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LEMERY, Louis.
Traité des alimens.
Paris, Durand, 1755.
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500 €
Third greatly enlarged edition of this famous book on food, which became the leading book on the chemistry of dietetics.
VAUBERT, Luc.
La Dévotion à Notre Seigneur Jésus-Christ dans l'Eucharistie.
Paris, Gabriel Charles Berton, 1752.
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180 €
Good copy in contemporary morocco bindings.
[GRAVURE].
Portrait de Pierre François BASAN.
s.l., s.n., [v. 1750].
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30 €
Portrait of Pierre François BASAN (1723-1797), engraved by Marais after Cochin.
[GRAVESANDE, Willem Jacob].
Introduction à la philosophie, contenant la métaphysique et la logique.
Leide, Jean et Herm Verbeek, 1748.
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100 €
Willem Jacob's Gravesande (1688 – 1742) was a Dutch jurist and diplomat, known today for his scientific work: he contributed to the introduction of Newton's theories and the experimental method. Interestingly, Gravesande presents his revolutionary method of coding and decoding encrypted letters ("De l'art de déchiffrer des Lettres", p. 391-408).
[GRAVURE].
Portrait de Jean-Baptiste PERRONNEAU.
s.l., s.n., [v. 1745].
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30 €
Portrait of Jean-Baptiste Perronneau (1715-1783), engraved by Nicolet after Cochin.
WEIS, Jean-Martin.
Représentation des fêtes données par la Ville de Strasbourg pour la convalescence du Roi; à l'arrivée et pendant le séjour de Sa Majesté en cette Ville.
Paris, Aubert, 1744.
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4000 €
Unique edition of the festival celebrating the arrival of Louis XV in Strasbourg in October 1744. Published at the city's expense, the work is composed of a calligraphic title, 20 engr. calligraphic explanation pp.,- an equestrian portrait of Louis XV and 11 etchings on double pages swarming with 1000 lively details (onlookers, dances, acrobats...). They depict the arrival and the procession of the king into the town, the Cardinal of Rohan's welcome in the front of the cathedral, the night festivities (fireworks on the Ill, illuminated buildings) and the day festivities (water jousting, games, dances and sword exercises). Some foxing or otherwise soiled, armorial binding (joint split, sides and corners rubbed...).
[LIVRE DE FETES].
Description des festes données par la ville de Paris à l'occasion du mariage de Madame Louise-Elisabeth de France, et de Dom Philippe, Infant & Grand amiral d'Espagne, les vingt-neuvième & trentième août mil sept cent trente.
Paris, Le Mercier, 1740.
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6000 €
First edition.
One of the most beautiful festival books published in the 18th century to commemorate the festivities held in Paris for the wedding of Madame Première, Louise-Élisabeth de Bourbon, eldest daughter of Louis XV, to Philippe de Bourbon.
Beautiful copperplate engraving with 13 plates outside the text, including 8 double-page spreads, by Jacques-François Blondel based on his own drawings and those of the architects Jacques-Ange Gabriel and Giovanni.
There are also two vignettes in the text, one by Pierre Soubeyran after Edmé Bouchardon (coat of arms of the city of Paris), the other by Jacques Rigaud (nautical jousting scene).
BOUCHARDON, Édmé || HUQUIER, Gabriel.
Apollon et Les Muses,
dessinés par Ed. Bouchardon, sculp. du Roi.
Gravés et dédiés à Mre. Gabriel Bernard de Rieux ... par ... Huquier.
Paris, Chez Huquier, 1739.
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1500 €
Rare and complete first edition.
"Edme Bouchardon (1698-1762) was celebrated in his time as an exceptional artist," Bouchardon must have been a great man, "said the collector Pierre Jean Mariette," because he enjoyed all his reputation during his life." As a sculptor, he was nicknamed "the new Phidias", the modern equivalent of the greatest artist of ancient Greece, and as a draftsman he was considered one of the best in Europe. Historians of art have not changed today, Bouchardon being still considered one of the most creative and fascinating artists of the 18th century French, the one who played a decisive role in the transition from rockery to neoclassicism. "
This quote comes from the preface of the catalog of the exhibition "Edme Bouchardon (1698-1762), une idée du beau", which took place in 2016, at the Louvre, and was written by Mr. J-L. Martinez ( President and director of the Louvre) and Mr.T. Potts (director of the J. Paul Getty Museum).
It perfectly illustrates the genius of the artist. This collection of engravings, is cited in the chronology of the artist's works, in the catalog of the Louvre exhibition (p. 415).
The engravings represent the god of Music and Love Apollo, followed by his muses Calliope, Clio, Erato, Thalia, Melpomene, Terpsicore, Euterpe, Polimnia and Urania.
The genius of the artist is illustrated, here, with balanced compositions, the detail of the draperies, the vigor but also the softness of the figures. They perfectly illustrate Neoclassical style and Bouchardon's maner, as a sculptor.
This collection of engravings also shows his interest in the diffusion of his works, with the collaboration of the publisher and engraver Gabriel Huquier.
He was an engraver and publisher (1695-1772) specializing in prints. He is the one who engraved and published the greatest number of prints from Bouchardon's drawings, more than a hundred.
The engravings were not intended for the making of sculptures, but were drawings intended for a diverse audience such as artists, amateurs and collectors (as Mr. Gabriel Bernard de Rieux, cited on the title page).
Very fine copy.
LARRAMENDI, Manuel (de).
Discurso histórico sobre la antigua famosa Cantabria : Question Decidida Si Las Provincias De Bizcaya, Guipuzcoa, Y Alava, Estuvieron Comprehendidas En La Antigua Cantabria.
Madrid, Juan de Zuniga, 1736.
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600 €
First edition.
Promoter of Basque identity and unity, Larramendi here discusses the history of Cantabria to find out if the Basque provinces (Biscay, Álava, Guipuzcoa) were once part of Cantabria.
KÄMPFER, Engelbert.
Histoire naturelle, civile, ecclesiastique de l'empire du Japon.
La Haye, P.Gosse & J.Neaulme, 1732.
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1450 €
First 12mo french edition, after one Folio (1729).
There is an other more current edition, printed at Amsterdam (Herman Uitwerf), also in 1732.
This work, has long been recognized as the most authoritative account of Japan.
[GRAVURE].
Portrait de Simon VOUET.
Paris, Michel Odieuvre, [v.1730].
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30 €
Portrait of Simon Vouet (1590-1649), engraved by Marlié Lépicié after a self portrait.
[GRAVURE].
Portrait de François du QUESNOY.
Paris, Michel Odieuvre, [v.1730].
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25 €
Portrait of François Du Quesnoy (aka François Flamand, 1597-1643), engraved by Randon.
[ROCHEFORT, Jean (de)].
Le Passe-tems agréable, ou nouveaux choix de bons-mots, de pensées ingénieuses, de rencontres plaisantes.
Rotterdam, Jean Hofhout, 1728.
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300 €
A pleasant copy with the arms of the princes of Bourbon Condé, azure with three golden fleurs-de-lys, with a red bastion, probably having belonged to Louise-anne de Bourbon Condé, known as
Mademoiselle de Charolais. Attributed by Barbier to a lord of Rochefort.
MARESCHAL || SIMON || DANTY.
Traité des Droits Honorifiques des Seigneurs dans les Eglises Par feu M. MARESCHAL, Avocat. Et un Traité du Droit de Patronage, de la Présentation aux Bénéfices.
Paris, Claude Robustel, 1724.
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150 €
Reference book on a very particular point of the law of the old regime which aims to govern the privileges of the nobles within the Church (Right of patronage, Right of bench ...).
TRICTRAC || JEU.
Le jeu du Trictrac, enrichi de figures avec les jeux du Revertier, du Toute-table, du Tourne-case, des Dames rabatues, du Plain, et du Toc.
Paris, Henry Charpentier, 1715.
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150 €
Third edition, corrected and increased.
This book deals with the rules of several unknown games today including the famous Trictrac.
Trictrac is a two-player reasoned game that is played with dice on a deck similar to backgammon. It belongs to the family of table games.
It was very popular in France in the seventeenth and eighteenth centuries, at the court of Versailles and in aristocratic circles. It experienced a renaissance during the Restoration before almost disappearing in the late nineteenth century. It is part of reasoned games of chance such as backgammon which was known in France under the name all tables or backgammon.
DIGBY, Kenelm.
Nouveaux secrets experimentez pour conserver la beauté des Dames et pour guérir plusieurs sortes de maladie.
La Haye, Jean Van Vlaenderen, 1715.
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450 €
Receipt and the curious treatise on the powder of sympathy of Digby.
PATRU, Olivier.
Oeuvres diverses de Mr Patru.
Paris, David fils, 1714.
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100 €
Third edition.
Olivier Patru (1604-1681) French lawyer and man of letters, member of the French Academy he participated in the Richelet dictionaries and that of the Academy.
LEMERY, Louis.
Traité des Aliments, où l'on trouve par ordre, et séparément la différence & le choix qu'on doit faire de chacun d'eux en particulier; les bons & les mauvais effets qu'ils peuvent produire, les principes en quoy ils abondent; le temps, l'âge & le tempérament où ils conviennent. Avec des Remarques à la suite de chaque Chapitre, où l'on explique leur nature & leurs usages, suivant les principes Chymiques, & Méchaniques.
Paris, J. B. Cusson & P. Witte, 1702.
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950 €
This celebrated books on food, which became the leading book on the chemistry of dietetics, is now well known for his notes concerning the aphrodisiac power of chocolates.
SCARCE FIRST EDITON.
[GRAVURE] LASNE, ?.
Christ en gloire.
s.l., s.n., [v. 1700].
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35 €
Engraving signed in the plate JC ? JE? Lasne, unidentified artist possibly family of Michel Lasne.
Beautiful scene of a Christ in glory brandishing the palm of the martyr.
PILES, Roger de.
Dialogue sur le coloris.
Paris, Nicolas Langlois, 1699.
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450 €
Second edition.
"The discourse on art was born in France during the reign of Louis XIV thanks to two antagonistic figures: Félibien (1619-1709) and Roger de Piles (1635-1709). The latter became the major theoretician of color in the quarrel which opposed Rubenists and Poussinists during the last three decades of the 17th century." (trad. from Bernard Teyssèdre, "Roger de Piles and The debate on color, 1957)
De Piles supports Rubens by arguing that color is the major subject of painting and must come before drawing.
DE VENERONI, Giovanni.
Le Maitre italien dans sa dernière perfection.
Lyon, Andre Laurens, 1695.
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150 €
Giovanni Veneroni was the king's interpreter, his methods for learning Italian were references for a long time.
[BRODEAU de MONCHARVILLE, Jean Pierre-Julien, marquis de Châtres].
Jeux d'esprit et de mémoire, ou conversations plaisantes avec des personnes les plus distinguées de l'Etat, par leur génie et leur rang. Avec quelques particularités qui se sont passées sous le règne de Louis le Grand.
Cologne, Frédéric Le Jeune, 1694.
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130 €
First edition.
HUET, Pierre Daniel.
Traitté de la Situation du Paradis Terrestre.
Paris, Jean Anisson, 1691.
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1500 €
First edition.
Curious work in which Huet try to find the location of Paradise.
Rare in morocco binding (not in Caillet, Dorbon as only the 1701 edition).
CLARMORGAN, Jean.
La Chasse du Loup nécessaire à la maison rustique.
Rouen, Jean Baptiste Besongne, 1685.
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450 €
The Wolf Hunt by Jean Carlmorgan was appended to the editions of the Rustic House of Liebaut. Our edition has its own title page and includes the 14 mid-page woodcuts from the sixteenth century editions. A highly sought-after work in the 19th century, it represented the "dark ages" of the French countryside.
Following it we find "La Fabrique de la Gauge ou Diapason" in (10) sheets, (last sheet truncated). Another typical annex of the Rustic House.
BULLART, Isaac.
Académie Des Sciences et des Arts.
Bruxelles, Fr. Poppens, 1682.
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950 €
First edition..
Decorated with more than 200 portraits engraved in the text.
Remarkable work for which Bullart worked for 30 years and which was published by his son. We will find, alongside humanists, navigators, scientists and inventors, printers, all the artists classified by school, Leonardo da Vinci, Magellan, Copernicus, Columbus, A. Paré, Gutenberg, etc.
[VISSCHER, Nicolaus].
Labyrinte de Versailles. The labyrinth of Versailles. Der Irr-Garte zu Versailles. 't Dool-hof tot Versailles.
Amsterdam, Visscher, Nicolaus, [1682].
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1250 €
Edition in four languages: French, English, German and Dutch.
A marvel of landscape art that has now disappeared, the Labyrinth of Versailles was commissioned from Le Notre by Louis XIV.
Labyrinth of hornbeams opening onto squares decorated with fountains whose lead subjects were multicolored.
Each fountain was inspired by Aesop's Fables.
The work reveals in 41 engravings, the plan of the labyrinth and each of the fountains with for each, the verses and the morals which had inspired them.
.
[BUSSY-RABUTIN, Roger Comte de ].
Amours des dames illustres de notre siècle
[suivi de]
Le passe-temps royal, ou les amours de mademoiselle de Fontage.
Cologne, Jean Le Blanc, 1682.
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550 €
Third edition.
This book is one of the most famous satyrico-historical novels of the 17th century.
[GRAVURE] SANDRART, Joachim.
Scènes mythologiques.
s.l., s.n., [v. 1680].
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200 €
Two beautiful mythological scenes engraved on the same copper by Johann Jacob von Sandrart (1655-1698) after drawings by his uncle Joachim Sandrart (1606-1688).
The first scene representing Neptune lying, surrounded by Loves players.
The second features a group of young women who have captured Cupid and his quiver. Some flogged him, pulling his hair and one stepping forward to kill him.
JUVENAL || PERSE.
D. Junii Juvenalis, et auli Persii Flacci Satyrae.
Leide, Hackiana, 1671.
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230 €
Beautiful copy under full vellum.
Les plaisirs de Saint-Germain en Laye, et de la Cour, et le tableau de la vie humaine, ou le solitaire.
Paris, Gabriel Quinet, 1665.
More Details >
600 €
Unique edition.
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