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BARRAUD, Pierre-Constant.
Recherches sur les coqs des églises.
Paris, Derache, 1850.
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450 €
First edition.
Pierre-Constant Barraud (1801-1874) is an archaeologist and titular canon of the diocese of Beauvais. He signed several studies on church furniture. In this booklet he recalls that the symbol of the rooster has been used since primitive Christianity.
[AUX ARMES ROYALES].
Office de la semaine sainte.
Paris, Herissant, [1745].
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500 €
Good copy in contemporary morocco whose covers are gilded with the arms of Mesdames de France.
The daughters of Louis XV indeed shared the same arms for their bindings, they were distinguished only by the color of the morocco. Red morocco was reserved for Adelaide of France (1732-1800).
[HUERNE DE LA MOTHE, François-Charles] || [CLAIRON, Claire-Josèphe Léris].
Libertés de la France, contre le pouvoir arbitraire de l'excommunication.
Amsterdam, s.n., 1761.
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500 €
First edition.
Work commissioned by the actress Mademoiselle Clairon from the lawyer Huerne de la Motte to defend the condition of actors.
Following the funeral ceremony that the actors of the Comédie Française had organized for Crébillon père, the Archbishop of Paris then recalled the French tradition of excommunication of actors.
This book was banned and burned by the executioner in the courtyard of the courthouse.
[Bound with]
[JOLY], Historical and critical letters on spectacles, [1762]
223-(1) pages. (title page missing]
Work by Capuchin Joly, demonstrating the just excommunication of the actors according to the canons of the Church.
[BIBLE].
Biblia Sacra.
Lyon, Guillaume Rouille, 1581.
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950 €
Edition given by Guillaume Rouille (or Rouville) one of the most famous printers of Lyon. The work is decorated with two series of vignettes engraved by Pierre Eskrich, i.e. 269 vignettes for the Old Testament and 160 vignettes for the New Testament.
GALLAND, Julien-Claude.
Recueil des rits et cérémonies du pelerinage de la Mecque, auquel on a joint divers ecrits relatifs à la religion, aux sciences & aux murs des Turcs.
Paris, Desaint & Saillant, 1754.
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1000 €
First edition.
Book which brings together five different essays, of which Julien-Claude Galland (probably died in 1765), the nephew of Antoine Galland, is only the interpreter.
The one who gives its wording to the title is a translation from the Arabic of Sheikh Chemfeddin el Buhouky the Shafeite. The others are: "Muslim catechism translated from the Arabic of the sheikh or Dr. Aly son of Iaakoub", "Translation of a Dissertation by Zehny effendy on the sciences of the Turks", "Relation of the island of Chio" and " Relation of the walk of Sultana Esma, daughter of Sultan Ahmed, when she was taken to her husband Iaakoub Pasha.
FUSY, Antoine.
Le Franc Archer de la vraye église, contre les abus et énormités de la fausse.
s.l., Aux dépens de l'autheur, 1619.
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1200 €
First edition.
Antoine Fusy, Jesuit and professor at the Sorbonne is at the beginning of the 17th century in breach of ban with his order. The Jesuit preachers indeed defended the merits of tyrannicide, which was an undisguised threat to the King of France who protected the Protestants of the kingdom.
While Henri IV was assassinated by a Catholic fanatic, Fusy went into exile in Geneva in 1619 and converted to Protestantism.
He wrote there this very violent pamphlet towards the Roman Church, whose style is sometimes quite raw.
[HOET, Gérard] || [PICART, Bernard] || [HONDT, Pieter de] || [SAURIN, Pierre] ||.
Figures de la Bible. Taferelen der voornaamste Geschiedenissen van het oude en nieuwe testament.
La Haye, Pieter de Hondt, 1728.
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6000 €
First edition.
One of the most beautiful illustrations of the Bible in the eighteenth century.
This remarkable iconograph of the Bible in which Gérard Hoet and Bernard Picart mainly participated includes 214 full-page plates (29 double-page), the legend of which is written in Hebrew, English, German, Latin, French and Dutch.
The two frontispieces are captioned in French, the rest of the text is written in Dutch. Each chapter ends with a beautiful engraved cul-de-lampe.
This set of prints was first started by Picart in 1720 with the assistance of the Dutch painter Gérard Hoet, for what would undoubtedly become the pinnacle of the "Figures of the Bible". The Figures of the Bible are collections of engravings, which represent or signify Scripture through cycles of prints covering the entire Bible, a single Testament, or even a single biblical book. It is a genre that became popular with printing in the sixteenth century.
Pierre de Hondt, recovers the engravings of Picart, who with his multilingual legends already had a desire for European distribution, to accompany texts by Pierre Saurin (cf. Brunet). Everything is newly decorated with typographic ornaments.
Beautiful copy of Talleyrand at Chateau de Valençay with his ex libris in each volume.
[LIVRE d'HEURES ENLUMINÉ].
Livre d’Heures à l’usage de Paris.
s.l., s.n., [circa 1420].
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33000 €
From a follower of the Boucicaut Master.
The painter uses an extensive palette with sharp contrasts, and does not hesitate to use a bright minium red that he contrasts with the blues and greens in the happiest of ways.
The abstract backgrounds and the systematic use of a grassy ground, give to the whole manuscript a beautiful coherence and a great elegance.
Some of the preserved paintings, such as those of the Annunciation to the Shepherds, the Crucifixion, and St. Margaret, bear witness to the artist's talent and the high quality of this manuscript.
It should be noted that the composition of the The Flight into Egypt is closely mirrors of a Boucicaut composition.
Complete video on request.
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