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Litterature
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434
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COCTEAU, Jean.
La Crucifixion.
Paris, Paul Morihien, 1946.
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850 €
First edition.
One of the 25 on Chine paper.
GOETHE, Johann Wolfgang von || COLLOT, André.
Faust - Le Second Faust. Illustré par A. Collot.
Paris, La tradition, [1937-1938].
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Sold
On of the 34 copies on Japon Impérial paper, with an additionnal suite and an original drawing. Our copy contain an second additional drawing.
Translation by Gérard de Nerval, with illustrations by André Collot.
André Collot (1897-1976) was a French illustrator, engraver and painter known for his many illustrations of erotic books. However, by working on the illustration of Goethe's "Faust", he revealed a darker part of his work and succeeded in transcribing all the tragedy of the work of the famous German writer.
RABELAIS, François || BARTA, Lazlo.
Gargantua.
Paris, Aux éditions de la Cigogne, 1934.
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800 €
Exceptionnelle reliure conçue par l'artiste Laslo Barta pour notre exemplaire (le certificat de l'artiste est joint à l'ouvrage)
Barta, artiste né en Hongrie en 1902 et mort en 1961 en France, s'est essayé à plusieurs discipline: peinture, décoration, mosaïque. Ce gout éclectique se retrouve sur notre livre dans lequel le texte est illustré de 40 eaux fortes, les gardes illustrées à la gouache et les plats conçues en haut relief de cuir repoussé.
One of 160 copies on Vélin de Rives, ours n° 59.
GARCIA LORCA, Federico || ELUARD, Paul.
Ode à Salvador Dali.
Paris, GLM, 1927.
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800 €
First french edition.
Presentation copy signed by Paul Eluard and Louis Parrot.
VERLAINE, Paul.
Choix de Poésies.
Paris, Fasquelle, 1928.
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800 €
Beautiful copy of this famous industrial binding produced between 1933 and 1955 by Joseph Taupin, under the pseudonym Jotau. The boards and the back are molded in a mass-dyed resin, close to bakelite, pollopas. Flats and backs are articulated by a rod. This particularly brittle resin was quickly abandoned and few copies reach us without damage, as is the case with the book we are offering.
TOUCHAGUES, Louis || ARNOUX, Alexandre.
Nus. Vingt cuivres gravés par Touchagues.
Paris, Edition du Tertre, [ca. 1945].
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750 €
Copy printed for Marc-Gilbert Sauvajon (1909-1985).
STENDHAL.
Le Rouge et le Noir.
Paris, Henri Creuzevault, 1945.
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750 €
Artist's copy signed by illustrator Sylvain Sauvage, is one of 25 copies reserved for collaborators among the 50 including the suite of prints off-print and an original sketch signed by the artist.
Very nice illustration of this classic by Stendhal.
RETIF DE LA BRETONNE, Nicolas-Edme.
La Dernière Avanture d'un Homme de Quarantecinq-ans ; Nouvelle utile à plus d'un Lecteur.
Genève, Paris, Regnault, 1783.
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750 €
First edittion.
ELUARD, Paul.
Léda.
Lausanne, H.L. Mermod, 1949.
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750 €
First edition.
One of the 30 copy on Chineese paper, first paper.
Beautiful edition illustrated by Gericault's drawings printed in bicolor.
COCTEAU, Jean.
Poèsies. 1946-1947.
Paris, Jean-Jacques Pauvert, 1947.
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750 €
First edition limited to only 50 copies.
One of the 7 on Japon paper.
BAUDELAIRE, Charles.
Les fleurs du mal avec une étude sur la vie et les œuvres de Baudelaire par Camille Vergniol. Illustrations de Tony Georges-Roux, gravées par Ch. Clément.
Paris, Alphonse Lemerre, 1917.
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750 €
Only 100 copies printed on "papier de Chine".
PROUST, Marcel.
Jean Santeuil.
Paris, Gallimard NRF, 1952.
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750 €
First edition.
One of the 110 copies reimposed in quarto tellière on "vergé pur fil" paper, ours n° LIV.
Novel unfinished by Marcel Proust and published posthumously.
LE GLAY, Maurice.
Les Pasteurs, Ichou et Itto, enfants berbères.
Paris, Berger-Levrault, 1929.
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750 €
First edition.
Maurice Édouard Le Glay (1868-1936) was a French colonial soldier and writer. A defender of Berber culture, he was one of the main instigators of the Berber Dahir of May 16, 1930, which aimed to preserve the traditional autonomy of the Berber tribes of Morocco. Moroccan nationalist circles criticized him for having inspired a policy of division, pitting the Berbers against the Arabs.
One of the 500 copies on Hollande Van Gelder vellum, ours No. 332.
A very fine copy in an Arabist binding, possibly of Omani manufacture.
[TENCIN, Claudine-Alexandrine Guérin; Marquise de].
Mémoires du Comte de Comminge.
La Haye, J.Neaulme, 1735.
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750 €
Very good and fresh copy.
LA FONTAINE, Jean de.
Fables choisies, mises en vers par J. de La Fontaine.
Dresde-Leipzig, George Conrad Walther, 1757-1758-1761-1766.
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750 €
Edition with ont frontispice and 245 engravings from Joh. Henr. Meil.
[VOLTAIRE].
Vie de Molière avec des jugemens sur ses ouvrages.
Paris, Prault fils, 1739.
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700 €
First edition.
This Life of Molière was commissioned from Voltaire to complete the 4to edition illustrated by Boucher published in 1734 by Prault. But the bookshop censor refused Voltaire's text and published a biographical work of La Serre instead.
ROUSSEAU, Jean-Jacques.
Les confessions.
Paris, Jouaust - Librairie des Bibliophiles, 1881.
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Limited edition of 220 copies on large paper, ours is one of 20 on Whatman paper, numbered 31.
This copy belonged to Cortlandt Field Bishop (1870-1935), a great collector of rare books and who owned one of the most important libraries in the interwar period.
This edition of Jean-Jacques Rousseau's Confessions is illustrated with thirteen etchings in four or five states (only 2 states required).
[CAILLEAU].
Les Misères de ce monde ou Complaintes facétieuses sur les apprentissages de différens arts et métiers de la ville et fauxbourgs de Paris.
Londres et Paris, Cailleau, 1783.
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650 €
First edition.
Very curious collection of texts on the miseries of apprentices.
Published by the bookseller Cailleau, the work brings together the History of the good man Misère, a popular tale from the 17th century, and nine pieces in burlesque verse describing the living conditions of apprentices and servants. It thus includes: the Mirror of patience or the misery of the attorney's clerks, the Misery of the surgeons' boys, the Patira or complaint of a attorney's clerk on his miserable apprenticeship, the Misery of the apprentice printers, applied in detail to each function of this noble Art, the Misery of the apprentice papermakers-gluers, bookbinders and book gilders, the Misery of the bakers' boys of the city and suburbs of Paris, The State of servitude or the misery of the servants, the Misery of the husbands and the Misery of the bailiffs' clerks.
AUGIER, Emile.
L'Aventurière.
Paris, Hetzel, 1848.
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600 €
First edition.
Presentation copy to Regnier, François-Joseph-Philoclès Regnier (1807-1885) actor who played the role of Annibal during the creation of the play in 1848.
Attached to the book are two autograph letters signed by Emile Augier, probably addressed to Regnier, one of which indicates modifications to the text.
Bound in the middle of Act III, a handwritten sheet taking up the beginning of scene 8 of Augier's text to improvise a poem (unidentified signature).
TERENCE.
P. Terentii Comoediae , tum ex Donati commentariis, tum ex optimorum, praesertim veterum, exemplarium collatione.
Paris, Robert Estienne, 1541.
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600 €
Edition given by Robert Estienne.
The comedies of Terence offer an insight into daily life and Roman society at the time. They will have had a significant influence on later European comic literature from the Renaissance. Terence's Comedies held the role for Comedy that Aristotle's Poetics held for other works of fiction. Its patterns of structure and characterization have been studied and adapted by many playwrights and authors, helping to shape the theatrical tradition.
VERNE, Jules.
Le Volcan d'or.
Paris, Collection Hetzel, [1906].
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600 €
First illustrated 8vo edition.
The Golden Volcano, a posthumous novel, takes place during the Klondike Gold Rush.
GHERARDI, Evariste.
Le Théâtre Italien de Gherardi, ou Le Recueil Général de toutes le Comédies and Scènes Françoises jouées par les Comédiens Italiens du Roy.
Paris, Pierre Witte, 1717.
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600 €
The Italian Comedy or Italian Theater was the competing theater troupe of the French Comedy (born from the merger of Molière's troupe and that of the Hotel de Bourgogne) at the end of the 17th century.
His repertoire, assembled here by Evariste Gherardi, was inspired by both characters from the Commedia dell'arte and French authors. I
t was dissolved in 1697 following the announcement of the False Prude (who attacked Maintenon) then returned to Paris under the Regency in 1716.
ESTIENNE, Henri.
Epigrammata Graeca selecta ex Anthologia.
[Genève], Henri Estienne, 1570.
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600 €
Printed by Henri Estienne, this collection is composed of the anthology formed of 260 Greek epigrams already published by him in 1566 but here enriched by his own translations into Latin prose, as well as by original translations in verse by himself and by Paulus Melissus.
This publication caused the imprisonment of Henri Estienne, who had not previously requested permission to publish from the Council of Geneva.
[MEUSNIER de QUERLON, Anne-Gabriel].
Les soupers de Daphné et Les dortoirs de Lacedemone.
[Paris], s.n., 1740.
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600 €
Rare first edition.
A key of the understanding is given by Barbier is hand-written on the last extra leaf of the volume.
This book is a pretty sharp satire about the dinners given at Marly.
Some anecdotes, mostly sexual, were gathering by Monnet.
We can notice that a part of the texte is a clear allusion to freemasonry, its rituals and its symbols.
ZOLA, Emile.
Contes à Ninon.
Paris, J. Hetzel et A. Lacroix (imprimerie Poupart-Davyl), [1864].
More Details >
600 €
First edition.
This collection of tales is the first book published by the young Zola.
A Ninon - Simplice - Le Carnet de Danse - Celle qui m'aime - La Fée Amoureuse - Le Sang - Les Voleurs et l'Ane - Soeur-des-Pauvres - Aventures du Grand Sidoine et du Petit Médéric.
LONGUS || AMYOT, Jacques.
Les Amours pastorales de Daphnis et Chloé.
Londres, s.n., 1779.
More Details >
600 €
Rare copy bound in morocco illustrated by the engravings suit called Régent, very complete with the 29th engraving "aux petits pieds".
CERVANTES, Miguel.
El Ingenioso hidalgo Don Quijote de la Mancha, compuesto por Miguel de Cervantes Saavedra. Edición en miniatura enteramente conforme á la última corregida y publicada por la Real Academia Española.
Paris, Jules Didot, 1827.
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600 €
First miscroscopic edition by Didot.
Performance by the printer Didot who fit the entire text of Cervantes into a single tiny volume. As Brunet remarks, it is not easy to read, and Didot printed a more convenient two-volume edition a few years later. The work was commissioned by Joachim Maria de Ferrer, a Spanish statesman, who said Rius, had this edition distributed to his friends.
Most of the copies encountered are covered in a romantic binding by Simier (various variants).
LONGUS || TOUCHAGES, Louis.
Daphnis et Chloé.
Paris, Editions du Bélier, 1945.
More Details >
600 €
Very beautiful illustration of this classic of ancient literature by Louis Touchages.
Copy n°1 printed on pure Auvergne rag by hand, accompanied by a suite in black of illustrations on pure vellum and an original watercolor, first paper printed in 21 copies.
CENDRARS, Blaise.
Le Plan de l'Aiguille.
Paris, Au sans pareil, 1929.
More Details >
600 €
First edition.
One of the 56 on "Holllande" paper, second paper.
MARDRUS, Dr. Joseph Charles || BOURDELLE, Antoine.
Le Marié Magique.
Paris, Société des Bibliophiles Franco-Suisses, 1930.
More Details >
600 €
Limited edition, only 125 copies.
COPY NUMBER 1.
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