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Art & Artist's Books
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LACROIX, Paul de (éditeur).
Galerie contemporaine des illustrations françaises.
Paris, Paul de Lacroix, [1884].
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6000 €
First edition.
Masterpiece of 19th century photography.
200 biographical chapters of 132 historical figures.
Copy complete with all the required notices and photographs.
Each chapter has 4 pages of text (8 for Corot 2 and Corot 3).
The series is therefore complete with the 200 entries for 132 biographies and is illustrated with 267 photographs:
- 131 portraits (65 in full-page and 66 in medallion in text)
- 136 reproductions of art works (135 in full-page and 1 in medallion the text).
Coming from the greatest photographic workshops (Nadar, Carjat, Goupil, Petit...) they are reproduced by photoglypie which is then the only printing process allowing such a faithful reproduction of photographic plates.
The portraits include the famous portrait of Baudelaire by Carjat but also those of Victor Hugo, Gustave Doré, Edmond de Goncourt, Ferdinand de Lesseps, Georges Sand, Sarah Bernhardt, Alexandre Dumas, Gustave Eiffel, Victor Hugo, Louis Pasteur, Emile Zola, ...
We added a rare "specimen" volume ( a commercial presentation volume).
FOUJITA || LOTI, Pierre.
Madame Chrysanthème.
Paris, Editions excelsior, 1926.
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1200 €
60 original color illustrations by Foujita.
1 of 25 copies on Arches out of market (initialled H.C).
CUYP, Aelbert.
VI Stüks koitjer Geetst door A. Cuyp.
s.l, s.n, [v. 1660].
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1000 €
Complete series of 6 engravings by Aelbert Cuyp (1620-1691) Dutch painter, preceded by a title vignette.
Dimensions of the etchings: 67x75 mm
Dimensions of the paper: 170x135 mm
This complete set is rarely found with its margins preserved.
BUYSSE, Cyriel || CASSIERS, Henri.
Contes des Pays-Bas.
Paris, H. Piazza, 1910.
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400 €
First edition.
Very beautiful illustrations by Henri Cassiers (1858-1944), belgian painter.
Presentation copy.
CARTON, Jean || MONTHERLANT, Henry de.
Encore un instant de bonheur.
Paris, Société du Livre d'Art, 1955.
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500 €
Limited edition (150 copies).
Our one the only 20 with the additionnal two suite of the engravings.
With an original drawing from Jean Carton.
VERTES, Marcel.
Complexes.
Monte-Carlo, André Sauret, 1948.
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250 €
One of the 40 copies with an original drawing from Vertes.
GUITRY, Sacha.
Elles et Toi.
Monte-Carlo, Raoul Solar, 1946.
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450 €
First edition.
One of the 300 first copies, signed by the author.
Presentation copy to Marc Gilbert Sauvageon, French playwright, screenwriter and director.
BASTIA, Georges.
Le Zoo des Vedettes.
Monaco, Éditions Héracléïa, [ca. 1946].
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350 €
First edition printed at 450 numbered copies (n° 435), with 30 original lithographs by Georges BASTIA (1904-1980), representing animal caricatures of the stars of the show of the time such as Michel Simon, Fernandel, Marguerite Moreno, Cécile Sorel, Jean-Louis Barrault, Fernand Ledoux, Maurice Chevalier, Raimu, Mistinguett, Edith Piaf, etc.
Presentation copy to to Marc Gilbert Sauvageon, French playwright, screenwriter and director.
BASTIA, Georges.
Le Zoo des Vedettes.
s.l., s.n., [v. 1950].
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2000 €
First edition printed at 400 numbered copies (n° 35), with 68 caricatures by Georges BASTIA (1904-1980), on 61 plates, , representing the stars of the show of the time such as Sacha Guitry, Jean Gabin, Gérard Philippe, Madeleine Renaud, Jean-Louis Barrault, Brigitte Bardot, Jean Marais, Simone Signoret, Yves Montand, Yvonne Printemps, Bourvil, Michel Simon, etc.
Although bearing the same title and including the same preface as the work published by Éditions Héracléïa v. 1946, this work is completly different.
The rarity of this edition comes from the fact that the quality of the plates which compose it is such that they are often sold separately and sometimes by mistake as original works.
Indeed, each lithograph has een enhanced with gouache by the artist, which gives a kind of uniqueness to each copy.
[ÉLOGES et PORTRAITS (Collection Bruker)].
Ensemble de 46 ouvrages illustrés par Dufy, Marquet, Bofa, Utrillo, Hasegawa.
Monte-Carlo, André Sauret, 1948.
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10000 €
Manuel Bruker, was born in 1891 in Radaut, Romania. He was three years old when his family arrived in France and settled in Paris around 1894.
After studying medicine and receiving his doctorate in 1917, he became an ear, nose and throat specialist.
Dr. Manuel Bruker was, in the words of Pierre Mac Orlan, a "book lover" with a real passion for art.
In 1926, at the age of thirty-five, he created his own publishing house on the advice of his friend Dr. Lucien-Graux, "the prince of bibliophiles".
Between 1931 and 1963, Bruker devoted himself to what was to be the most original and personal part of his work as a publisher: the creation of Praise and Portraits of Artists. He chose among his contemporaries those whose work he particularly esteemed; collaborating with them, he commissioned prints to illustrate the texts, which were written by writers or art critics often close to the artist. During these three decades Manuel Bruker publishes forty-six Praises and Portraits.
These works, which testify to the publisher's aspirations in the field of illustrated books - Manuel Bruker considered this field to be "a production in which France has been able to take the lead" - have rarely been brought together. They have been the subject of three exhibitions, the first at the municipal library of Toulouse in 1958, more recently at the Meguro Museum of Tokyo in the fall of 2003, and then at the Museum of Fine Arts of Bordeaux in 2005, from whom we borrow this introduction.
A very rare and complete collection of the 34 "Praises" and 12 "Portraits" published by Manuel Bruker.
If most of these works are easy to find, some are rare, such as the portrait of Hasegawa
Most of them are printed at 200 copies, some at 150 or 250 copies.
The "Eloges" :
Eloge de Raoul Dufy par Fernand Fleuret. Paris, 1932.
Eloge de J.-E Laboureur par le Dr Lucien-Graux. Paris, 1938.
Eloge de H. de Waroquier par A.- H Martinie. Paris, 1945.
Eloge de Pierre Bonnard par Léon Werth. Paris, 1946.
Eloge de Bernard Naudin par Claude Roger-Marx. Paris, 1947.
Eloge de Albert Marquet par Léon Werth. Paris, 1948.
Eloge de Gus Bofa par Pierre Mac Orlan. Paris, 1949.
Eloge de Jean Frélaut par Jacques de Laprade. Paris, 1950.
Eloge de Lucien Mainssieux par Manuel Bruker. Paris, 1950.
Eloge de Marcel Vertès par Georges Huisman. Paris, 1951.
Eloge de Louise Hervieu par Claude Roger-Marx. Paris, 1953.
Eloge de Henri Manguin par Charles Terrasse. Paris, 1954.
Eloge de Jacques Villon par Jacques Lassaigne. Paris, 1955.
Eloge de Maurice Brianchon par Claude Roger-Marx. Paris, 1955.
Eloge de Yves Brayer par Jean Bouret. Paris, 1955.
Eloge de Maurice Utrillo par Renée Willy. Paris, 1956.
Eloge de J.-G. Daragnès par Pierre Mac Orlan. Paris, 1956.
Eloge de Charles Camoin par Charles Vildrac. Paris, 1956.
Eloge de Van Dongen par Paul Guth. Paris, 1957.
Eloge de François Desnoyer par Jean Bouret. Paris, 1958.
Eloge de Clavé par Pierre Osenat. Paris, 1958.
Eloge de Gromaire par Guy Dornand. Paris, 1958.
Eloge de Cavaillès par Jean Cassou. 1958.
Eloge de Derain par Marc Sandoz. 1958.
Eloge de Roland Oudot par Claude Roger-Marx. Paris, 1958.
Eloge de Maurice Asselin par Marc Sandoz. Paris,1959.
Eloge de André Lhote par Guy Dornand. Paris,1960.
Eloge de Louis Neillot par Jean Bouret. Paris, 1962.
Eloge de Jean Lurçat par Robert Mallet. Paris, 1962.
Eloge de Robert Humblot par Claude Roger-Marx. Paris, 1962.
Eloge de Georges Oudot par Guy Dornand. Paris, 1962.
Eloge de Emile Bernard par Louis Hautecoeur. Paris, 1962.
Eloge de Michel Rodde par Gérard Mourgue. Paris, 1963.
Eloge de Dunoyer de Segonzac par Maurice Loncle. Paris, 1963
The "Portraits" :
Portrait de J.-L. Soulas par Jacques de Laprade. Paris, 1950.
Portrait d’A. Jacquemin par Louis Cheronnet. 1951.
Portrait d’Albert Decaris par lui-même. Paris, 1953.
Portrait de D. Galanis par André Beucler. Paris, 1954.
Portrait de Robert Lotiron par Claude Roger-Marx. Paris, 1955.
Portrait d’Abram Krol par Maurice Toesca. Paris, 1957.
Portrait de Jacob Balgley par Claude Roger-Marx. 1959.
Portrait de Monique Jörgensen par elle-même. Paris, 1959.
Portrait de Germaine de Coster par Raymond Cogniat. Paris, 1960.
Portrait de Ilya Bechkov par Bogomil Raino. 1960.
Portrait de Kiyoshi Hasegawa par Robert Rey. Paris, 1963.
Portrait de Hélène Marre par Jean-Luc Michaud. Paris, 1963.
LA FONTAINE, Jean || BECAT, Paul Emile.
Contes.
Paris, Georges Briffaut, 1928-1929.
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200 €
Edition given by Louis Perceau and illustrated with out-of-text color compositions by Paul-Emile BECAT.
BIRAN, Michèle de || TOUCHAGES, Louis.
Seuls à deux.
Paris, Editions du Mouflon, 1947.
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200 €
12 illustrations after Louis Touchagues colored by Nervet.
One of the 33 copies on Chiffon d'Auvergne, accompanied by the suite of twelve engravings printed in black on Chiffon d'Auvergne and two original initial drawings (instead of an one announced drawing). Our copy n°31.
TOUCHAGUES, Louis || ARNOUX, Alexandre.
Nus. Vingt cuivres gravés par Touchagues.
Paris, Edition du Tertre, [ca. 1945].
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750 €
Copy printed for Marc-Gilbert Sauvajon (1909-1985).
ZAMACOIS, Miguel.
Seigneur Polichinelle.
Paris, Librairie Théatrale, 1926.
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150 €
Presentation copy signed by Zamacoïs with an original watercolor paint.
ANDRÉ, Yves-Marie || FORMEY.
Essai sur le Beau Avec un Discours Préliminaire et des Réflexions sur le Goût par M. Formey.
Amsterdam, J.H.Schneider, 1767.
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75 €
Yves-Marie André (1674-1765) was a Jesuit priest, philosopher and in charge of a chair of mathematics in Caen.
FRANCE, Anatole.
Sur La Pierre blanche.
Paris, La Connaissance, 1924.
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250 €
Philosophical and anticipatory work of Anatole France.
"The work deals as a whole with the evolution of mankind, and outlines the possibility of a creation of the United States of the world." (wikipedia)
Very nice edition decorated with engravings by Jean Kefalinos (full page, banners, frames ...).
Copy on Vélin de Rives nominative for M. Du Part with the series of illustrations on Vellum.
DURANDY, Dominique.
La Ceinture de Vénus, collines et paysages de mon pays.
Macon, Brocherioux, 1923.
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250 €
First edition.
Book dedicated to the country of Nice by Dominique Durandy (1868-1920).
The book is prefaced by Camille Mauclair and the watercolors plates are by Lessieux.
Copy on Lafuma paper n°499.
BOCCACE.
Les Dix Journées de Jean Boccace.
Paris, Librairie des bibliophiles Joaust, 1873.
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450 €
Beautiful edition by Jouaust of the work of Boccace.
Paul Lacroix signs the introduction and Flameng who gives eleven very beautiful etchings.
MAC ORLAN, Pierre.
Le Quai des brumes.
Paris, Éditions Arc-en-Ciel, 1948.
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500 €
One of 170 copies on vellum paper(ours n ° 94).
This edition is illustrated in color in the text by Dignimont.
Quai des brumes was freely adapted for cinema by Marcel Carné with Jean Gabin and Michelle Morgan.
KAULBACH, William || JAEGER, C. || Mueller, A. || PIXIS, Th. || BAYSCHLAG, R. || LINDENSCHMIT, W.
Schiller-Gallery.
Munich, Bruckmann, [v. 1880].
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50 €
Beautiful photographic reproductions of drawings illustrating the work of Schiller.
SILVESTRE, Armand.
Floréal.
Paris, Masson et Cie, 1912.
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150 €
First edition.
Very nice edition enriched with illustrations by Georges Cain printed in several colors. Each chapter is adorned with an inset engraving and an engraved headband and end-engraving which frames the text.
Massenet sets the heroes of this spring of 1799 to music and leaves us the music sheets.
Jules Clarétie who writes the preface tells us: "[...] Among these books, I do not know, I repeat it, of more original than this one. It seems that all the arts wanted to fraternize in these pages and find themselves, under the same cover, like the heroes of Floréal under the same spring sky. ".
GRASSET, Eugène || GILLOT, Charles.
Histoire des quatre fils Aymon - très nobles et très vaillans chevaliers. Illustrée de compositions en couleurs par Eugène Grasset. Gravure et impression par Charles Gillot. Introduction et Notes par Charles Marcilly.
Paris, H. Launette, 1883.
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2000 €
The story of the four Aymon sons is a legendary tale, which was originally a gesture song from the French Carolingian era. The four heroes, sons of Duke Aymon, are introduced to the emperor Charlemagne and will live many adventures accompanied by an enchanter and a magical horse.
Their adventures are finely illustrated by Eugène Grasset (1845-1917), one of the representatives of Art Nouveau. It combines, with delicacy and simplicity, iconography inspired by the Middle Ages and the Knighthood with Art Nouveau style (with stylized forms and characteristic ornamental motifs such as flowers).
TOPFFER, Rodolphe.
Premiers voyages en zigzag ou excursions d'un pensionnat en vacances dans les cantons suisses et sur le revers italien des Alpes.
Paris, Garnier frères, 1860.
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75 €
Beautiful edition illustrated by Calame, Girardet, D'Aubigny.
TÖPFFER, Rodolphe.
M. CREPIN.
Paris, Imprimerie Caillet, [v. 1860].
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60 €
Reissue around 1860 of one of the first comics ever published by Rodolphe Töpffer, the inventor of the genre.
STENDHAL.
Le Rouge et le Noir.
Paris, Henri Creuzevault, 1945.
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750 €
Artist's copy signed by illustrator Sylvain Sauvage, is one of 25 copies reserved for collaborators among the 50 including the suite of prints off-print and an original sketch signed by the artist.
Very nice illustration of this classic by Stendhal.
[Michel BERTRAND] SAINT MARC, Antoine.
La Dame de Plaisance.
s.l., Marcel Castel, 1968.
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250 €
First edition. Only 56 copies printed.
Very nice edition for the Club des Cinquante illustrated by 6 original watercolors signed by the painter Michel Bertrand (1935-2009).
Michel Bertrand will turn two years later to contemporary art in which he will experience some success. Catherine Millet will classify him among the major artists of the Montpellier region alongside Gérard Garouste and Vincent Bouliès. Six of his works are part of the collections of the Center Georges Pompidou.
[BEAUMONT, L. de] || ROBIDA, Albert.
Le cas du vidame, par l'Académicien d'estampes.
Paris, A la librairie illustrée, [ca. 1889].
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550 €
Copy on Japan paper.
Presentation copy to Monsieur Achille by Albert Robida, with a fine drawing by the artist (Profile of a woman wearing a nice hat).
Robida (1848-1926) illustrates here, with his characteristic style full of life, the funny story of a mismatched wedding, which begins with a disastrous wedding night.
GOETHE, Johann Wolfgang von || COLLOT, André.
Faust - Le Second Faust. Illustré par A. Collot.
Paris, La tradition, [1937-1938].
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800 €
On of the 34 copies on Japon Impérial paper, with an additionnal suite and an original drawing. Our copy contain an second additional drawing.
Translation by Gérard de Nerval, with illustrations by André Collot.
André Collot (1897-1976) was a French illustrator, engraver and painter known for his many illustrations of erotic books. However, by working on the illustration of Goethe's "Faust", he revealed a darker part of his work and succeeded in transcribing all the tragedy of the work of the famous German writer.
ROBIDA, Albert.
St Bertrand de Comminges.
s.l., s.n., [v. 1924].
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300 €
Beautiful lithograph (310x220 mm) with note of the heart of the church of St Bertrand de Comminges. The lithograph is signed in the board and off the plank in pencil by Robida. Edition of 125 copies this one n ° 25.
COCTEAU, Jean || LHOTE, André.
Escales.
Paris, Éditions de la Sirène, 1920.
More Details >
3000 €
440 copies.
This (n° xviii) one of the 25 on Hollande paper, with an additionnal text 'Musée Secret' containing 5 erotical drawing in black from Lhote that is not in the normal paper.
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