hugo, Delacroix ...) and was appointed in 1826, master of the drawings of the king's pages by Charles X.
ROBIDA, Albert.
Carte de correspondance pour la librairie Dorbon-ainé.
s.l., s.n., [v. 1910].
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500 €
Very beautiful engraving on an original drawing by Robida for the Dorbon-Ainé bookstore (especially specialized in ancient occult books). We can see imps presenting their books to a delighted bibliophile. Very rare.
BECAT, Paul-Emile.
Carte de voeux autographe.
s.l., s.n., 1959.
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150 €
Autograph greeting card sent for 1959 by Paul-Emile Bécat (1885-1960) to the Thomas family.
The card is decorated with a drypoint engraving signed by Bécat in the plate and outside the plate in pencil.
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