Miscellany

Results (121 - 150) of 248

LA COMBE, Joseph-Félix.

Charlet Sa Vie, Ses Lettres suivi d'une Description Raisonnee de Son oeuvre Lithographique.

Paris, Paulin et le Chevalier, 1856.

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60 €

First edition.
Reference bibliography on the life and work of Nicolas-Toussaint Charlet (1792-1845) French painter and lithographer.

BARRAUD, Pierre-Constant.

Recherches sur les coqs des églises.

Paris, Derache, 1850.

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450 €

First edition.
Pierre-Constant Barraud (1801-1874) is an archaeologist and titular canon of the diocese of Beauvais. He signed several studies on church furniture. In this booklet he recalls that the symbol of the rooster has been used since primitive Christianity.

[GRAVURE].

Vue de Besançon.

s.l., s.n., [v.1850].

More Details >

10 €

View of Besnaçon drawn by Wilkes engraved by Schroëder, from an unidentified book.

BESCHERELLE Aîné.

Dictionnaire national ou Dictionnaire universel de la langue française.

Paris, Simon, 1846.

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Sold

BELLIN DE LA LIBORLIERE, Louis-François-Marie.

Vieux Souvenirs du Poitiers d'avant 1789 suivis de notices spéciales sur la Grand'Gueule, et l'ancienne université de Poitiers.

Poitiers, Chez tous les libraires, 1846.

More Details >

30 €

First edition.
A dive in pre-revolutionary Poitiers

followed by :
CHERGE, The Traveler's Guide to Poitiers, Poitiers, Henri Oudin, 1851
many engravings in the text, the folding end card has been torn off.

SALON DE 1844 || CHALLAMEL, Pierre-Joseph.

Album du Salon de 1844 - collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.

Paris, Challamel, 1844.

More Details >

125 €

First edition.

The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.

[COLLECTIF].

Chants et Chansons populaires de la France.

Paris, Delloye, 1843.

More Details >

750 €

First edition.
Complete copy of all the deliveries published in 1843. Each of the deliveries is devoted to a song from the popular
repertoire and includes: a notice, the lyrics illustrated with framing engravings, the scores. These deliveries forming three volumes.
Bound identically has been attached:
CHAMPFLEURY, Popular songs of the Provinces of France, Paris, New library, 1860
Published as the fourth volume of the previous set.

SALON DE 1843 || TENINT, Wilhelm.

Album du Salon de 1843 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.

Paris, Challamel, 1843.

More Details >

100 €

First edition.

The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.

ALAUZET, Isidore.

Essai sur les peines et le système pénitentiaire.

Paris, A l'imprimerie royale, 1842.

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120 €

First edition.
At the beginning of the XIXth century, imprisonment gradually imposed itself as a justice penalty whereas previously the prison was mainly a temporary place of confinement before the execution of the real punishment (banishment, torture, execution ... ). Following the Enlightenment (Beccaria) or thinkers like Tocqueville and Bentham, Alauzet then asked the question of the staggering of sentences and the organization of prisons. He also examines the systems of Lucas, Auburn and Faucher.

SALON DE 1842 || TENINT, Wilhelm.

Album du Salon de 1842 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.

Paris, hallamel, 1842.

More Details >

150 €

First edition.

The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.

LABORDE, Alexandre de.

Versailles ancien et moderne.

Paris, Schneider et Langrand, 1841.

More Details >

40 €

Historical book on Versailles, The castle, the kings and queens, etc.

SALON DE 1841 || TENINT, Wilhelm.

Album du Salon de 1841 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.

Paris, Challamel, 1841.

More Details >

175 €

First edition.

The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.

BERQUIN, Arnaud.

Introduction à la connoissance de la Nature.

Lyon, Librairie d'éducation de Perisse Frères, 1841.

More Details >

25 €

DONNET || FREMIN || MONIN || LEVASSEUR.

Atlas géographique et statistique des départements de la France, de l'Algérie et des Colonies Françaises.

Paris, B.Dusillion, [1841].

More Details >

9000 €

Copy offer to the doctor Alfred Velpeau by Giraudeau de St Gervais, the Publisher - Owner of this book.
A wrapping used to immobilize the arm to the chest wall is known as a "Velpeau bandage".

Superb atlas, which is rarely found complete, as large maps are usually sold individually.
In its original wooden box.

Observations présentées à Monsieur le Ministre-Secrétaire d'Etat au département des Travaux publics par l'administration Municipale de la ville de Saint-Germain-en-Laye sur le Tracé du chemin de fer de Paris à Rouen entre Paris et Poissy.

Saint-Germain-en-Laye, Imprimerie de Beau, 1841.

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350 €

[GRAVURE].

DAVID.

s.l., s.n., [1840].

More Details >

15 €

Portrait of David engraved by Migneret after Gros

Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

Jacques CALLOT.

s.l., s.n., [1840].

More Details >

15 €

Portrait of Jacques Callot engraved by Boilly after Jacquand.

Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE] INGRES, Jean Auguste Dominique.

Nicolas Poussin.

s.l., s.n., [1840].

More Details >

25 €

Portrait of Nicolas Poussin engraved by Baudran after Ingres.
It is Ingres, a great admirer of Poussin, who interprets his master's self-portrait for the French Plutarch. Ingres, who did not have the renown known to him, produced many drawings at that time.

Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

LE SUEUR.

s.l., s.n., [1840].

More Details >

15 €

Portrait of Le Sueur engraved by Delaistre after Guilleminot
Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

LE BRUN.

s.l., s.n., [1840].

More Details >

15 €

Portrait of Le Brun engraved by Lefevre after Decaisne
Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

Joseph VERNET.

s.l., s.n., [1840].

More Details >

15 €

Portrait of Joseph Vernet engraved by Baudran after Guilleminot
Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

Baron GROS.

s.l., s.n., [1840].

More Details >

15 €

Portrait of the baron Gros by Boilly
Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

DAVID.

s.l., s.n., [1840].

More Details >

15 €

Portrait of the painter David from Em. Beranger engraved by Jules Porreau.
Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

Pierre PRUDHON.

s.l., s.n., [1840].

More Details >

15 €

Portrait of the painter Pierre Prudhon (1758-1823) after Charles Gleyre engraved by Baudran.
Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

Claude LORRAIN.

s.l., s.n., [1840].

More Details >

15 €

Portrait of the painter Claude Lorrain after Laederich engraved by Nargeot
Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

Portrait de N. Arnoult.

s.l., s.n., [v. 1840].

More Details >

25 €

Portrait of Ns. Arnoult by Bourgeois de la Richardière in 1806 after Vincent.
The legend says "Member of the Meeting of the Arts & Friendship", this assembly is one of the most famous Parisian Goguette at the beginning of the XIXth century which also included Pierre Laujon.

SALON DE 1840 || ROBERT, Jules || BARON TAYLOR.

Album du Salon de 1840 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes, ou sous leur direction.

Paris, Challamel, 1840.

More Details >

175 €

First edition.
Preface by Baron Taylor (1789-1879, French playwright, precursor of the romantic movement, art collector and philanthropist).

The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.

[Société des gens de lettres].

Création et Statuts de la Société des gens de lettres.

Paris, Imp. Belin, 1838.

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500 €

First edition.
Rare document on the creation of the Société des gens de lettres.
He reports on the first meeting with a notary of the provisional commission led by Villemain and Desnoyers, which legally establishes the creation of this association.
Following the reasons for creation we find the statutes of the association governing by 64 articles the functioning of the Company.
The Société des gens de lettres, an association still active more than 180 years later, aims to defend authors' rights.

DAIN, Charles || CONSIDERANT, Victor || D'IZALGUIER, Eugène.

Trois discours prononcés à l'Hôtel-de-Ville, par MM. Dain, Considerant et d'Izalguier faisant complément à la publication du Congrès historique.

Paris, P.-H. Khrabbe, 1836.

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300 €

First edition.

This book contains three speeches based on the ideas of Charles Fourier and his theory of the Utopian Socialism.
- "Quel est le but de l'Histoire", delivered at the "congrès historique", on the 15th november 1835, by Charles Dain (1812-1871, lawyer in Paris, close to the ideas of Victor Considerant, and who campaigned for the abolition of slavery).
- "Déterminer par l'Histoire si les diversités physiologiques des peuples sont entre elles comme les diversités des systèmes sociaux auxquels ces peuples appartiennent", delivered at the "congrès historique", on the 11 december 1835 by Victor Considerant (1808-1893, philosopher and economist polytechnician).
- "Loi de corrélation de la forme sociale et de la forme esthétique", delivered by Eugène D'Izalguier.

BARBE-MARBOIS, François.

Journal d'un Déporté non jugé, ou déportation en violation des lois, décrétée le 18 Fructidor an V (4 Septembre 1797).

Paris, Firmin Didot, 1834.

More Details >

200 €

First edition.
Elected from Moselle to the Council of Elders under the Directory, Barbé-Marbois was overthrown during the September 1797 insurrection and then sent into exile in Guyana. Exile journal which alternates between political considerations and observations of Guyana, its inhabitants and its prison system.

Results (121 - 150) of 248

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Miscellany

LA COMBE, Joseph-Félix.

Charlet Sa Vie, Ses Lettres suivi d'une Description Raisonnee de Son oeuvre Lithographique.

First edition. Reference bibliography on the life and work of Nicolas-Toussaint Charlet (1792-1845) French painter and lithographer.

BARRAUD, Pierre-Constant.

Recherches sur les coqs des églises.

First edition.Pierre-Constant Barraud (1801-1874) is an archaeologist and titular canon of the diocese of Beauvais. He signed several studies on church furniture. In this booklet he recalls that the symbol of the rooster has been used since primitive Christianity.

[GRAVURE].

Vue de Besançon.

View of Besnaçon drawn by Wilkes engraved by Schroëder, from an unidentified book.

BESCHERELLE Aîné.

Dictionnaire national ou Dictionnaire universel de la langue française.

BELLIN DE LA LIBORLIERE, Louis-François-Marie.

Vieux Souvenirs du Poitiers d'avant 1789 suivis de notices spéciales sur la Grand'Gueule, et l'ancienne université de Poitiers.

First edition.A dive in pre-revolutionary Poitiersfollowed by :CHERGE, The Traveler's Guide to Poitiers, Poitiers, Henri Oudin, 1851many engravings in the text, the folding end card has been torn off.

SALON DE 1844 || CHALLAMEL, Pierre-Joseph.

Album du Salon de 1844 - collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.

First edition. The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.

[COLLECTIF].

Chants et Chansons populaires de la France.

SALON DE 1843 || TENINT, Wilhelm.

Album du Salon de 1843 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.

First edition. The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.

ALAUZET, Isidore.

Essai sur les peines et le système pénitentiaire.

SALON DE 1842 || TENINT, Wilhelm.

Album du Salon de 1842 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.

First edition. The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.

LABORDE, Alexandre de.

Versailles ancien et moderne.

Historical book on Versailles, The castle, the kings and queens, etc.

SALON DE 1841 || TENINT, Wilhelm.

Album du Salon de 1841 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.

First edition. The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.

BERQUIN, Arnaud.

Introduction à la connoissance de la Nature.

DONNET || FREMIN || MONIN || LEVASSEUR.

Atlas géographique et statistique des départements de la France, de l'Algérie et des Colonies Françaises.

Observations présentées à Monsieur le Ministre-Secrétaire d'Etat au département des Travaux publics par l'administration Municipale de la ville de Saint-Germain-en-Laye sur le Tracé du chemin de fer de Paris à Rouen entre Paris et Poissy.

[GRAVURE].

DAVID.

Portrait of David engraved by Migneret after Gros Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

Jacques CALLOT.

Portrait of Jacques Callot engraved by Boilly after Jacquand. Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE] INGRES, Jean Auguste Dominique.

Nicolas Poussin.

[GRAVURE].

LE SUEUR.

Portrait of Le Sueur engraved by Delaistre after Guilleminot Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

LE BRUN.

Portrait of Le Brun engraved by Lefevre after Decaisne Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

Joseph VERNET.

Portrait of Joseph Vernet engraved by Baudran after Guilleminot Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

Baron GROS.

Portrait of the baron Gros by Boilly Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

DAVID.

Portrait of the painter David from Em. Beranger engraved by Jules Porreau. Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

Pierre PRUDHON.

Portrait of the painter Pierre Prudhon (1758-1823) after Charles Gleyre engraved by Baudran. Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

Claude LORRAIN.

Portrait of the painter Claude Lorrain after Laederich engraved by Nargeot Steel engraving enhanced with colors for the French Plutarch (published around 1840).

[GRAVURE].

Portrait de N. Arnoult.

Portrait of Ns. Arnoult by Bourgeois de la Richardière in 1806 after Vincent. The legend says "Member of the Meeting of the Arts & Friendship", this assembly is one of the most famous Parisian Goguette at the beginning of the XIXth century which also included Pierre Laujon.

SALON DE 1840 || ROBERT, Jules || BARON TAYLOR.

Album du Salon de 1840 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes, ou sous leur direction.

[Société des gens de lettres].

Création et Statuts de la Société des gens de lettres.

DAIN, Charles || CONSIDERANT, Victor || D'IZALGUIER, Eugène.

Trois discours prononcés à l'Hôtel-de-Ville, par MM. Dain, Considerant et d'Izalguier faisant complément à la publication du Congrès historique.

BARBE-MARBOIS, François.

Journal d'un Déporté non jugé, ou déportation en violation des lois, décrétée le 18 Fructidor an V (4 Septembre 1797).

First edition.
Reference bibliography on the life and work of Nicolas-Toussaint Charlet (1792-1845) French painter and lithographer.

First edition.
Pierre-Constant Barraud (1801-1874) is an archaeologist and titular canon of the diocese of Beauvais. He signed several studies on church furniture. In this booklet he recalls that the symbol of the rooster has been used since primitive Christianity.

First edition.
A dive in pre-revolutionary Poitiers

followed by :
CHERGE, The Traveler's Guide to Poitiers, Poitiers, Henri Oudin, 1851
many engravings in the text, the folding end card has been torn off.

First edition.

The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.

First edition.

The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.

First edition.

The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.

First edition.

The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.

Portrait of David engraved by Migneret after Gros

Steel engraving enhanced with colors for the French Plutarch (published around 1840).

Portrait of Jacques Callot engraved by Boilly after Jacquand.

Steel engraving enhanced with colors for the French Plutarch (published around 1840).

Portrait of Le Sueur engraved by Delaistre after Guilleminot
Steel engraving enhanced with colors for the French Plutarch (published around 1840).

Portrait of Le Brun engraved by Lefevre after Decaisne
Steel engraving enhanced with colors for the French Plutarch (published around 1840).

Portrait of Joseph Vernet engraved by Baudran after Guilleminot
Steel engraving enhanced with colors for the French Plutarch (published around 1840).

Portrait of the baron Gros by Boilly
Steel engraving enhanced with colors for the French Plutarch (published around 1840).

Portrait of the painter David from Em. Beranger engraved by Jules Porreau.
Steel engraving enhanced with colors for the French Plutarch (published around 1840).

Portrait of the painter Pierre Prudhon (1758-1823) after Charles Gleyre engraved by Baudran.
Steel engraving enhanced with colors for the French Plutarch (published around 1840).

Portrait of the painter Claude Lorrain after Laederich engraved by Nargeot
Steel engraving enhanced with colors for the French Plutarch (published around 1840).

Portrait of Ns. Arnoult by Bourgeois de la Richardière in 1806 after Vincent.
The legend says "Member of the Meeting of the Arts & Friendship", this assembly is one of the most famous Parisian Goguette at the beginning of the XIXth century which also included Pierre Laujon.