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ROBIDA, Albert.
Les Amoureuses de la Tour Eiffel.
s.l., Lemercier, [v. 1890].
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200 €
Lithograph (365x280 mm) depicting elegant women admiring the Eiffel Tower. The lithograph is signed in the board and off the plank in pencil by Robida.
ROBIDA, Albert.
Villes martyres : Rheims.
s.l., [Baudelot], [1914].
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100 €
Lithograph (310x220 mm) with remark representing the German eagle destroying the cathedral of Rheims by bringing "Kultur Krupp". The lithograph is signed in the board and off the plank in pencil by Robida.
ROBIDA, Albert.
Villes martyres : Senlis.
s.l., [Baudelot], [1914].
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100 €
Lithograph (310x220 mm) with remark representing the German eagle destroying the city of Senlis. The lithograph is signed in the board and off the plank in pencil by Robida.
ROBIDA, Albert.
St Bertrand de Comminges.
s.l., s.n., [v. 1924].
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300 €
Beautiful lithograph (310x220 mm) with note of the heart of the church of St Bertrand de Comminges. The lithograph is signed in the board and off the plank in pencil by Robida. Edition of 125 copies this one n ° 25.
ROBIDA, Albert.
Lettre autographe signée.
Le Vésinet, s.n., 1900.
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200 €
Robida is indignant about the poor quality of postcard prints of his color drawings for " Vieux Paris".
ROBIDA, Albert.
Menu pour le Banquet de la Saint Charlemagne.
Paris, Devambez, 1906.
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50 €
Banquet that brought together the award-winning students of Condorcet High School, it took place on January 27, 1906 (date written in pen).
ROBIDA, Albert.
Lot de 10 menus vierges : Aphorismes de Brillat-Savarin.
Paris, Blaizot, 1905.
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150 €
The following 20 illustrations of Robida's Brillat-Savarin aphorisms were first published in Richardin's "The Art of Eating Well" and then republished separately by Blaizot in 1905. There were prints on vellum (5HC), China (7), Japan (43). Our lot probably comes from this publication. On the other hand, one wonders about the presence of the Mariani watermark on vellum papers, is it a stock bought by Blaizot or a special edition for Mariani who was close to Robida?.
ROBIDA, Albert.
Lot de 3 menus vierges.
s.l., s.n., [v. 1910].
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100 €
Pretty little menus illustrated by Robida for an unidentified restaurant (or association) which was located at 11, rue Scribe (near the Opéra Garnier). Each side offers a different comic scene: an alchemist, a Spanish cooking "all in oil" ... of lamp, and an anarchist preparing bombs icy ... On the back the same illustration on all the menus of a character carrying a bottle of Prussic acid.
ROBIDA, Albert.
Programme de Gala de l’Orphelinat des arts.
s.l., s.n., 1916.
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50 €
First page illustrated with a lithograph of Robida drawn in blood representing a WWI scene. Program for the morning of Gala of the Orphanage of the arts organized at the theater bouffes-Parisiens.
ROBIDA, Albert.
Programme de Gala pour la « Réunion des jurys et comités des expositions universelles » le 6 mai 1896.
s.l., s.n., [1896].
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50 €
Robida composition on the cover depicting the nineteenth century aging character watching the novelties of the year 1900 to come.
ROBIDA, Albert.
Carte de vœux 1893 réalisée pour Octave Uzanne.
s.l., s.n., [v. 1892].
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120 €
Beautiful original etching created for Octave Uzanne (1851-1931), famous bibliophile.
ROBIDA, Albert.
Carte de correspondance pour la librairie Dorbon-ainé.
s.l., s.n., [v. 1910].
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500 €
Very beautiful engraving on an original drawing by Robida for the Dorbon-Ainé bookstore (especially specialized in ancient occult books). We can see imps presenting their books to a delighted bibliophile. Very rare.
ROBIDA, Albert.
Les Belles Villes Gauloises d'entre Rhin et Moselle, Schlestadt.
Paris, E. Baudelot, 1915.
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50 €
First edition, searched for its large lithography (a view on Schlestadt), in fine quality, realized by Albert Robida (1848-1926).
ROBIDA, Albert.
Les Belles Villes Gauloises d'entre Rhin et Moselle, Colmar.
Paris, E. Baudelot, 1915.
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50 €
First edition, searched for its large lithography (a view on Colmar), in fine quality, realized by Albert Robida (1848-1926).
ROBIDA, Albert.
Les Belles Villes Gauloises d'entre Rhin et Moselle, Strasbourg.
Paris, E. Baudelot, 1915.
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50 €
First edition, searched for its large lithography (a view on Strasbourg), in fine quality, realized by Albert Robida (1848-1926).
ROBIDA, Albert.
Les Belles Villes Gauloises d'entre Rhin et Moselle, Thann.
Paris, E. Baudelot, 1915.
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50 €
First edition, searched for its large lithography (a view on Thann), in fine quality, realized by Albert Robida (1848-1926).
ROBIDA, Albert.
Les Villes martyres.
Paris, Baudelot, 1914.
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ROBIDA, Albert.
Lettre autographe signée.
s.l., s.n., 1900.
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100 €
Robida's response to a request for "Vieux Paris" shots.
ROBIDA, Albert.
Lettre autographe signée.
s.l., s.n., [v.1895].
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100 €
Robida's answer to a question about the procession of Furnes' penitents which "is well worth being cinematographed".
ROBIDA, Albert.
Lettre autographe signée.
s.l., s.n., 1907.
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150 €
Robida's answer to a question from Mademoiselle Dalligny on the history of St Antoine (a district of Paris).
ROBIDA, Emilie & Frédéric.
Lot de quatre eaux fortes.
s.l., s.n., 1905.
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150 €
a. ROBIDA, Emilie, Carte de voeux 1905.
150x112 mm, eau-forte en bleu sur papier fort type Arches, bords laissés libres.
« Mes meilleurs voeux » manuscrit au dos.
b. ROBIDA, Emilie, Carte de voeux [v. 1905].
165x122 mm, eau-forte en sanguine sur papier fort type Arches, bords laissés libres.
Rousseurs. Voeux manuscrits au dos signés « Didy »
c. ROBIDA, Emilie, Carte de voeux [v. 1905].
180x127 mm, eau-forte en noir sur papier fort type Arches, rehaussé à l’aquarelle orange, bords laissés libres. Rousseurs. Voeux manuscrits au bas signés « Didy ».
d. ROBIDA, Frédéric, Carte à la fée, 1905.
150x112 mm, eau-forte en bleu sur papier fort type Arches, bords laissés libres.
Rousseurs.
ROMAN, Jean Joseph Thérèse (Abbé).
Les Echecs, Poëme en quatre chants.
Paris, Leopold Collin, 1807.
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80 €
First edition.
SABATIER DE CASTRES, Antoine.
Dictionnaire de littérature. Dans lequel on traite de tout ce qui a rapport à l'éloquence, à la poësie & aux belles-lettres, & dans lequel on enseigne la marche & les régles qu'on doit observer dans tous les ouvrages d'esprit.
Paris, Vincent, 1770.
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First edition.
SALON DE 1840 || ROBERT, Jules || BARON TAYLOR.
Album du Salon de 1840 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes, ou sous leur direction.
Paris, Challamel, 1840.
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175 €
First edition.
Preface by Baron Taylor (1789-1879, French playwright, precursor of the romantic movement, art collector and philanthropist).
The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.
SALON DE 1841 || TENINT, Wilhelm.
Album du Salon de 1841 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.
Paris, Challamel, 1841.
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175 €
First edition.
The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.
SALON DE 1842 || TENINT, Wilhelm.
Album du Salon de 1842 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.
Paris, hallamel, 1842.
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150 €
First edition.
The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.
SALON DE 1843 || TENINT, Wilhelm.
Album du Salon de 1843 - Collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.
Paris, Challamel, 1843.
More Details >
100 €
First edition.
The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.
SALON DE 1844 || CHALLAMEL, Pierre-Joseph.
Album du Salon de 1844 - collection des principaux ouvrages exposés au Louvre reproduits par les peintres eux-mêmes ou sous leur direction.
Paris, Challamel, 1844.
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125 €
First edition.
The Salon was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world.
[SCATOLOGIE].
Le Dieu des vents ou les aventures d'Eole métamorphosé en P-t, ou le simplement le Dieu Pet.
La Haye, s.n., 1776.
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500 €
First edition.
Badinage in free verse and twenty-seven little songs.
An unusual work whose author will remain in the shadows, under the scatological aspect it seems to have been written as a snub to Marmontel's "Poetics". Marmontel, as our petomane recalls, declared that it is not necessary for a thing to be beautiful in nature for it to be beautiful in poetry and that coarseness or finesse lies in the treatment of the subject rather than in the subject itself. Marmontel, by instituting the "moral tale" and rejecting the comic, had given rise to a wave of "immoral tales" in which this God of the winds participates.
SOCIETE NATIONALE D'ENCOURAGEMENT AU BIEN || COMITE REGIONAL LIMOUSIN.
Distribution solennelle des récompenses le 7 aout 1904 sous la Présidence de M. de La Combe.
Limoges, Ducourtieux et Gout, 1904.
More Details >
30 €
First edition.
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