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JULLIEN, Marc-Antoine.
Essai sur l'emploi du tems, ou Méthode qui a pour objet de bien régler sa vie, premier moyen d'être heureux ; destinée spécialement à l'usage des jeunes gens.
Paris, Dondey-Dupré père et fils, 1829.
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95 €
Fourth edition corrected by the author himself.
Marc-Antoine Jullien (1775-1848), is a revolutionary, man of letters and French pedagogue. Following a disagreement with Napoleon in 1810, he had to leave France for Italy.
During his trip, he met the Swiss pedagogue Johann Heinrich Pestalozzi in Yverdon.
The author became the founder of a new method of innovative education and popularizes the writings of Pestalozzi. He is one of the promoters of mutual education.
His new theory of education is scrupulously described in this very detailed book.
[ BOUCHER, M. F. ] [BURGUES, Édouard-Thomas de, comte de Missiessy].
Examen d'un écrit publié par M. Le Vice-Amiral Comte de Burgues Missiessy, et ayant pour titre, Aperçus sur le matériel et le personnel de la Marine.
Paris, Imprimerie royale, 1830.
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150 €
First edition.
It was a question of refloating the Royale after the disasters of the Napoleonic naval wars.
BERANGER, Pierre-Jean.
Chansons de P-J de Béranger.
Paris, Perrotin, 1831.
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300 €
Set containing the two volumes of Songs, as well as the "New and Last Songs...dedicated to Lucien Bonaparte" (1833, Perrotin) and the Supplement (Brussels, 1830) which contains political songs and saucy songs. It is certainly this supplement that pushed a collector of the time to hide these licenses from prying eyes behind a cathedral binding bearing the title "Parishioner".
PERNOT, François Alexandre.
Carnet de croquis.
s.l., s.n., 1831.
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Sketchbook with 7 original pencil drawings signed by François-Alexandre PERNOT (1793-1865) and 1 trompe l'oeil signed HAUSEN.
The six drawings by Pernot drawn directly on the album's paper are dated 1831, a seventh collated is dated 1832. According to extracts from his diary, Pernot traveled through France at that time, he spent in particular the winter 1831-1832 in Nancy.
Pernot is close to artists and romantic salons (Châteaubriand, Lamartine, V. Hugo, Delacroix ...) and was appointed in 1826, master of the drawings of the king's pages by Charles X.
[GARDE NATIONALE ].
Manuel Complet du Garde National, augmenté de la nouvelle loi sur la garde nationale, de la loi municipale, et de la loi électorale.
Limoges, Ardillier, 1831.
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75 €
CAMPAN, Jeanne.
De l'éducation, suivi des Conseils aux Jeunes Filles, de quelques Essais de morale, et d'un Théâtre pour les jeunes personnes.
Ouvrage mis en ordre et publié, avec une introduction, par M. F. Barrière, nouvelle, édition augmentée de lettres & de morceaux inédits.
Paris, Lebigre, 1832.
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75 €
[GOUJON, Abel].
Promenade historique et pittoresque à Saint-Germain-En-Laye; précédée d'un itinéraire descriptif de la route de Paris à cette ville.
S.-Germain, Chez tous les libraires, 1833.
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750 €
BARBE-MARBOIS, François.
Journal d'un Déporté non jugé, ou déportation en violation des lois, décrétée le 18 Fructidor an V (4 Septembre 1797).
Paris, Firmin Didot, 1834.
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200 €
First edition.
Elected from Moselle to the Council of Elders under the Directory, Barbé-Marbois was overthrown during the September 1797 insurrection and then sent into exile in Guyana. Exile journal which alternates between political considerations and observations of Guyana, its inhabitants and its prison system.
DAIN, Charles || CONSIDERANT, Victor || D'IZALGUIER, Eugène.
Trois discours prononcés à l'Hôtel-de-Ville, par MM. Dain, Considerant et d'Izalguier faisant complément à la publication du Congrès historique.
Paris, P.-H. Khrabbe, 1836.
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300 €
First edition.
This book contains three speeches based on the ideas of Charles Fourier and his theory of the Utopian Socialism.
- "Quel est le but de l'Histoire", delivered at the "congrès historique", on the 15th november 1835, by Charles Dain (1812-1871, lawyer in Paris, close to the ideas of Victor Considerant, and who campaigned for the abolition of slavery).
- "Déterminer par l'Histoire si les diversités physiologiques des peuples sont entre elles comme les diversités des systèmes sociaux auxquels ces peuples appartiennent", delivered at the "congrès historique", on the 11 december 1835 by Victor Considerant (1808-1893, philosopher and economist polytechnician).
- "Loi de corrélation de la forme sociale et de la forme esthétique", delivered by Eugène D'Izalguier.
[Société des gens de lettres].
Création et Statuts de la Société des gens de lettres.
Paris, Imp. Belin, 1838.
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500 €
First edition.
Rare document on the creation of the Société des gens de lettres.
He reports on the first meeting with a notary of the provisional commission led by Villemain and Desnoyers, which legally establishes the creation of this association.
Following the reasons for creation we find the statutes of the association governing by 64 articles the functioning of the Company.
The Société des gens de lettres, an association still active more than 180 years later, aims to defend authors' rights.
[GRAVURE].
Pierre PRUDHON.
s.l., s.n., [1840].
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15 €
Portrait of the painter Pierre Prudhon (1758-1823) after Charles Gleyre engraved by Baudran.
Steel engraving enhanced with colors for the French Plutarch (published around 1840).
SALON DE 1840 || ROBERT, Jules || BARON TAYLOR.
Album du Salon de 1840 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes, ou sous leur direction.
Paris, Challamel, 1840.
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175 €
First edition.
Preface by Baron Taylor (1789-1879, French playwright, precursor of the romantic movement, art collector and philanthropist).
The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.
[GRAVURE].
Portrait de N. Arnoult.
s.l., s.n., [v. 1840].
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25 €
Portrait of Ns. Arnoult by Bourgeois de la Richardière in 1806 after Vincent.
The legend says "Member of the Meeting of the Arts & Friendship", this assembly is one of the most famous Parisian Goguette at the beginning of the XIXth century which also included Pierre Laujon.
[GRAVURE].
Claude LORRAIN.
s.l., s.n., [1840].
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15 €
Portrait of the painter Claude Lorrain after Laederich engraved by Nargeot
Steel engraving enhanced with colors for the French Plutarch (published around 1840).
[GRAVURE].
DAVID.
s.l., s.n., [1840].
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15 €
Portrait of the painter David from Em. Beranger engraved by Jules Porreau.
Steel engraving enhanced with colors for the French Plutarch (published around 1840).
[GRAVURE].
Baron GROS.
s.l., s.n., [1840].
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15 €
Portrait of the baron Gros by Boilly
Steel engraving enhanced with colors for the French Plutarch (published around 1840).
[GRAVURE].
Joseph VERNET.
s.l., s.n., [1840].
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15 €
Portrait of Joseph Vernet engraved by Baudran after Guilleminot
Steel engraving enhanced with colors for the French Plutarch (published around 1840).
[GRAVURE].
LE BRUN.
s.l., s.n., [1840].
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15 €
Portrait of Le Brun engraved by Lefevre after Decaisne
Steel engraving enhanced with colors for the French Plutarch (published around 1840).
[GRAVURE].
LE SUEUR.
s.l., s.n., [1840].
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15 €
Portrait of Le Sueur engraved by Delaistre after Guilleminot
Steel engraving enhanced with colors for the French Plutarch (published around 1840).
[GRAVURE] INGRES, Jean Auguste Dominique.
Nicolas Poussin.
s.l., s.n., [1840].
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25 €
Portrait of Nicolas Poussin engraved by Baudran after Ingres.
It is Ingres, a great admirer of Poussin, who interprets his master's self-portrait for the French Plutarch. Ingres, who did not have the renown known to him, produced many drawings at that time.
Steel engraving enhanced with colors for the French Plutarch (published around 1840).
[GRAVURE].
Jacques CALLOT.
s.l., s.n., [1840].
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15 €
Portrait of Jacques Callot engraved by Boilly after Jacquand.
Steel engraving enhanced with colors for the French Plutarch (published around 1840).
[GRAVURE].
DAVID.
s.l., s.n., [1840].
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15 €
Portrait of David engraved by Migneret after Gros
Steel engraving enhanced with colors for the French Plutarch (published around 1840).
SALON DE 1841 || TENINT, Wilhelm.
Album du Salon de 1841 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.
Paris, Challamel, 1841.
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175 €
First edition.
The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.
BERQUIN, Arnaud.
Introduction à la connoissance de la Nature.
Lyon, Librairie d'éducation de Perisse Frères, 1841.
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25 €
DONNET || FREMIN || MONIN || LEVASSEUR.
Atlas géographique et statistique des départements de la France, de l'Algérie et des Colonies Françaises.
Paris, B.Dusillion, [1841].
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9000 €
Copy offer to the doctor Alfred Velpeau by Giraudeau de St Gervais, the Publisher - Owner of this book.
A wrapping used to immobilize the arm to the chest wall is known as a "Velpeau bandage".
Superb atlas, which is rarely found complete, as large maps are usually sold individually.
In its original wooden box.
Observations présentées à Monsieur le Ministre-Secrétaire d'Etat au département des Travaux publics par l'administration Municipale de la ville de Saint-Germain-en-Laye sur le Tracé du chemin de fer de Paris à Rouen entre Paris et Poissy.
Saint-Germain-en-Laye, Imprimerie de Beau, 1841.
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350 €
LABORDE, Alexandre de.
Versailles ancien et moderne.
Paris, Schneider et Langrand, 1841.
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40 €
Historical book on Versailles, The castle, the kings and queens, etc.
ALAUZET, Isidore.
Essai sur les peines et le système pénitentiaire.
Paris, A l'imprimerie royale, 1842.
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120 €
First edition.
At the beginning of the XIXth century, imprisonment gradually imposed itself as a justice penalty whereas previously the prison was mainly a temporary place of confinement before the execution of the real punishment (banishment, torture, execution ... ). Following the Enlightenment (Beccaria) or thinkers like Tocqueville and Bentham, Alauzet then asked the question of the staggering of sentences and the organization of prisons. He also examines the systems of Lucas, Auburn and Faucher.
SALON DE 1842 || TENINT, Wilhelm.
Album du Salon de 1842 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.
Paris, hallamel, 1842.
More Details >
150 €
First edition.
The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.
[COLLECTIF].
Chants et Chansons populaires de la France.
Paris, Delloye, 1843.
More Details >
750 €
First edition.
Complete copy of all the deliveries published in 1843. Each of the deliveries is devoted to a song from the popular
repertoire and includes: a notice, the lyrics illustrated with framing engravings, the scores. These deliveries forming three volumes.
Bound identically has been attached:
CHAMPFLEURY, Popular songs of the Provinces of France, Paris, New library, 1860
Published as the fourth volume of the previous set.
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